From St. Petersburg Academy named after Stieglitz. Leningrad Higher Art and Industrial School named after. V. I. Mukhina

Museum of Baron A.L. Stieglitz On the territory of the former Salt Town in 1885-1895. a museum building was erected. The building was built according to the design of the first director of the museum, architect. R.A. Messmacher. By the time the museum opened, it contained over 15,000 works applied arts. After the revolution, the collection was transferred to the Hermitage. CENTRAL SCHOOL OF TECHNICAL DRAWING of Baron A. L. Stieglitz (Solyanoy lane, 13-15) Art and Industry Academy named after. Stieglitz is one of the most famous art universities not only in Russia, but also in Europe and the world. The history of the academy begins in 1876, when, according to the rescript of Alexander II, with funds donated by the banker and industrialist Baron Alexander Ludvigovich Stieglitz (1814 - 1884), the central school of technical drawing was founded. The history of the school before the revolution is the history of the intensive development and formation of the school . Founded Jan. 1876 (opened 11/12/1879) along with the primary one. school of drawing, drawing and modeling on the initiative and at the expense of Baron A. L. Stieglitz. The school existed on interest from the capital bequeathed to him in 1884 (approx. 7 million rubles) and trained artists of decorative and applied arts for industry, as well as drawing and drawing teachers for secondary art and industrial schools. The school became known as Central (TSUTR) after its creation in the 1890s. branches in Narva, Saratov, Yaroslavl. After October 1917, the school was transformed several times. In 1918, the school was reorganized into the Petrograd State Art and Industrial Workshops, which in 1922 were transformed into a school for architectural decoration of buildings under the city Executive Committee. Closed in 1924. In 1943-45, on the basis of TSUTR, the Art and Industry was created. school (now the Academy of Arts and Industry). Ch. The school building was built in 1878-81 (architects R. A. Gedicke and A. I. Krakau) and added a 5th floor (1886, architect Messmacher). The adjacent museum building was built in 1885-96 according to the design of Messmacher (since 1945 the Museum of Decorative and Applied Arts). In 1945, by government decision, the school was recreated as a multidisciplinary educational institution training artists of monumental, decorative, applied and industrial art; in 1948 it became University - Leningrad Higher Art and Industrial School. Since 1953, LVHPU has been named after People's Artist of the USSR Vera Ignatievna Mukhina. In 1994, LVHPU named after. V.I. Mukhina was renamed the St. Petersburg State Academy of Arts and Industry. In December 2006, the academy was named after Alexander Ludwigovich Stieglitz. The new name of the academy is St. Petersburg State Academy of Arts and Industry named after A.L. Stieglitz (SPGHPA named after A.L. Stieglitz).

Saint Petersburg. Museum of Applied Arts of the St. Petersburg State Academy of Arts and Industry named after. A. L. Stieglitz

Museum of the Art and Industry Academy named after. A.L. Stieglitz has always been at the center of the cultural life of St. Petersburg. Its unique museum collection is distinguished by its great diversity and high artistic level of its exhibits. Today the museum's holdings include about thirty thousand objects of applied art from antiquity to the present day. This is an extensive collection of Western European porcelain and oriental ceramics, furniture of the 16th-19th centuries, a collection of Russian tiled stoves 18th century, artistic metal and fabrics, as well as the best student work over the last half century, reflecting all areas of Soviet decorative and applied art.

In fourteen halls located on the ground floor, you can see more than 1,300 works of decorative and applied art and artistic crafts from the 9th century BC. until the beginning of the twentieth century. IN Italian gallery an exhibition of Dutch and French cabinets of the 16th-19th centuries was launched; Italian and Spanish majolica, French and English faience, German “steinguts” (products made from clay-stone masses) and J. Wedgwood’s “jasper masses”, Meissen and Berlin porcelain - all this can be seen in the museum today.

Ancient Russian stoves were collected throughout Russia especially for the museum.

Interiors of the Stieglitz Academy of Arts and Industry. Furniture carved from stone.

Academy Halls. Big exhibition hall- This two-story hall, reminiscent of the courtyard of an Italian palazzo, was originally intended for student and teaching exhibitions. It was the largest not only in the museum, but in all of St. Petersburg. The perimeter of the hall is surrounded by a spectacular two-tier gallery, which creates the best conditions for viewing the exhibition. This arcade serves as a support for a double glass ceiling (originally the inner dome was stained glass, and a greenhouse was located in the space between the domes). By analogy with the facade of the building, the hall is decorated with a frieze with sculptural portraits of artists, architects and sculptors. The arcades of the second tier are divided by powerful pylons decorated with four columns. Half-arcs of a two-flight marble staircase lead to the second floor gallery. At the top of the stairs under Messmacher there is a marble statue of Baron A.L. Stieglitz sitting in an armchair by M.M. Antokolsky. IN Soviet era the monument was removed. But the sculpture was preserved, and in June 2011 it was returned to its historical place (photo source:). Since 2002 along the perimeter Great Hall a plaster copy of the large frieze of the Pergamon Altar (180-160 BC), donated by the Hermitage, is placed.

Furniture set for the living room in the “third Rococo” style. FROM THE PALACE OF THE COUNTESS E.V. SHUVALOVA. France, Paris, 1890s. Birch, carving, French enamel, gesso, gilding, embroidery, metal, bone.

In 1876, by decree of Alexander II, the Central School was founded with funds donated by the banker and industrialist Baron Alexander Ludvigovich Stieglitz Technical Drawing. The school existed on interest from the capital bequeathed by A. L. Stieglitz in 1884 and trained artists of decorative and applied arts for industry, as well as drawing and drafting teachers for secondary art and industrial schools. January 1898 - S. P. Diaghilev organizes an Exhibition of Russian and Finnish artists, in which he participates along with A. N. Benois and M. A. Vrubel Finnish artists V. Blomsted, A. Gallen-Kallela and others. The school began to be called Central after the creation of branches in Narva, Saratov, and Yaroslavl in the 1890s. The first director was from 1879 to 1896 - architect Maximilian Egorovich Messmacher. In 1892, 200 people studied at TSUTR; there were departments: general art, majolica, decorative painting and carving, embossing, woodcut and etching, porcelain painting, weaving and printing. Over the years, CUTR teachers were: A. D. Kivshenko, M. K. Klodt, A. T. Matveev, V. V. Mate, A. I. von Gauguin, N. A. Koshelev, A. A. Rylov. After October 1917, the school was transformed several times. In 1918, the school was named the State Art and Industrial Workshops. In 1922, the school, with the attached museum and library, merged with the Petrograd VKHUTEIN, and in 1924, ceased to exist as an independent educational institution. In 1945, by government decision, the school was recreated as a multidisciplinary educational institution training artists of monumental, decorative and industrial arts. In 1948 it becomes Supreme educational institution— Higher Art and Industrial School. In 1953, the Leningrad Higher Art and Industrial School, by decree of the Soviet government, was given the name People's Artist USSR, Full Member of the USSR Academy of Arts - Vera Ignatievna Mukhina, who made a great contribution to the creation of monumental and decorative and applied art of the USSR. In 1994, LVHPU named after. V.I. Mukhina was transformed into the St. Petersburg State Academy of Arts and Industry. On December 27, 2006, the academy was named after A. L. Stieglitz. The new name of the academy is St. Petersburg State Academy of Arts and Industry named after A. L. Stieglitz.

Academy today

Today the university has 1,500 students and 220 teachers.

Faculties

Faculty of Decorative and Applied Arts
- Faculty of Monumental Art
- Faculty of Design

Story

Founded in 1876 by rescript of Alexander II with donations from banker and industrialist Baron Alexander Ludwigovich Stieglitz (-) as Central School of Technical Drawing.
In 1918 the school was reorganized into Petrograd State Art and Industrial Workshops.
In 1922 the workshops were transformed into School for architectural decoration of buildings under the city Executive Committee.
In 1945, by government decision, the school was recreated as a multidisciplinary educational institution training artists of monumental, decorative and industrial arts, in 1948 it became a university - Leningrad Higher Art and Industrial School.
Since 1953, LVHPU has been named after People's Artist of the USSR Vera Ignatievna Mukhina.
In 1994, LVHPU named after. V. I. Mukhina transformed into St. Petersburg State Academy of Arts and Industry.
In December 2006, the academy was named after Alexander Ludwigovich Stieglitz. The new name of the academy is St. Petersburg State Art and Industry Academy named after A. L. Stieglitz(SPGHPA named after A.L. Stieglitz).

Notable alumni

Bosco, Yuri Ivanovich - Soviet monumental artist, Honored Artist of Russia, People's Artist of Russia.
Zarins, Richard Germanovich - Russian and Latvian artist, graphic artist, popularizer of Latvian folk art, author of the first revolutionary stamps Soviet Russia. Author of the coat of arms and banknotes of Latvia.
Ostroumova-Lebedeva, Anna Petrovna - People's Artist of the RSFSR, Russian engraver and painter, watercolorist, master of landscape.
Petrov-Vodkin, Kuzma Sergeevich - Honored Artist of the RSFSR, symbolist painter, graphic artist, art theorist, writer and teacher.
Pisakhov, Stepan Grigorievich - Russian artist, writer, ethnographer, storyteller.
Protopopov, Vladislav Vasilievich - Russian artist.
Salnikov, Anatoly Aleksandrovich - Honored Architect of the Autonomous Republic of Crimea, Laureate of the Award of the Autonomous Republic of Crimea, chief architect of the city of Kerch.

Sources

Wikimedia Foundation. 2010.

See what "Leningrad Higher Art and Industrial School named after V. I. Mukhina" is in other dictionaries:

St. Petersburg State Artistic and Industrial Academy named after. A. L. Stieglitz (SPGHPA named after A. L. Stieglitz) Founded 1876 ... Wikipedia

Them. V. I. Mukhina, created in 1945 (its history dates back to the technical drawing school of A. L. Stieglitz, founded in 1876 in St. Petersburg). Since 1948 higher school. In 1953 the school was named after V.I. Mukhina. As part of the school (1973): ... ...

Leningradskoe named after V.I. Mukhina (LVHPU) (Solyanoy lane, 13), created in 1945. Its history dates back to the Central School of Technical Drawing of A.L. Stieglitz, founded in St. Petersburg in 1876. Since 1948, the higher school. In 1953 I went to school... ... St. Petersburg (encyclopedia)

Higher Art and Industrial School- Leningrad named after V.I. Mukhina (LVHPU) (Solyanoy Lane, 13), created in 1945. Its history dates back to the Central School of Technical Drawing of A.L. Stieglitz, founded in St. Petersburg in 1876. Since 1948, the higher school. In 1953 the school was awarded... ... Encyclopedic reference book "St. Petersburg"

St. Petersburg State Academy of Arts and Industry (formerly V.I. Mukhina Leningrad Art and Industry Academy) ... Wikipedia

Coordinates ... Wikipedia

The Central School of Technical Drawing of Baron Stieglitz (TSUTR), founded in St. Petersburg in 1876 with funds from the philanthropist A. L. Stieglitz, opened in 1879 together with the Primary School of Drawing, Drawing and Modeling, in 1922 joined the Petrograd... ... Big Soviet encyclopedia

- (named after the philanthropist Baron A.L. Stieglitz), founded in St. Petersburg in 1876, opened in 1879, in 1922 joined the Petrograd Vkhutein. In 1945 it was recreated as the Leningrad (now St. Petersburg) Higher Artistic and Industrial... ... Encyclopedic Dictionary

- (named after the philanthropist Baron A.L. Stieglitz) founded in St. Petersburg in 1876, opened in 1879, in 1922 joined the Petrograd Higher Art and Technical Institute. In 1945 it was recreated as the Leningrad (now St. Petersburg) Higher... ... Big Encyclopedic Dictionary e-book

Was in the museum and Medici Hall, dedicated to the masters of decorative and applied arts who glorified Florence and their patrons. The ceiling of the hall is decorated with four medallions with portraits of representatives of the Medici dynasty and other figures. Under Messmacher, the hall contained display cases with Italian and German plaques from the 15th-17th centuries, mainly on ancient mythological and Christian subjects. Medici Hall in 1896 (photo source:):

The second floor, which, except through the Great Hall, could be reached along a wide Roman stairs, was dedicated to the halls of English, Italian, Flemish and French art of the 16th-18th centuries. Thus, the exhibition of Italian art occupied five halls, including a spacious Tiepolo Hall, dedicated to art Venetian Republic of the 18th century and sometimes called Venetian hall(photo source: ).

The decoration of this room with a picturesque ceiling and stucco molding was reminiscent of the decoration of the library in the Venetian Doge's Palace. Unique Venetian art glass vessels, Delft faience, French baroque chests of drawers, fabrics, lace, fans and, most importantly, five magnificent paintings were exhibited here. Tiepolo(c. 1725), acquired by Messmacher specifically for his museum (now they are in the Hermitage). Venetian Hall in 1896 (photo source:):

The decoration of the Venetian Hall has not survived to this day.

M.E. Messmacher. Design project for the ceiling of the Venetian Hall (Tiepolo Hall) (source:):

Exposition Italian Renaissance was also located in Farnese Hall, the design of which was inspired by the luxurious decoration of Cardinal Farnese's palace in Piacenza, built in the mid-16th century. Contemporaries considered the ceiling of this hall, decorated with deep gilded oak coffers, to be Messmacher's true masterpiece. The hall exhibited marble Renaissance reliefs by the Venetian sculptor Lombardi, rock crystal vessels, boxes, miniature portraits, etc. View of the Farnese Hall in 1896 and in our time (now the hall does not belong to the museum, but belongs to the School) (photo sources: and ):

The display of the history of the development of Italian decorative and applied arts was completed by copies Raphael's Loggias (Papal Galleries). These galleries, decorated with grotesque ornaments, displayed Italian furniture and fabrics of the 16th-17th centuries, as well as Flemish and French tapestries (now in the Hermitage). Fragment of the wall painting of the Papal Galleries, photo from 1896 (source:):

M.E. Messmacher. Design project for the Papal Gallery (source:):

The French enfilade of the museum was conceived by Messmacher with the aim of showing the development of the residential interior of France during the Renaissance. For this purpose, the halls of Henry II, Louis XIII, Louis XIV, etc. were created. Each elegantly decorated hall contained first-class works of art, specially selected by the architect.

So, Henry's hallII was decorated with carved panels, dark blue velvet with royal coats of arms and tapestries, and works of art were displayed there French Renaissance, including faience of the first half XVI century. Samples of Italian majolica were also collected here. A noticeable decoration of the hall was the Italian fireplace of the 16th century (photo source:).

All this later ended up in the Hermitage. And of the entire decor of the hall, only the rich decoration of the ceiling with deep oak coffers decorated with the royal coat of arms of France has survived to this day (photo source:).

General view of Henry II's hall in our time (photo source:):

Intimate, but very elegant Louis HallXIII was decorated with painted beams, and the walls were covered with wooden panels and painted with arabesque patterns. The hall provided an overview of the decorative and applied arts of France in the first half of the 17th century.

The current view of the Louis XIII Hall (photo source:):

Dedicated to French art of the second half of the 17th century Louis HallXIV, decorated with a series of tapestries “The Months, or Royal Residences” based on the sketches of Charles Lebrun (now tapestries in the Hermitage). The display cases were filled with Sevres and Meissen porcelain. Also on display was a collection of antique French watches plus artistic furniture by the royal master Andre Boulle (now, again, in the Hermitage). The Louis XIV Hall looked like this at that time (photo source:):

M.E. Messmacher. Design project for the Louis XIV Hall (

Even many native St. Petersburg residents do not know full name this educational institution, although its unofficial nickname is well known to every city resident. "St. Petersburg State Academy of Arts and Industry?" Does this phrase mean anything to anyone? What about the Mukhinsky School or just “Mukha”?

The emergence of this renowned educational institution is associated with the activities of the famous entrepreneur and philanthropist, Baron Alexander Stieglitz. Although at Stieglitz’s enterprises the working conditions were close to slave-like, Alexander Lyudvigovich himself often felt the desire to “pay back his debt to society” by allocating funds for various social projects.

In 1876, Alexander Lyudvigovich allocated 5 million rubles in gold (a fabulous sum at that time) for the creation of the School of Technical Drawing. This educational institution was supposed to train applied artists: blacksmiths, designers, glassblowers, furniture makers, fashion designers. For the construction of the school building, a place was chosen near the Fontanka, where salt “shops” - warehouses were once located. These warehouse buildings gave the name to the nearby lane - Solyany.

The German architect Maximilian Egorovich Messmacher was invited to build the school, who then became the first director of the new educational institution. Stieglitz and Messmacher believed that students should learn from the best examples of world art, so the interiors of the building were decorated with royal luxury in the style Italian Renaissance. Stieglitz also donated a collection of paintings, glass and carpets to his educational institution. The salaries of professors and the current expenses of the school were financed by interest on a capital of one million rubles.

Since Stieglitz himself was a native of Livonia, it should not be surprising that in the first decades of the existence of the School of Technical Drawing, a significant part of its students came from the Baltic states, especially from what is now Latvia. For example, Richards Zarins, the creator of the coat of arms and banknotes of Latvia, studied there; author of the national flag of Latvia and its first postage stamp Ansis Cirulis, the founders of professional Latvian sculpture - Teodors Zalkaln, Gustav Škilter, Burkard Dzenis and others.

After 1917, the school was transformed and became the State Art and Industrial Workshops. In 1922, together with the museum and library, they merged into the Petrograd VKHUTEIN, and two years later the State Art and Industrial Workshops ceased to exist as an independent educational institution. The museum became a branch of the State Hermitage.

Only in 1945, on its basis, the Leningrad Art and Industrial School named after V.I. Mukhina was opened, which soon became one of the most famous educational institutions in the city. Among the graduates of the Mukhinsky School were M. Shemyakin, spouses Olga and Alexander Florensky, Dmitry Shagin.

Many myths and legends are associated with the Mukhinsky School. So, before exams, students bring flowers to the angels who decorate the lanterns before entering the building. According to legend, this is the local representative of the city's guardian angel, whose headquarters are located at the Peter and Paul Cathedral. Another legend is associated with the front staircase of “Mukha”. First-year students are only allowed to walk on its left side, since the Muse walks on the right side of the stairs, reacting nervously to those who nip at her heels. For mysterious and mysterious reasons, this rule no longer applies to senior students.

Another highlight is the school's glass dome, which allows students to sketch the building's interior during class. In Soviet times, students protesting against totalitarianism often climbed to this dome while drunk and lay naked on it, shocking the painters below. Legend has it that the glass of the dome sometimes could not withstand the weight of naked bodies and the matter was not without victims...

Museum of Baron A.L. Stieglitz On the territory of the former Salt Town in 1885-1895. a museum building was erected. The building was built according to the design of the first director of the museum, architect. R.A. Messmacher. By the time the museum opened, it contained over 15,000 works of applied art. After the revolution, the collection was transferred to the Hermitage. CENTRAL SCHOOL OF TECHNICAL DRAWING of Baron A. L. Stieglitz (Solyanoy lane, 13-15) Art and Industry Academy named after. Stieglitz is one of the most famous art universities not only in Russia, but also in Europe and the world. The history of the academy begins in 1876, when, according to the rescript of Alexander II, with funds donated by the banker and industrialist Baron Alexander Ludvigovich Stieglitz (1814 - 1884), the central school of technical drawing was founded. The history of the school before the revolution is the history of the intensive development and formation of the school . Founded Jan. 1876 (opened 11/12/1879) along with the primary one. school of drawing, drawing and modeling on the initiative and at the expense of Baron A. L. Stieglitz. The school existed on interest from the capital bequeathed to him in 1884 (approx. 7 million rubles) and trained artists of decorative and applied arts for industry, as well as drawing and drawing teachers for secondary art and industrial schools. The school became known as Central (TSUTR) after its creation in the 1890s. branches in Narva, Saratov, Yaroslavl. After October 1917, the school was transformed several times. In 1918, the school was reorganized into the Petrograd State Art and Industrial Workshops, which in 1922 were transformed into a school for architectural decoration of buildings under the city Executive Committee. Closed in 1924. In 1943-45, on the basis of TSUTR, the Art and Industry was created. school (now the Academy of Arts and Industry). Ch. The school building was built in 1878-81 (architects R. A. Gedicke and A. I. Krakau) and added a 5th floor (1886, architect Messmacher). The adjacent museum building was built in 1885-96 according to the design of Messmacher (since 1945 the Museum of Decorative and Applied Arts). In 1945, by government decision, the school was recreated as a multidisciplinary educational institution training artists of monumental, decorative, applied and industrial art; in 1948 it became University - Leningrad Higher Art and Industrial School. Since 1953, LVHPU has been named after People's Artist of the USSR Vera Ignatievna Mukhina. In 1994, LVHPU named after. V.I. Mukhina was renamed the St. Petersburg State Academy of Arts and Industry. In December 2006, the academy was named after Alexander Ludwigovich Stieglitz. The new name of the academy is St. Petersburg State Academy of Arts and Industry named after A.L. Stieglitz (SPGHPA named after A.L. Stieglitz).

Saint Petersburg. Museum of Applied Arts of the St. Petersburg State Academy of Arts and Industry named after. A. L. Stieglitz

Museum of the Art and Industry Academy named after. A.L. Stieglitz has always been at the center of the cultural life of St. Petersburg. Its unique museum collection is distinguished by its great diversity and high artistic level of its exhibits. Today the museum's holdings number about thirty thousand objects of applied art from antiquity to the present day. This is an extensive collection of Western European porcelain and oriental ceramics, furniture of the 16th-19th centuries, a collection of Russian tiled stoves of the 18th century, artistic metal and fabrics, as well as the best student works of the last half century, reflecting all areas of Soviet decorative and applied art.

In fourteen halls located on the ground floor, you can see more than 1,300 works of decorative and applied art and artistic crafts from the 9th century BC. until the beginning of the twentieth century. The Italian gallery hosts an exhibition of Dutch and French cabinets from the 16th-19th centuries; Italian and Spanish majolica, French and English faience, German “steinguts” (products made from clay-stone masses) and J. Wedgwood’s “jasper masses”, Meissen and Berlin porcelain - all this can be seen in the museum today.

Ancient Russian stoves were collected throughout Russia especially for the museum.

Interiors of the Stieglitz Academy of Arts and Industry. Furniture carved from stone.

Academy Halls. The Great Exhibition Hall is a two-story hall reminiscent of the courtyard of an Italian palazzo, originally intended for student and faculty exhibitions. It was the largest not only in the museum, but in all of St. Petersburg. The perimeter of the hall is surrounded by a spectacular two-tier gallery, which creates the best conditions for viewing the exhibition. This arcade serves as a support for a double glass ceiling (originally the inner dome was stained glass, and a greenhouse was located in the space between the domes). By analogy with the facade of the building, the hall is decorated with a frieze with sculptural portraits of artists, architects and sculptors. The arcades of the second tier are divided by powerful pylons decorated with four columns. Half-arcs of a two-flight marble staircase lead to the second floor gallery. At the top of the stairs under Messmacher there is a marble statue of Baron A.L. Stieglitz sitting in an armchair by M.M. Antokolsky. During Soviet times, the monument was removed. But the sculpture was preserved, and in June 2011 it was returned to its historical place (photo source:). Since 2002, a plaster copy of the large frieze of the Pergamon Altar (180-160 BC), donated by the Hermitage, has been placed along the perimeter of the Great Hall.

In 1876, by decree of Alexander II, the Central School of Technical Drawing was founded with funds donated by the banker and industrialist Baron Alexander Ludvigovich Stieglitz. The school existed on interest from the capital bequeathed by A. L. Stieglitz in 1884 and trained artists of decorative and applied arts for industry, as well as drawing and drafting teachers for secondary art and industrial schools. January 1898 - S. P. Diaghilev organizes an Exhibition of Russian and Finnish artists, in which Finnish artists V. Blomsted, A. Gallen-Kallela and others participate along with A. N. Benois and M. A. Vrubel. The school became known as the Central School after the creation of branches in Narva, Saratov, and Yaroslavl in the 1890s. The first director was from 1879 to 1896 - architect Maximilian Egorovich Messmacher. In 1892, 200 people studied at TSUTR; There were departments: general art, majolica, decorative painting and carving, embossing, woodcut and etching, porcelain painting, weaving and printing. Over the years, CUTR teachers were: A. D. Kivshenko, M. K. Klodt, A. T. Matveev, V. V. Mate, A. I. von Gauguin, N. A. Koshelev, A. A. Rylov. After October 1917, the school was transformed several times. In 1918, the school was named the State Art and Industrial Workshops. In 1922, the school, with the attached museum and library, merged with the Petrograd VKHUTEIN, and in 1924, ceased to exist as an independent educational institution. In 1945, by government decision, the school was recreated as a multidisciplinary educational institution training artists of monumental, decorative and industrial arts. In 1948 it became a higher educational institution - the Higher Art and Industrial School. In 1953, the Leningrad Higher Art and Industrial School, by decree of the Soviet government, was named after the People's Artist of the USSR, Full Member of the Academy of Arts of the USSR - Vera Ignatievna Mukhina, who made a great contribution to the creation of monumental and decorative and applied art of the USSR. In 1994, LVHPU named after. V.I. Mukhina was transformed into the St. Petersburg State Academy of Arts and Industry. On December 27, 2006, the academy was named after A. L. Stieglitz. The new name of the academy is St. Petersburg State Academy of Arts and Industry named after A. L. Stieglitz.