Muse of Comedy. It gives you the opportunity to look at yourself from the outside in order to ultimately laugh at your mistakes, because comedy is a school of life, and by playing our roles, we can learn positive lessons that will gradually lead us from the theater to the hidden depths of life. spiritual essence. Talia is an opportunity to learn the value of comedy and a smile.
Today I saw...
Today I saw Thalia, the Muse of Comedy... Her face was illuminated by a barely noticeable smile, and for a moment it seemed to me that she was laughing at me, at all of us, at our lives and our worries, so alien to the subtle mental makeup of the Muse.
Completely tormented by everyday troubles, I tried to drive away the vision. I wanted to erase that graceful laughing image because I decided that now was not the time for fun and comedy, but for sorrow and drama. But my desire soon disappeared, since the Muse, among her other gifts, had the power of suggestion. Then I looked at her and realized that if we “don’t dramatize” the events, our own existence will become like a comedy, because everything that happens will be seen by us “from the outside” and, in the end, will cause in us an ironic smile of compassion for everything that we have to face every day.
I remembered my childhood, when it seemed to me that from morning to evening I had to play the role of a good heroine and follow my words and actions, because they are all seen in an exaggerated form from the stage on which I play. I believed that this whole performance would one day come to an end, when the long-awaited curtain would fall, and here, behind the heavy curtains, I would also be able to close my eyes and fall asleep “for real,” and not on stage. Yes, life is a great comedy. And we cannot even boast that we freely choose our roles and can change them. A quick, impartial look at History convinces us that most of its most important events occurred with a good bit of inexorability. It is as if everything that happens on the historical stage is controlled by invisible threads, which, either willingly or against it, move the action towards the climax. In the time of my Muse, these threads were called “Fate,” and dedicated people struggled a lot to understand the mechanism of their action...
Yes, life is a comedy. And we all, like Talia, have a grotesque mask that neither laughs nor cries, but depending on how we look at it, it depicts either joy or sadness. We all hide under this mask, and instead of expressing our state of mind, carefully hides it so that no one - and not even ourselves - can know what is really happening to us inside. We all act out a great performance, trying to atone for our lack of inner self-confidence and maturity, which we have never been able to achieve, with good knowledge of roles and memorized poses.
But the comedy that Talia patronizes does not cause laughter and does not allow one to forget. It is not a way to escape responsibility or even a way to have fun. Comedy is the School of Life and all of us, without exception, playing our roles, must learn from here positive lessons that will gradually lead us from a play for materialistic masks to the hidden deep spiritual essence that stages the stages in the theaters of life.
We must “look at ourselves from the outside” as a spectacle, so that in the end we can laugh at our mistakes and regret our innumerable errors, so that then ironic and disgusting grimaces of discontent begin to gradually appear on our faces, which will be a sure sign that we recognized ourselves in this performance. And then we will understand the price of comedy and a smile. Then we will know that both on stage and in auditorium first of all you need to be good actors and good spectators kind people, aware of their actual position and ready to improve it, giving the best that we are endowed with to the performance on stage. Thalia instructs us with a laugh... She has a mask in her hand... She managed to take it off and show us her true face in all its harmonious beauty. She left the theater game and invites us to do the same, following her along the slopes of internal self-improvement with a sad smile on her face and tears of joy in her eyes.
- (Θάλεια, Thalia blooming): in the Hellenistic canon of muses, a representative of comedy, depicted in works of art as a young girl in light, sometimes shaggy clothes, with a rod in her hand...
- (Θάλεια, Thalia blooming): in the Hellenistic canon of muses, a representative of comedy, depicted in works of art as a young girl in light, sometimes shaggy clothes, with a staff in her hand... Encyclopedic Dictionary F. Brockhaus and I.A. Efron
Muse The Muse Director Albert Brooks Producer Herb Nanas Barry M. Berg Screenwriter Albert Brooks Monica Johnson ... Wikipedia
Each of the 9 sisters of goddesses, according to other Greek. mythologies that patronized the sciences and arts. Dictionary of foreign words included in the Russian language. Chudinov A.N., 1910. MUSE Plant; same as banana. Dictionary of foreign words included in... Dictionary of foreign words of the Russian language
- (foreign) inspiration Wed. As long as you are beloved by the muses, You Pierid burn with fire... Forget worldly sorrows. A.S. Pushkin to Batyushkov. Wed. Goddess of courageous thoughts! My poems sounded to you, Alive, bright, like you! N.M. Languages. To the Muse. Wed. Breathe heavenly to me,... ... Michelson's Large Explanatory and Phraseological Dictionary
muse- y, w. 1) B Greek mythology: each of the nine goddesses, patrons of poetry, arts and sciences. 2) portable, unit only, book. A symbol of poetic inspiration, as well as inspiration itself, creativity. And don’t let me know where you are, O Muse, don’t call him... Popular dictionary of the Russian language
Y; and. [Greek Mousa] 1. B ancient greek mythology: each of the nine goddesses, patroness of the sciences and arts. M. comedy Talia. 2. Trad. poet. About creative inspiration, personified in the image of a woman, a goddess. The poet was visited by M. * O fiery muse... ... Encyclopedic Dictionary
muse- s; and. (Greek Mousá) 1) In ancient Greek mythology: each of the nine goddesses, patroness of the sciences and arts. Mu/for comedy Talia. 2) a) trad. poet. About creative inspiration, personified in the image of a woman, a goddess. The poet was visited by a woman. * Oh muse... ... Dictionary of many expressions
MUSE- (Greek musa) 1) in ancient Greek mythology, each of the nine goddesses, patroness of poetry, arts and sciences, accompanying the god Apollo: Urania the patroness of astronomy, Calliope of the epic, Clio of history, Melpomene of tragedy, Polyhymnia of hymns, ... ... Vocational education. Dictionary
MUSE- in other Greek. mythology goddess of the arts. Originally referred to as a single deity. Later, the number of M. increased to nine. Their names are first found in Hesiod's Theogony (7th century BC). They were revered as patroness various arts, A … Atheist Dictionary
Books
- The world of music opened up to me. Musical instruments. In a selection of reproductions of paintings, children will become acquainted with genre paintings in which one of the characters was... musical instruments. Thinking with them about what this or that picture is about...
- Lost illusions. Tours priest. The illustrious Godissar. Provincial Muse, Honore de Balzac. The volume contains a wide range of famous novel“Lost Illusions”, as well as the stories “The Priest of Tours”, “The Illustrious Gaudissart” and “The Provincial Muse”, which are included in “Scenes of a Provincial…
In ancient Greek mythology, the daughters of the god Zeus and the Titanide Mnemosyne, the goddess of memory (according to another version - Harmony), the goddesses living on Parnassus are nine sisters born in Pieria and bearing the name “Olympian”; patroness of sciences, poetry and the arts. Mentioned in the Iliad and Odyssey. Their names are: Calliope, Clio, Euterpe, Erato, Terpsichore, Thalia, Polyhymnia and Urania.
Hesiod names all nine muses, but their spheres of influence were distributed only in the Roman era, when each of the muses became the patroness of a certain type of art or science: Calliope - epic poetry, Clio - history, Euterpe - music, Terpsichore - lyrical poetry and dance, Erato - hymn, Melpomene - tragedy, Thalia - comedy, Polyhymnia - pantomime, Urania - astronomy. (However, the spheres of influence of the muses varied several times.) Apollo was considered the patron saint of the muses, as depicted in Raphael’s painting “Parnassus”.
Each muse had its own attribute - a symbolic object that spoke of what principle it was associated with. Thus, Calliope, the muse of epic poetry, was depicted with a waxed tablet and a writing stick. This muse evoked a sense of sacrifice in a person, encouraged him to overcome his fear of fate, and inspired warriors to perform exploits. Clio is the muse of history, her attributes are a scroll of parchment or a tablet (a board with writing). Clio reminds us of what a person can achieve and helps him find his purpose. Melpomene is the muse of tragedy, she holds a tragic mask in her hands, and Thalia, the muse of comedy, has a comic mask. Melpomene and Thalia personify the theater of life, life experience. Polyhymnia is the muse of sacred hymns, faith turned into music. Polyhymnia is modesty and prayer, an appeal to everything that is most dear and sacred, its attribute is the lyre. Terpsichore, the muse of dance, reveals to people the harmony between the external and the internal, soul and body. She was depicted either with a lyre or dancing. The muse of astronomy and the starry sky, Urania, holds the celestial sphere in her hands and personifies the principle of knowledge, sacred craving for everything high and beautiful, for the sky and stars. Euterpe's attribute is the flute, this is the muse of music suggested by Nature itself, giving people purification. And finally, the muse of love and love lyrics Erato has a lyre or plectrum in her hands. Erato is associated with the principle Great Love, giving wings.
According to Pausanias, the first who honored the muses and made sacrifices to them on Helicon were not poets and singers, but the terrible giants of the load - Ot and Ephialtes. They introduced the cult of the muses and gave them names, believing that there were only three muses: Meleta (“experience”), Mnema (“memory”) and Aoida (“song”). Over time, Pier (after whom the mountain was named) arrived from Macedonia, he established the number of muses (nine) and gave them names. The poet Mimnermus argued that the elder muses are the daughters of Uranus and Gaia, and the younger ones are the daughters of Zeus.
The chthonic past of the muses is also evidenced by the offspring that the muses, being daughters of the earth Gaia, gave birth to from both Zeus and Apollo. According to another version, the Corybantes were born from Zeus and Calliope, from Thalia and Apollo. The children of the zoomorphic Zeus the kite and Thalia were the Sicilian paliki. From the marriage of Melpomene and the river god Achelous, sirens are born - mixanthropic monstrous creatures that attract travelers with their singing and devour them. Archaic muses were called “stormy”, “violent” (from Greek thoyrides, the same root as Latin furia), as Hesychius reports, that is, the muses somehow become closer to the Erinyes.
The muses were called nurses of Dionysus and companions of his wanderings, like the Maenads. Muses and maenads are sometimes put on the same level (for example, King Lycurgus was punished by Dionysus for persecuting the muses and maenads). The Helikonian inscription compares Terpsichore and Dionysus Bromius, she has the gift of inspiration and ivy, he has the ability to charm and a flute. Orpheus, who established the Mysteries of Dionysus, son of Calliope and Eagras (or Apollo). The singer Linus is the son of Calliope (or Urania) and Amphimar, the son of Poseidon. The stormy and ecstatic muses were led by Dionysus Musagetes - “the leader of the muses”. Dionysus Melpomenes was revered in Acharnae; he, like Apollo, led round dances. The muses are cruel and severely punish anyone who dares to compete with them. They blinded and deprived Thamirid of the gift of singing and playing the cithara.
The Olympian muses of classical mythology are the daughters of Zeus, they live on Helicon, chanting all generations of gods - Gaia, Kron, Ocean, Night, Helios, Zeus himself and his offspring, that is, they connect the past and the present. They knew the past, present and future; they were believed to have the gift of prediction. They are the patroness of singers and musicians and pass on their gift to them. They instruct and console people, treat them generally kindly and kindly, endow them with persuasive words, give people of art power over human soul; they sing of the laws and glorify the good morals of the gods. The classical muses are inseparable from the orderliness and harmony of the Olympic world. At the same time, they do not tolerate rivalry. Thus, they deprived of sight and took away the gift of music from the kifared Tamiris, who dared to challenge them to a competition.
Just like the other gods, the muses had their own temples, which were called museions. From this word comes the modern designation of buildings where collections of works of art or other monuments of past times are exhibited for viewing.
From time immemorial, the arrival of a muse has been associated with the most beautiful and brightest moments in life, moments of insight and inspiration, the appearance of something new, and meeting a dream. Why do they say that meeting a muse can completely change the muse’s life? Why do we often hear now: “if inspiration comes”, “if the muse comes”? Who are these mysterious and beautiful strangers, nine sisters dressed in snow-white clothes? Is it just a beautiful myth that has gone into the distant past?
The Muses (translated from Greek as “thinking”) daughters of Zeus, “the mightily thundering one,” to whom all the deities of Olympus, all the main principles in the Universe, and Mnemosyne, the goddess of memory, the patroness of poetry, arts and sciences, obey, personify everything that allows a person to remember about the important and genuine, about the Eternal
Muse of Comedy. It gives you the opportunity to look at yourself from the outside and ultimately laugh at your mistakes, because comedy is a school of life, and we, playing our roles, can learn positive lessons that will gradually lead us from the theater to the hidden deepest spiritual essence. Talia is an opportunity to learn the value of comedy and a smile.
The comedy that Talia patronizes does not cause laughter and does not allow one to forget. It is not a way to escape responsibility or even a way to have fun. Comedy is the School of Life and all of us, without exception, playing our roles, must learn from here positive lessons that will gradually lead us from a play for materialistic masks to the hidden deep spiritual essence that stages the stages in the theaters of life.
We must “look at ourselves from the outside” as a spectacle, so that, in the end, we can laugh at our mistakes and regret our innumerable errors, so that then ironic and disgusting grimaces of discontent begin to gradually appear on our faces, which will be a sure sign that that we recognized ourselves in this performance. And then we will understand the price of comedy and a smile.
Thalia, Thalia (Greek Θαλία, Θαλεία from θάλλω - flower, growing) - in Greek mythology the muse of comedy and light poetry, daughter of Zeus and Mnemosyne. She was depicted with a comic mask in her hands and an ivy wreath on her head. The Corybantes were born from Thalia and Apollo. According to Diodorus, she received her name from prosperity (talleyn), which was glorified in poetic works for many years.
Zeus, turning into a kite, took Thalia as his wife. Out of fear of Hera’s jealousy, the muse hid in the depths of the earth, where demonic creatures were born from her - paliki (in this myth she is called the nymph of Etna.
Nattier, Jean-Marc - Thalia - 1739.Pavlovsk
Muse of Comedy. It gives you the opportunity to look at yourself from the outside, so that in the end you can laugh at your mistakes, because comedy is a school of life, and by playing our roles, we can learn positive lessons that will gradually lead us from the theater to the hidden deepest spiritual essence. Talia is an opportunity to learn the value of comedy and a smile.
LoC Benson Thalia.
Today I saw Thalia, the Muse of Comedy... Her face was illuminated by a barely noticeable smile, and for a moment it seemed to me that she was laughing at me, at all of us, at our lives and our worries, so alien to the subtle mental makeup of the Muse.
Completely tormented by everyday troubles, I tried to drive away the vision. I wanted to erase that graceful laughing image because I decided that now was not the time for fun and comedy, but for sorrow and drama. But my desire soon disappeared, since the Muse, among her other gifts, had the power of suggestion. Then I looked at her and realized that if we “don’t dramatize” events, our own existence will become like a comedy, because everything that happens will be seen by us “from the outside” and, in the end, will cause in us an ironic smile of compassion for everything what we have to face every day.
Eustache Le Sueur (1616-1655).Clio, Euterpe et Thalie.1640-1645.
I remembered my childhood, when it seemed to me that from morning to evening I had to play the role of a good heroine and follow my words and actions, because they are all seen in an exaggerated form from the stage on which I play. I believed that this whole performance would one day come to an end, when the long-awaited curtain would fall, and here, behind the heavy curtains, I would also be able to close my eyes and fall asleep “for real,” and not on stage. Yes, life is a great comedy. And we cannot even boast that we freely choose our roles and can change them.
A quick, impartial look at History convinces us that most of its most important events occurred with a good bit of inexorability. It is as if everything that happens on the historical stage is controlled by invisible threads, which, either willingly or against it, move the action towards the climax. In the time of my Muse, these threads were called “Fate,” and dedicated people struggled a lot to understand the mechanism of their action...
Musa-thalia
Yes, life is a comedy. And we all, like Talia, have a grotesque mask that neither laughs nor cries, but depending on how we look at it, it depicts either joy or sadness. We all hide behind this mask, and instead of expressing our state of mind, it carefully hides it so that no one - not even ourselves - can know what is really happening to us inside. We all act out a great performance, trying to atone for our lack of inner self-confidence and maturity, which we have never been able to achieve, with good knowledge of roles and memorized poses.
Thalia watercolor.
But the comedy that Talia patronizes does not cause laughter and does not allow one to forget. It is not a way to escape responsibility or even a way to have fun. Comedy is the School of Life and all of us, without exception, playing our roles, must learn from here positive lessons that will gradually lead us from a play for materialistic masks to the hidden deep spiritual essence that stages the stages in the theaters of life.
Thalia pushkin.
Brogi, Carlo (1850-1925) - n. 8318 - Roma - Vaticano - Museo Pio Clementino - Talia, musa della Concordia, trovata a Tivoli.
We must “look at ourselves from the outside” as a spectacle, so that in the end we can laugh at our mistakes and regret our innumerable errors, so that then ironic and disgusting grimaces of discontent begin to gradually appear on our faces, which will be a sure sign that we recognized ourselves in this performance. And then we will understand the price of comedy and a smile.
Bratislava SND Talia susosie.
Then we will learn that both on stage and in the auditorium, first of all, we need to be good actors and good spectators, good people who are aware of our actual position and are ready to improve it, giving the best that we are endowed to the performance on stage. Thalia instructs us with a laugh... She has a mask in her hand... She managed to take it off and show us her true face in all its harmonious beauty. She left the theater game and invites us to do the same, following her along the slopes of internal self-improvement with a sad smile on her face and tears of joy in her eyes.
Delia Steinberg Guzman
Tahlia(Muse der Lustspieldichtung-1844)-Musenrondell Sanssouci Steffen Heilfort.
Talia-Summer Garden-Saint Petersburg.
Many pictures are clickable.
