The grandiose inauguration of the organ in the Moscow Zaryadye Hall lasted 24 hours! Concept author and director Daniele Finzi Pasca! 24 organists took part in the concert marathon. From the Russian side invited:
— Lada Labzina — Chief organist and chief custodian of the Moscow Concert Organ
Zaryadye Hall, Honored Artist of the Republic of Tatarstan.
— Lyubov Shishkhanova is a soloist of the Yaroslavl Philharmonic. Professor Moscow
State Conservatory named after. P.I. Tchaikovsky. People's Artist of Russia.
— Vladimir Khomyakov is a soloist of the Chelyabinsk Philharmonic. People's Artist Russia.
— Daniel Zaretsky - professor and head of the department of organ and harpsichord of St.
St. Petersburg State Conservatory named after. N.A. Rimsky-Korsakov.
Honored Artist of Russia.
— Timur Khaliullin is a soloist of the Belgorod Philharmonic.
— Mansur Yusupov is the titular organist of the Cathedral in Kaliningrad.
- Alexey Shmitov - Associate Professor at the Moscow State Conservatory named after P.I.
Tchaikovsky.
— Sergey Cherepanov is an associate professor at the Higher School of Music in Lübeck.
— Alexander Knyazev — Honored Artist of Russia.
— Maria Mokhova – organ class teacher High School Church Music Heidelberg, (Germany-Russia)
— Rubin Abdullin – professor and head of the department of organ and harpsichord at Kazan State University
State Conservatory (Academy) named after N. G. Zhiganov. People's Artist of Russia.
- Taras Baginets - soloist Sverdlovsk Philharmonic.
The foreign organ school will be represented at the Inauguration by:
— Gunnar Edenstam (Sweden) - organist, composer, improviser and arranger. WITH
2013 is a member of the Royal Swedish Academy of Music.
— Olivier Latry (France) – organist of Notre Dame de Paris, professor of the Paris
Conservatory, honorary soloist of the Montreal Symphony Orchestra.
— Bernard Focrul (France) – organist, conductor, composer. Professor of the organ department
at the Royal de Musique (Brussels), PhD from the University of Montreal and the University
Ex-Marseille.
— Thierry Esquech (France) – staff organist of the Parisian church of Saint-Etienne-du-Mont,
composer and improviser. Member of the French Academy fine arts, professor
Paris Conservatory.
— Jean-Baptiste Robin (France) – organist and composer. Organist since 2010
Royal Chapel of Versailles, professor of organ department at the Conservatory of Versailles.
— Daniel Beckmann (Germany) – titular organist in Cathedral saint
Martin of Tours (Mainz).
— Winfried Bönig (Germany) - organist of the Cologne Cathedral, professor of the Cologne University
music schools.
— Shin Young Lee (Korea) — permanent guest organist of the Philharmonic Orchestra
Radio France.
- Thomas Trotter (Great Britain) - organist of St. Margaret's Church in Westminster,
honorary doctorate from the University of Birmingham.
— Nathan Laube (USA) is an organist and assistant professor of organ at the Eastman School of Music in
Rochester and the Royal Birmingham Conservatoire.
- Melody Michel (USA) - organist, studies at the International Lyceum in Saint-Germain -
en-Lay and at the Paris Conservatory.
— Hiroko Inoue (Japan-Russia) — soloist of the Kaliningrad Philharmonic.
You are not a slave!
Closed educational course for children of the elite: "The true arrangement of the world."
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Material from Wikipedia - the free encyclopedia
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Sverdlovskaya State Philharmonic (GAUK SO "Sverdlovsk Order of the Red Banner of Labor State Academic Philharmonic") is a state (regional) cultural institution in Yekaterinburg, one of the best philharmonic societies in Russia. Director - Honored Worker of Culture of Russia A. N. Kolotursky. C - academic.
Story
Created by Resolution No. 4541 of June 10, 1936 of the executive committee of the Sverdlovsk Regional Council of Workers, Peasants and Red Army Deputies, which legislated the creation in Sverdlovsk of a state concert organization on the basis of the Radio Committee symphony orchestra, the Regional Trade Council choir, musical and vocal forces regional theaters. Many were wary of the creation of a new one in the city. cultural institution, preferred to visit the Opera House and the “Makletsky Hall” that existed in the city, in which they gave musical performances and concerts. State concert organization "Sverdlovsk regional philharmonic society"became the third philharmonic society to appear in the country - after the Moscow and Leningrad [[K:Wikipedia:Articles without sources (country: Lua error: callParserFunction: function "#property" was not found. Lua error: callParserFunction: function "#property" was not found. )]][[K:Wikipedia:Articles without sources (country: Lua error: callParserFunction: function "#property" was not found. )]] .
On the opening day of the Sverdlovsk Philharmonic and on the day of the first philharmonic concert of the Sverdlovsk State Symphony Orchestra on September 29, 1936, the symphony orchestra under the direction of a visiting guest from the USA - conductor Vladimir Savvich, performed the Sixth Symphony of P. I. Tchaikovsky and symphonic suite Respighi "Pineas of Rome". Last piece was first performed in the Soviet Union. The singer of the Bolshoi Theater, People's Artist of the RSFSR Ksenia Derzhinskaya performed in the second part of the concert.
The Philharmonic has hosted several festivals of piano duets and festivals of guitar and symphonic music. The history of international contacts was also developed in joint Russian-foreign projects, in speeches foreign musicians with the Ural Academic Philharmonic Orchestra, on the orchestra’s trips to different countries of the world. For recent years the Yekaterinburg public discovered new Russian names- Mark Drobinsky, Alexey Lyubimov, Vadim Repin, Nikolay Lugansky, Denis Matsuev, Boris Berezovsky, Ignat Solzhenitsyn, Valery Grokhovsky, Vadim Palmov and others.
The main staff is 355 people; of which artistic personnel - 197. Workers awarded the titles "People's Artist of the USSR", "People's Artist of the RSFSR", "Honored Artist of the Russian Federation", "Honored Worker of Culture of the Russian Federation" - 20 people.
Director of the Sverdlovsk Philharmonic Alexander Nikolaevich Kolotursky and chief conductor The Ural Academic Philharmonic Orchestra Dmitry Ilyich Liss was awarded the State Prize of the Russian Federation in the field of literature and art for 2008.
Hall
Concert hall- 700 seats. Chamber hall - 120 seats. Halls in branches - from 250 to 670 seats.
- Great hall: 2 " Steinway", Hamburg (D), 1 " Bechstein", Berlin (D)
- Chamber hall: 1 " Ronisch", St. Petersburg, 1909 (B)
Organ
Until 2014, the organ had 3840 pipes, 52 registers, 3 manuals, and a pedal. Total weight - 22 tons. The length of the largest pipe is 6 meters, the diameter of the smallest is 2 mm.
The first concert, which heralded the birth of a new organ in Great hall Philharmonic, took place on October 31, 1973. It was attended by Estonian organist Hugo Lepnurm, organist of the Moscow Conservatory Natalia Malina and a guest from the GDR, professor of the Higher music school them. F. Liszt in Weimar Johann-Ernst Keller. The first organist of the Sverdlovsk Philharmonic was Vladimir Arseev. In the 1990s, he was replaced by Harry Konyaev, and later by Mikhail Degtyarev. Since 2002, the main organist of the Philharmonic is Taras Baginets.
Over the 30 years of the existence of the Yekaterinburg organ, viewers have met many outstanding organists from Russia, Ukraine, Germany, France, the USA, Denmark, Great Britain, Switzerland and other countries. From 1973 to 2014, the keeper and master of the “king of instruments” was Arkady Kaluzhnikov. Since 2014, Denis Fomichev has been the organ master of the Philharmonic.
In the mid-1990s, the organ was in need of restoration. In May 1997, the “Save the Organ!” campaign was held, which attracted the attention of the general public of Yekaterinburg to the fate of the organ and helped raise funds for its “treatment.” More than 700 people made their personal contributions to save the organ. Upon completion of the repair work carried out by craftsmen from the German company W. Sauer”, on August 8, 1998, on the occasion of the “recovery of the King of Instruments”, a gala reception “Vivat, Organ!” was held.
In 2014, large-scale works on modernization and reconstruction of tools. 2 registers were replaced and 5 new ones were added, the game console was replaced with a new one, with computer control elements. In total, after the work carried out by the German organ-building companies "Johannes Klais" and "August Laukhuff" the organ of the Sverdlovsk Philharmonic has 57 registers and 4120 pipes.
Performers
In the 90s, new groups were born under the Ural Philharmonic Orchestra - the woodwind ensemble "Lorelei Quintett" (), the Chamber Philharmonic Orchestra (), the brass ensemble "Brass Quintet" (1998). In addition to them, the Philharmonic includes:
- Russian Chamber Ensemble folk instruments"Russian music group"Ayushka"
- Chamber ensemble of Russian folk instruments “Phoenix Quartet”
- Chamber ensemble "Ural Accordion Trio"
- Concert performers - instrumentalists, vocalists, reciters, musicologists.
League of Friends of the Philharmonic
An excerpt characterizing the Sverdlovsk Philharmonic
If I understood correctly, this was the one whom the North called the Wanderer. The one who watched...Both were dressed in long white and red clothes, belted with a thick, twisted, red cord. The world around this unusual couple swayed smoothly, changing its shape, as if they were sitting in some closed, oscillating space, accessible only to the two of them. The air all around was fragrant and cool, it smelled of forest herbs, spruces and raspberries... A light, occasional breeze gently caressed the lush tall grass, leaving in it the smells of distant lilacs, fresh milk and cedar cones... The land here was so surprisingly safe , pure and kind, as if worldly worries did not touch her, human malice did not penetrate into her, as if a deceitful, changeable person had never set foot there...
The two talking stood up and, smiling at each other, began to say goodbye. Svetodar was the first to speak.
– Thank you, Wanderer... Low bow to you. I can't go back, you know. I'm leaving home. But I remembered your lessons and will pass them on to others. You will always live in my memory, as well as in my heart. Goodbye.
- Go in peace, son bright people- Svetodar. I'm glad I met you. And I’m sad that I’m saying goodbye to you... I gave you everything that you were able to comprehend... And that you were able to give to others. But this does not mean that people will want to accept what you want to tell them. Remember, knower, a person is responsible for his own choice. Not gods, not fate - only man himself! And until he understands this, the Earth will not change, it will not get better... Have an easy journey home, dedicated. May your Faith protect you. And may our Family help you...
The vision disappeared. And everything around became empty and lonely. It’s as if the old warm sun quietly disappeared behind a black cloud...
- How long has it been since Svetodar left home, Sever? I was beginning to think that he was leaving for a long time, maybe even for the rest of his life?..
– And he stayed there all his life, Isidora. Six long decades.
– But he looks very young?! So, he also managed to live a long time without aging? Did he know the old secret? Or did the Wanderer teach him this?
“I cannot tell you this, my friend, because I don’t know.” But I know something else - Svetodar did not have time to teach what the Wanderer had taught him for years - he was not allowed... But he managed to see the continuation of his wonderful Family - a little great-great-grandson. I managed to call him by his real name. This gave Svetodar a rare opportunity - to die happy... Sometimes even this is enough for life not to seem in vain, isn’t it, Isidora?
– And again – fate chooses the best!.. Why did he have to study all his life? Why did he leave his wife and child if everything turned out to be in vain? Or was there some greater meaning in this that I still cannot comprehend, North?
– Don’t kill yourself in vain, Isidora. You understand everything perfectly well - look into yourself, because the answer is your whole life... You are fighting, knowing full well that you will not be able to win - you will not be able to win. But how can you do otherwise?.. A person cannot, has no right to give up, allowing for the possibility of losing. Even if it is not you, but someone else, who, after your death, will be ignited by your courage and bravery - it is no longer in vain. It’s just that earthly man is not yet old enough to be able to comprehend this. For most people, fighting is only interesting as long as they remain alive, but none of them is interested in what happens after. They don’t yet know how to “live for posterity,” Isidora.
- It's sad, if you're right, my friend... But it won't change today. Therefore, returning to the old days, can you say how Svetodar’s life ended?
North smiled affectionately.
– But you, too, are changing a lot, Isidora. Even in our last meeting, you would have rushed to assure me that I was wrong!.. You began to understand a lot, my friend. It’s just a pity that you’re leaving in vain... you can do incomparably more!
North fell silent for a moment, but continued almost immediately.
– After long and difficult years of lonely wandering, Svetodar finally returned home, to his beloved Occitania... where sad, irreparable losses awaited him.
A long time ago, his sweet, gentle wife, Margarita, passed away, never waiting for him to share their difficult life with him... He also did not find his wonderful granddaughter Tara, who was given to them by their daughter Maria... and great-granddaughter Maria, who died at the birth of his great-great-grandson, who was born just three years ago. Too much of his family was lost... Too heavy a burden weighed on him, not allowing him to enjoy the rest of his life... Look at them, Isidora... They are worth getting to know.
And again I appeared where long-dead people lived who had become dear to my heart... Bitterness wrapped my soul in a shroud of silence, not allowing me to communicate with them. I couldn’t turn to them, I couldn’t even say how courageous and wonderful they were...
Occitania...
At the very top of a high stone mountain there were three people... One of them was Svetodar, he looked very sad. Nearby, leaning on his hand, stood a very beautiful young woman, and clinging to her was a small blond boy, clutching a huge armful of bright wildflowers to his chest.
– Who did you pick up so much for, Beloyarushka? – Svetodar asked affectionately.
“Well, how?!..” the boy was surprised, immediately dividing the bouquet into three even parts. - This is for mommy... And this is for dear grandmother Tara, and this is for grandmother Maria. Isn't that right, grandpa?
Svetodar did not answer, he only pressed the boy tightly to his chest. He was all he had left... this wonderful, affectionate baby. After his great-granddaughter Maria died during childbirth, whom Svetodar never saw, the baby had only Aunt Marcilla (who stood next to them) and his father, whom Beloyar hardly remembered, since he was always fighting somewhere.
- Is it true that you will never leave again now, grandfather? Is it true that you will stay with me and teach me? Aunt Marcilla says that from now on you will always live only with us. Is this true, grandpa?
The baby's eyes shone like bright stars. Apparently the appearance of such a young and strong grandfather from somewhere delighted the baby! Well, the “grandfather,” sadly hugging him, thought at that time about those whom he would never see again, even if he lived on Earth for a hundred lonely years...
- I’m not going anywhere, Beloyarushka. Where should I go if you are here?.. Now you and I will always be together, right? You and I are such a great force!.. Right?
The baby squealed with pleasure and kept huddling closer to his new grandfather, as if he could suddenly disappear, just as suddenly as he had appeared.
– Are you really not going anywhere, Svetodar? – Marcilla asked quietly.
Svetodar just shook his head sadly. And where should he go, where should he go?.. This was his land, his roots. Everyone he loved and who was dear to him lived and died here. And this is where he went HOME. In Montsegur they were incredibly happy to see him. True, there is not a single one left there who would remember him. But there were their children and grandchildren. There were his CATHARS, whom he loved with all his heart and respected with all his soul.
Magdalene's faith blossomed in Occitania as never before, long ago surpassing its borders! This was the Golden Age of the Cathars. When their teachings swept across the countries in a powerful, invincible wave, sweeping away any obstacles on their pure and right path. More and more new people joined them. And despite all the “black” attempts of the “holy” Catholic Church to destroy them, the teachings of Magdalene and Radomir captured all the truly bright and courageous hearts, and all the sharp minds open to new things. In the farthest corners of the earth, minstrels sang the wondrous songs of the Occitan troubadours, opening the eyes and minds of the enlightened, and amusing “ordinary” people with their romantic skill.
Occitania blossomed like a beauty bright flower, absorbing the vital power of bright Mary. It seemed that no force could resist this powerful flow of Knowledge and bright, universal Love. People still worshiped their Magdalene here, adoring her. It was as if she still lived in each of them... She lived in every pebble, in every flower, in every grain of this amazing, pure land...
One day, while walking through familiar caves, Svetodar came across a new one that shocked him to the very depths of his soul... There, in a calm, quiet corner, stood his wonderful mother - his beloved Mary Magdalene!.. It seemed that nature could not forget this wondrous, strong woman and despite everything, she created her image with her almighty, generous hand.
Mary's Cave. In the very corner of the cave stands, created by nature, a tall statue of a beautiful woman,
very shrouded long hair. Local Cathars said that the statue appeared there immediately after
the death of Magdalene and after each fall of a new drop of water it became more and more like her...
This cave is still called “Mary’s Cave”. And everyone can see Magdalene standing there.
Turning around, a little further away Svetodar saw another miracle - in another corner of the cave there was a statue of his sister! She clearly resembled a curly-haired girl standing over something lying... (Vesta standing over her mother's body?..) Svetodar's hair began to move!.. It seemed to him that he was starting to go crazy. Turning quickly, he jumped out of the cave.
Statue of Vesta – Svetodar’s sister. Occitania did not want to forget them...
And she created her own monument - drop by drop, sculpting faces dear to her heart.
They stand there for centuries, and the water continues its magical work, making
they are getting closer and more and more similar to the real ones...
Later, having slightly recovered from the shock, Svetodar asked Marsila if she knew about what he saw. And when he heard a positive answer, his soul literally “burst” with tears of happiness - his mother, Golden Maria, was indeed still alive in this land! The very land of Occitania recreated this beautiful woman in itself - “revived” its Magdalene in stone... It was a real creation of love... Only nature was a loving architect.
Tears sparkled in my eyes... And I wasn’t ashamed of it at all. I would give a lot to meet one of them alive!.. Especially Magdalene. How wonderful ancient magic burned in the soul of this amazing woman when she created her magical kingdom?! A kingdom in which Knowledge and Understanding ruled, and the backbone of which was Love. Only not the love that the “holy” church shouted about, having worn out this wondrous word to the point that one did not want to hear it any longer, but that beautiful and pure, real and courageous, the only and amazing LOVE, with the name of which powers were born... and with whose name the ancient warriors rushed into battle... with whose name she was born new life... in whose name our world changed and became better... It was this Love that was carried by Golden Maria. And it is this Mary that I would like to bow to... For everything that she carried, for her pure bright LIFE, for her courage and courage, and for Love.
But, unfortunately, it was impossible to do this... She lived centuries ago. And I couldn't be the one who knew her. An incredibly deep, bright sadness suddenly overwhelmed me, and bitter tears flowed in a stream...
- Well, what are you doing, my friend!.. Other sorrows await you! – North exclaimed in surprise. - Please, calm down...
He gently touched my hand and gradually the sadness disappeared. All that was left was bitterness, as if I had lost something bright and dear...
– You can’t relax... War awaits you, Isidora.
- one of the oldest philharmonic societies in the country, which does not prevent it from being one of the most advanced - with a virtual concert hall, its own group "VKontakte" and the title “Philharmonic of the Year”, received before anyone else in the country.
Business club for industrialists and merchants
Looking at the Philharmonic building, today it is difficult to imagine that it was once built not only and not so much for symphonies and serenades, but for business negotiations and solid transactions. After all, this building was originally conceived in 1913 as Business club for industrialists and merchants, but built according to the architect's design Konstantin Babykin just in time for 1917. The club was notable for its Art Nouveau façade and the urban design inside the club. concert hall. Interior work, unfinished due to the revolutionary turmoil, was resumed in 1920, and the club opened to visitors only in October 1926. By that time things were already tight with merchants and industrialists, so the club came under the jurisdiction of Soviet engineering and technical workers and workers in the national economy.
In the early years of the Business Club's existence, such celebrities as Sergey Lemeshev, Ivan Kozlovsky And Leonid Utesov, spent their first seasons Theater for Young Spectators And Theater musical comedy . The People's Commissar of Education gave a report here Anatoly Lunacharsky(later his article “City in the Woods” appeared in the regional newspaper with fresh impressions of the actively developing Sverdlovsk - among other things, it included an enthusiastic review of the building of the Business Club) and read his poems Vladimir Mayakovsky. And in April 1934, the first concert of the Radio Committee Symphony Orchestra under the direction of Mark Paverman– it was on the basis of this orchestra that the Sverdlovsk Philharmonic was created two years later.
History of creation
The state concert organization “Sverdlovsk Regional Philharmonic” became the third philharmonic to appear in the country - after Moscow and Leningrad (and someone else doubts that we have always been the third capital!). Its first season was opened on September 29, 1936. The Concert Hall of the Sverdlovsk Philharmonic has finally and irrevocably established itself as a leading concert venue city (the phrase “It is performed for the first time in Sverdlovsk” flashed in the programs symphony concerts with enviable regularity), remains so to this day. In 1973, the “king of instruments” appeared at the Philharmonic - a real German organ (since 2002 the organist has been Taras Baginets), and in May 1998, the concert organization “Sverdlovsk State Philharmonic” was awarded the title “Academic”.
“The King of Instruments” is the organ. Photo by: Georgy Mamarin Ural State Academic
philharmonic orchestra
Special pride - Symphony orchestra Sverdlovsk Philharmonic, which the world gives a standing ovation. The orchestra achieved its success under the direction of Dmitry Ilyich Lissa, chief conductor of the Ural Academic Philharmonic Orchestra. The Ural Orchestra has become a brand not only in Yekaterinburg and the Urals, but throughout the country and even beyond its borders.
International musical
festival "Eurasia"
And in the fall of 2011, the first international music festival "Eurasia", artistic director which became Dmitry Liss. Participated in the festival the best orchestras Europe and Asia, and this had a special meaning - to connect Europe and Asia in the Urals.
First-rate musicians come to the festival, including close friends of the Ural Academic Philharmonic Orchestra. A characteristic feature of the festival is the performances of leading musicians representing ethnic traditions.
Author of the photo: Tatyana Andreeva International musical
Festival "Crazy Days"
In 2015, history began in Russia. 70 concerts were given on 6 stages in Yekaterinburg, and in 2017 100 concerts are expected in 8 halls in the city center.
Year after year, the Crazy Days festival is developing: the number of concerts is growing, it sounds impressive and multifaceted new topic, they come to Yekaterinburg for the first time creative teams and performers from different countries world, but the main thing remains unchanged - the atmosphere of the holiday, in the center of which is Music, from its ethno-origins to the masterpieces of the past and present.
