In the first chapter it is already said about Onegin: “I’m tired of friends and friendship.” Probably, Onegin chose the hero of Byron’s works as his ideal. In addition, after a few chapters we learn that in Onegin’s office there is a bust of Napoleon: “We read everyone with zeros, and ourselves with ones. We all look at Napoleons...” Isn't this about Onegin? The hero is bored. But why did the blues take possession of him? In Onegin there is no desire to act, change anything, or protest. He is bored with inaction and doing nothing (as, indeed, with balls and social society), but he doesn’t want to do anything.
And Onegin became friends with Lensky simply because there was no one else to communicate with in the village. Pushkin calls them (Lensky and Onegin) “there’s nothing to do, friends.” It was so - they both really had nothing to do: Onegin because of his boredom and melancholy, and Lensky because of his inexperience and naivety - he did not know real life, could not find my place in it. Both the author and Onegin - they are both older than Lensky - are ironic about his romantic nature. Onegin is much more experienced, satiated with life - he could become a kind of mentor, patron for Lensky.
Lensky's love for Olga is also a figment of his romantic imagination. No, he did not love Olga, he loved the image he himself created. Romantic image. And Olga... An ordinary provincial young lady, whose portrait the author was “tired of... immensely.” No wonder Onegin said: “I would choose someone else if I were like you, poet...”. But why is Onegin so sure that he cannot fall in love himself? He meets Tatyana, that “other”, and she confesses her love to him.
And what about Onegin? He is sure that he “was not created for bliss.” But in fact, he is simply afraid to fall in love, afraid to awaken forgotten feelings.
Onegin and Lensky quarreled over a trifle - Onegin invited Olga to dance twice. A small revenge for the fact that Lensky invited him to a ball where the whole neighborhood, the “rabble” that Onegin hated, gathered. But Lensky perceives everything differently - for him this is betrayal, a collapse of hopes.
At the moment when Onegin received the challenge, he should have dissuaded Lensky from the duel, found out everything peacefully, and explained himself. But the notorious public opinion got in the way. And for Onegin it was stronger than friendship.
And here is Olga’s “love”: she cried, grieved, married a military man and left with him. Otherwise, Tatyana loves. In Onegin, she “must... hate to see her brother’s murderer.” It should, but it can't. And after visiting Onegin’s office, she begins to understand more and more the true essence of Onegin - the real Onegin opens up before her. But Tatyana can no longer stop loving him. And probably never will be able to.
So, three years pass, Tatyana and Onegin meet again. But in a different setting - in St. Petersburg, in secular society, Tatiana is married, Onegin has returned from his journey. And now love awakens in Onegin. Love for the one he nobly refused several years ago. What motivates him? Does he love the old Tatyana or only the one she has become now? No, Tatyana has not changed - Onegin has changed. He was able to “renew his soul.” He was able to love. But it's too late. Tatyana, despite the fact that she did not marry for love, cannot destroy the life of her husband, the man who loves her, just for the sake of her happiness.
Thus, the novel presents various “models” of love, friendship, but main character unable to express himself in feeling. He is lonely and unhappy, but he has only himself to blame for this.
THE THEME OF FRIENDSHIP AND LOVE IN "EUGENIY ONEGIN"
In A. S. Pushkin’s novel “Eugene Onegin,” along with other problems, an important place is given to the topic presented in the title of this work, namely the topic of friendship and love.
It all starts with the fact that in the first chapter the author says about Onegin “I’m tired of friends and friendship.” But why, who is to blame for this? Probably, partly Onegin himself, who chose the individualism or even egoism of Byron’s works as his ideal. In addition, after a few chapters we learn that in Onegin’s office there was a bust of Napoleon, and Pushkin will say: “We honor everyone with zeros, and ourselves with ones. We all look at Napoleons...”. Isn't this, to some extent, about Onegin? One of the reasons that Onegin is tired of friendship is his blues. But why did she take possession of him, but not the Author, who appears in the novel as his friend? They are both smart, honest, they both understand the shortcomings of society, but Onegin has no desire to act, no desire to change anything, no desire to go against this society. He is bored with inaction and doing nothing (as well as balls and social society), but he doesn’t want to do anything.
And Onegin became friends with Lensky at first simply because there was no one else in the village where he ended up after the death of his uncle. Pushkin calls them (Lensky and Onegin) “there’s nothing to do, friends.” This was true, both of them really had nothing to do - Onegin because of his boredom and melancholy, and Lensky because of his inexperience and naivety - he did not know real life, he could not adapt to it. Both the Author and Onegin - they were older than Lensky - their ironic and playful attitude towards his romantic nature is not surprising. Onegin, naturally, was much more experienced, learned from life - he was his friend’s mentor, patron.
Lensky's love for Olga is also a fruit of his romantic imagination.
No, he didn’t love Olga, he loved the image he himself created. Romantic image. And Olga... An ordinary provincial young lady, whose portrait the Author was “tired of... immensely.” No wonder Onegin, who was much wiser and more experienced than Lensky, said: “I would choose another if I were like you, poet...”. But why is Onegin so sure that he cannot fall in love himself? He meets Tatyana, that same “other,” and she confesses her love for him (it should be noted, however, that Tatyana is not in love with the completely real Onegin, but partly, again, with an image created on the basis of sentimentalist books). And what about Onegin?
He is sure that he is “not created for bliss”; this is actually not the case.
He is simply afraid to love, afraid to awaken feelings killed during his stay in the world. Yes, it was there, in secular society, that he forgot how to truly make friends and love. There, such concepts as friendship and love are absent - they are replaced by lies, slander, and public opinion.
Yes, by the same public opinion that will destroy both Onegin and Lensky!
Onegin and Lensky quarreled over one incident that happened at the ball - Onegin invited Olga to dance twice. It would seem that Onegin took a little revenge because Lensky invited him to the ball, where the whole neighborhood, the “rabble” that Onegin hated, gathered. For Onegin it’s just a game - but not for Lensky. His rosy, romantic dreams have collapsed - for him this is treason (although this is, of course, not treason at all for either Olga or Onegin). And Lensky sees a duel as the only way out of this situation.
At that moment when Onegin received the challenge, why couldn’t he dissuade Lensky from the duel, find out everything peacefully, explain himself? This notorious public opinion prevented him. Yes, it had weight here in the village too.
And for Onegin it was stronger than his friendship. Lensky was killed. Maybe, as scary as it sounds, this was the best way out for him; he was unprepared for this life.
And so - Olga’s “love”, she cried, grieved, married a military man and left with him. Another thing is Tatyana - no, she did not fall out of love with Onegin, it’s just that after what happened her feelings became even more complicated - in Onegin she “must... hate her brother’s murderer.” It should, but it can't. And after visiting Onegin’s office, she begins to understand more and more the true essence of Onegin - the real Onegin opens up before her. But Tatyana can no longer stop loving him. And, probably, he will never be able to.
So, three years pass, and Tatiana and Onegin meet again. But in a different setting - in St. Petersburg, in secular society, Tatyana is married, Onegin has returned from his journey. And now, having met Tatyana in a new capacity, as socialite, love awakens in Onegin. Love for the one he nobly refused several years ago. What motivates him? Does he love the old Tatyana, or only the one she has become now? No, Tatyana has not changed - Onegin has changed. He was able to “renew his soul.” He was able to love. But it's too late. No, Tatyana did not fall out of love with him, but she was “given to someone else” and will be “faithful to him forever”... Tatyana, despite the fact that she did not marry for love, cannot destroy the life of her husband, the man who loves her, just for the sake of your happiness.
In the novel by A. S. Pushkin “Eugene Onegin” occupies
An important place is the theme of friendship and love.
Already in the first chapter, the author says that Onegin
"I'm tired of friends and friendship." But why, who is to blame for this?
wat? Probably, partly Onegin himself, who chose as his idea
scarlet individualism, or rather the egoism of Byron's heroes. Cro-
Moreover, after a few chapters we learn that in the office
there was a bust of Napoleon in Onegin, and Pushkin said
says: “We honor everyone with zeros, and ourselves with ones. We
We all look at Napoleons...” Among these “we”, there is no doubt
but there was also Onegin.
Onegin became friends with Lensky because in the village,
where he ended up after the death of his uncle, it was simply not possible to communicate with
by whom. Pushkin calls them (Lensky and Onegin) “from doing
nothing, friends." That's how it was - they both really
there was nothing to do: Onegin, because of his boredom and melancholy, and Len-
Sky because of his inexperience and naivety.
Lensky's love for Olga is the fruit of his romantic
imagination: he did not love Olga, he loved the image created
to themselves. And Olga... an ordinary provincial young lady,
whose portrait the author was “tired of... immeasurably.” No wonder One-
The gin, who was much wiser and more experienced than Lensky, said:
“I would choose another one if I were like you, poet...” But why-
Is Onegin so sure that he cannot fall in love with his husband? He
meets Tatyana, that same “other”, and she confesses to him
love (it should be noted, however, that Tatyana is not in love with
real Onegin, but into an image created on the basis of impressions
tions from the works of sentimentalist writers). So what?
Onegin?
He is sure that he “was not created for bliss,” in fact
in fact, this is not so: he is simply afraid to love, afraid to awaken
feelings killed during their stay in the light. There are such understandings
tia, like friendship and love, are absent - they are replaced by lo-
life, slander, public opinion.
Onegin and Lensky quarreled because Onegin
You invited Olga to dance - it was a small place).
Onegin because Lensky brought him to the ball, Judas came together
the whole district, the “rabble” that Onegin hated. For Onega-
this is just a game - but not for Lensky. His romantic
dreams collapsed - for him this is betrayal, double betrayal: and love
bima, and friend. The only way out of this situation is
Lensky sees the duel.
When Onegin received the call, why he: could not explain
to get along with Lensky? He was prevented by this notorious public
new opinion. Yes, it had weight here in the villages too. And it was
For Onegin, his friendship is stronger. Lensky was killed. Maybe
no matter how scary it sounds, it was the best exit :)D for him -
he’ was unprepared for this life.
And what about Olga? She cried and grieved; soon she left
I married a military man and left with him. Another thing is Tatyana -
no, she didn’t stop loving Onegin, but after the tragedy that happened,
and her feelings became even more complex: in Onegin from “should ...
hate your brother's murderer." It should, but it can't. AND
after visiting Onegin's office, she begins to understand the use of
the muddy essence of Onegin - Onegin is revealed to her
real. But Tatyana can no longer stop loving him. And, ve-
Probably will never be able to.
So, three years pass, and Tatiana and Onegin again
meet. But in a different setting - in St. Petersburg, in
secular society, Tatiana is married, Onegin returned from
wanderings. And now, having met Tatyana in a new capacity, in
As a society lady, Onegin fell in love. Love 1L the one who
he nobly refused several years ago. What motivates him?
Does he love the old Tatiana or the current “socialite”?
tsu"? No, Tatyana has not changed - Onegin has changed. He
was able to “renew my soul.” He could love... But too much
late. No, Tatyana did not stop loving him, but she “gave it to someone else”
on” and will be “faithful to him forever”...
In A.S. Pushkin’s novel “Eugene Onegin,” along with other problems, an important place is given to the theme presented in the title of this work, namely the theme of friendship and love.
It all starts with the fact that in the first chapter the author says about Onegin - “I’m tired of friends and friendship.” But why, who is to blame for this? Probably, partly Onegin himself, who chose the individualism or even egoism of Byron’s works as his ideal. In addition, after a few chapters we learn that there was a bust of Napoleon in Onegin’s office, and Pushkin will say: “We honor everyone with zeros, and ourselves with ones. We all look at Napoleons...”. Isn't this, to some extent, about Onegin? One of the reasons that Onegin is tired of friendship is his blues. But why did she take possession of him, but not the Author, who appears in the novel as his friend? They are both smart, honest, they both understand the shortcomings of society, but Onegin has no desire to act, no desire to change anything, no desire to go against this society. He is bored with inaction and doing nothing (as are balls and social society), but he doesn’t want to do anything.
And Onegin became friends with Lensky at first simply because there was no one else in the village where he ended up after the death of his uncle. Pushkin calls them (Lensky and Onegin) “there’s nothing to do, friends.” This was so - they both really had nothing to do - Onegin because of his boredom and melancholy, and Lensky because of his inexperience and naivety - he did not know real life, he could not adapt to it. Both the Author and Onegin - they were older than Lensky - their ironic and playful attitude towards his romantic nature is not surprising. Onegin, naturally, was much more experienced, learned from life - he was his friend’s mentor, patron.
Lensky's love for Olga is also a fruit of his romantic imagination. No, he didn’t love Olga, he loved the image he himself created. Romantic image. And Olga... An ordinary provincial young lady, whose portrait the Author was “tired of... immensely.” No wonder Onegin, who was much wiser and more experienced than Lensky, said: “I would choose another if I were like you, poet...”. But why is Onegin so sure that he cannot fall in love himself? He meets Tatyana, that same “other”, and she confesses her love to him (it should be noted, however, that Tatyana is not in love with the completely real Onegin, but partly, again, with an image created on the basis of sentimentalist books). And what about Onegin?
He is sure that he is “not created for bliss”; this is actually not the case. He is simply afraid to love, afraid to awaken feelings killed during his stay in the world. Yes, it was there, in secular society, that he forgot how to truly make friends and love. There, such concepts as friendship and love are absent - they are replaced by lies, slander, and public opinion. Yes, by the same public opinion that will destroy both Onegin and Lensky!
Onegin and Lensky quarreled over one incident that happened at the ball - Onegin invited Olga to dance twice. It would seem that what happened was Onegin’s small revenge for the fact that Lensky invited him to the ball, where the whole neighborhood, the “rabble” that Onegin hated, had gathered. For Onegin this is just a game - but not for Lensky. His pink, romantic dreams have collapsed - for him this is treason (although this is, of course, not treason at all - neither for Olga, nor for Onegin). And Lensky sees a duel as the only way out of this situation.
At that moment when Onegin received the challenge, why couldn’t he dissuade Lensky from the duel, find out everything peacefully, explain himself? This notorious public opinion prevented him. Yes, it had weight here in the village too. And for Onegin it was stronger than his friendship. Lensky was killed. Maybe, as scary as it sounds, this was the best way out for him; he was unprepared for this life.
And so – Olga’s “love”, she cried, grieved, married a military man and left with him. Another thing is Tatyana - no, she did not fall out of love with Onegin, it’s just that after what happened her feelings became even more complicated - in Onegin she “must ... hate the murderer of her brother.” It should, but it can't. And after visiting Onegin’s office, she begins to understand more and more the true essence of Onegin - the real Onegin opens up before her. But Tatyana can no longer stop loving him. And, probably, he will never be able to.
So, three years pass, and Tatiana and Onegin meet again. But in a different setting - in St. Petersburg, in secular society, Tatyana is married, Onegin has returned from his journey. And now, having met Tatyana in a new capacity, as a society lady, love awakens in Onegin. Love for the one he nobly refused several years ago. What motivates him? Does he love the old Tatyana, or only the one she has become now? No, Tatyana has not changed - Onegin has changed. He was able to “renew his soul.” He was able to love. But it's too late. No, Tatyana did not fall out of love with him, but she was “given to someone else” and will be “faithful to him forever”... Tatyana, despite the fact that she did not marry for love, cannot ruin the life of her husband, the man who loves her, just for the sake of her happiness .
In A.S. Pushkin’s novel “Eugene Onegin,” along with other problems, an important place is given to the theme presented in the title of this work, namely the theme of friendship and love.
It all starts with the fact that in the first chapter the author says about Onegin - “I’m tired of friends and friendship.” But why, who is to blame for this? Probably, partly Onegin himself, who chose the individualism or even egoism of Byron’s works as his ideal. In addition, after a few chapters we learn that in Onegin’s office there was a bust of Napoleon, and Pushkin will say: “We honor everyone with zeros, and ourselves with ones. We all look at Napoleons...”. Isn't this, to some extent, about Onegin? One of the reasons that Onegin is tired of friendship is his blues. But why did she take possession of him, but not the Author, who appears in the novel as his friend? They are both smart, honest, they both understand the shortcomings of society, but Onegin has no desire to act, no desire to change anything, no desire to go against this society. He is bored with inaction and doing nothing (as are balls and social society), but he doesn’t want to do anything.
And Onegin became friends with Lensky at first simply because there was no one else in the village where he ended up after the death of his uncle. Pushkin calls them (Lensky and Onegin) “there’s nothing to do, friends.” This was so - they both really had nothing to do - Onegin because of his boredom and melancholy, and Lensky because of his inexperience and naivety - he did not know real life, he could not adapt to it. Both the Author and Onegin - they were older than Lensky - their ironic and playful attitude towards his romantic nature is not surprising. Onegin, naturally, was much more experienced, learned from life - he was his friend’s mentor, patron.
Lensky's love for Olga is also a fruit of his romantic imagination. No, he didn’t love Olga, he loved the image he himself created. Romantic image. And Olga... An ordinary provincial young lady, whose portrait the Author was “tired of... immensely.” No wonder Onegin, who was much wiser and more experienced than Lensky, said: “I would choose another if I were like you, poet...”. But why is Onegin so sure that he cannot fall in love himself? He meets Tatiana, that very “other”, and she confesses her love to him (it should be noted, however, that Tatiana is not in love with the completely real Onegin, but partly, again, with an image created on the basis of sentimentalist books). And what about Onegin?
He is sure that he is “not created for bliss”; this is actually not the case. He is simply afraid to love, afraid to awaken feelings killed during his stay in the world. Yes, it was there, in secular society, that he forgot how to truly make friends and love. There, such concepts as friendship and love are absent - they are replaced by lies, slander, and public opinion. Yes, by the same public opinion that will destroy both Onegin and Lensky!
Onegin and Lensky quarreled over one incident that happened at the ball - Onegin invited Olga to dance twice. It would seem that what happened was a small revenge of Onegin, for the fact that Lensky invited him to the ball, where the whole neighborhood, the “rabble” that Onegin hated, had gathered. For Onegin it’s just a game - but not for Lensky. His rosy, romantic dreams have collapsed - for him this is treason (although this, of course, is not treason at all - neither for Olga nor for Onegin). And Lensky sees a duel as the only way out of this situation.
At that moment when Onegin received the challenge, why couldn’t he dissuade Lensky from the duel, find out everything peacefully, explain himself? This notorious public opinion prevented him. Yes, it had weight here in the village too. And for Onegin it was stronger than his friendship. Lensky was killed. Maybe, as scary as it sounds, this was the best way out for him; he was unprepared for this life.
And so - Olga’s “love”, she cried, grieved, married a military man and left with him. Another thing is Tatyana - no, she did not fall out of love with Onegin, it’s just that after what happened her feelings became even more complicated - in Onegin she “must... hate her brother’s murderer.” It should, but it can't. And after visiting Onegin’s office, she begins to understand more and more the true essence of Onegin - the real Onegin opens up before her. But Tatyana can no longer stop loving him. And, probably, he will never be able to.
So, three years pass, and Tatiana and Onegin meet again. But in a different setting - in St. Petersburg, in secular society, Tatyana is married, Onegin has returned from his journey. And now, having met Tatyana in a new capacity, as a society lady, love awakens in Onegin. Love for the one he nobly refused several years ago. What motivates him? Does he love the old Tatyana, or only the one she has become now? No, Tatyana has not changed - Onegin has changed. He was able to “renew his soul.” He was able to love. But it's too late. No, Tatyana did not fall out of love with him, but she was “given to someone else” and will be “faithful to him forever”... Tatyana, despite the fact that she did not marry for love, cannot destroy the life of her husband, the man who loves her, just for the sake of your happiness.
The theme of friendship and love in “Eugene Onegin”
In A. S. Pushkin’s novel “Eugene Onegin,” along with other problems, an important place is given to the topic presented in the title of this work, namely the topic of friendship and love.
It all starts with the fact that in the first chapter the author says about Onegin “I’m tired of friends and friendship.” But why, who is to blame for this? Probably, partly Onegin himself, who chose the individualism or even egoism of Byron’s works as his ideal. In addition, after a few chapters we learn that in Onegin’s office there was a bust of Napoleon, and Pushkin will say: “We honor everyone with zeros, and ourselves with ones. We all look at Napoleons...”. Isn't this, to some extent, about Onegin? One of the reasons that Onegin is tired of friendship is his blues. But why did she take possession of him, but not the Author, who appears in the novel as his friend? They are both smart, honest, they both understand the shortcomings of society, but Onegin has no desire to act, no desire to change anything, no desire to go against this society. He is bored with inaction and doing nothing (as well as balls and social society), but he doesn’t want to do anything.
And Onegin became friends with Lensky at first simply because there was no one else in the village where he ended up after the death of his uncle. Pushkin calls them (Lensky and Onegin) “there’s nothing to do, friends.” This was true, both of them really had nothing to do - Onegin because of his boredom and melancholy, and Lensky because of his inexperience and naivety - he did not know real life, he could not adapt to it. Both the Author and Onegin - they were older than Lensky - their ironic and playful attitude towards his romantic nature is not surprising. Onegin, naturally, was much more experienced, learned from life - he was his friend’s mentor, patron.
Lensky's love for Olga is also a fruit of his romantic imagination.
No, he didn’t love Olga, he loved the image he himself created. Romantic image. And Olga... An ordinary provincial young lady, whose portrait the Author was “tired of... immensely.” No wonder Onegin, who was much wiser and more experienced than Lensky, said: “I would choose another if I were like you, poet...”. But why is Onegin so sure that he cannot fall in love himself? He meets Tatyana, that same “other,” and she confesses her love for him (it should be noted, however, that Tatyana is not in love with the completely real Onegin, but partly, again, with an image created on the basis of sentimentalist books). And what about Onegin?
He is sure that he is “not created for bliss”; this is actually not the case.
He is simply afraid to love, afraid to awaken feelings killed during his stay in the world. Yes, it was there, in secular society, that he forgot how to truly make friends and love. There, such concepts as friendship and love are absent - they are replaced by lies, slander, and public opinion.
Yes, by the same public opinion that will destroy both Onegin and Lensky!
Onegin and Lensky quarreled over one incident that happened at the ball - Onegin invited Olga to dance twice. It would seem that Onegin took a little revenge because Lensky invited him to the ball, where the whole neighborhood, the “rabble” that Onegin hated, gathered. For Onegin it’s just a game - but not for Lensky. His rosy, romantic dreams have collapsed - for him this is treason (although this is, of course, not treason at all for either Olga or Onegin). And Lensky sees a duel as the only way out of this situation.
At that moment when Onegin received the challenge, why couldn’t he dissuade Lensky from the duel, find out everything peacefully, explain himself? This notorious public opinion prevented him. Yes, it had weight here in the village too.
And for Onegin it was stronger than his friendship. Lensky was killed. Maybe, as scary as it sounds, this was the best way out for him; he was unprepared for this life.
And so - Olga’s “love”, she cried, grieved, married a military man and left with him. Another thing is Tatyana - no, she did not fall out of love with Onegin, it’s just that after what happened her feelings became even more complicated - in Onegin she “must... hate her brother’s murderer.” It should, but it can't. And after visiting Onegin’s office, she begins to understand more and more the true essence of Onegin - the real Onegin opens up before her. But Tatyana can no longer stop loving him. And, probably, he will never be able to.
So, three years pass, and Tatiana and Onegin meet again. But in a different setting - in St. Petersburg, in secular society, Tatyana is married, Onegin has returned from his journey. And now, having met Tatyana in a new capacity, as a society lady, love awakens in Onegin. Love for the one he nobly refused several years ago. What motivates him? Does he love the old Tatyana, or only the one she has become now? No, Tatyana has not changed - Onegin has changed. He was able to “renew his soul.” He was able to love. But it's too late. No, Tatyana did not fall out of love with him, but she was “given to someone else” and will be “faithful to him forever”... Tatyana, despite the fact that she did not marry for love, cannot destroy the life of her husband, the man who loves her, just for the sake of your happiness.
