Rembrandt van Rijn Saskia as Flora. Woman in the form of flora (flowers). This is how this picture is deciphered. Flowers in Saska's hands are like a wand. The headband looks like a crown. The woman herself is like the queen of wildlife.
Raphael Santi Madonna by Raphael. The picture is old, but beautiful. Artists highlight only the most beautiful things in their works, and this is a mother with her children. Rafael Santi decided not to be different from other artists and painted the painting "Madonna". I believe that this picture is worthy of honor and a high rating.
Rafael Santi Lady with a unicorn. The artist's imagination was elegant. Painting a lady with a unicorn, a creature that is in itself a magical creation, could not but become the subject of the venerable art of Raphael Santi himself. I think it makes no sense to talk about the beauty of a lady. This woman is excellent.
Rafael Santi. Small Madonna of Cowper. Italian painter and
architect, one of the most
great artists throughout
world history, master
Madonnas, depicted another Madonna with blond hair and a child in her arms. The simplicity of her face and gaze amazes me.
Sandro Botticelli Madonna and Child with Angels. The picture clearly shows that even the angels admire the unearthly beauty of this incomparably beautiful woman. Their hands reach out to her, like the hands of babies reach out to their mother. Angels are ambassadors of God.
Sandro Botticelli. Venus and Mars. The painting was painted in 1483. Written perhaps
commissioned by a merchant family
Vespucci. One historian has suggested that Mars is depicted with closed
eyes, as it is
under the influence
intoxicants. And whether it is true or not, no one knows.
Zinaida Serebryakova Nurse with a child. How beautiful and magnificent Russian women are. And being a mother is also a feat. Being a mother of children and always looking good is not only a great art, but also hard work.
Ivan Petrovich Argunov Portrait of Empress Catherine II. 1762 I. P. Argunov
received a responsible order
- creating a portrait
Empress Catherine II. Seeing your portrait
written by Ivan
Petrovich “by heart”, Catherine was
I'm pleasantly surprised.
Ivan Petrovich Argunov Paintings by Argunov. Portrait of Lobanova-Rostovskaya. Just look how thin her waist is. Women of that time tried to take care of their figure as best as possible. Beautiful, lush outfits decorated with precious stones look gorgeous even on the ugliest women.
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Ivan Petrovich Argunov Portrait of an unknown woman in a peasant costume. one of the most famous
works of Russian
artist. Portrait
unknown reflects interest
to peasant themes,
appeared at that time in
Russian society. Interest is caused by the origin of the author himself.
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We first of all know two things about the painting: its author and, possibly, the history of the canvas. But we don’t know much about the fates of those who look at us from the canvases.
website I decided to talk about women whose faces are familiar to us, but their stories are not.
Zhanna Samari
Auguste Renoir, Portrait of the Actress Jeanne Samary, 1877
Actress Jeanne Samari, although she could not become a stage star (she played mainly maids), was lucky in something else: for some time she lived not far from the studio of Renoir, who painted four portraits of her in 1877-1878, thereby making her famous much more than her acting career could do. Zhanna played in plays from the age of 18, at 25 she got married and gave birth to three children, then even wrote a children's book. But this charming lady, unfortunately, did not live long: at the age of 33 she fell ill with typhoid fever and died.
Cecilia Gallerani
Leonardo da Vinci, "Lady with an Ermine"
1489-1490
Cecilia Gallerani was a girl from a noble Italian family, who at the age of 10 (!) was already engaged. However, when the girl was 14, the engagement was broken for unknown reasons, and Cecilia was sent to a monastery, where she met (or it was all set up) with the Duke of Milan, Ludovico Sforza. An affair began, Cecilia became pregnant and the Duke settled the girl in his castle, but then the time came to enter into a dynastic marriage with another woman, who, of course, did not like the presence of her mistress in their house. Then, after Gallerani gave birth, the duke took his son for himself, and married her to the impoverished count.
In this marriage, Cecilia gave birth to four children, holding almost the very first in Europe literary salon, visited the Duke and enjoyed playing with his child from his new mistress. After a while, Cecilia’s husband died, war came, she lost her well-being and found shelter in the house of the sister of that same Duke’s wife - it was in such wonderful relationships that she managed to be with people. After the war, Gallerani returned her estate, where she lived until her death at the age of 63.
Zinaida Yusupova
V.A. Serov, “Portrait of Princess Zinaida Yusupova”, 1902
The richest Russian heiress, the last of the Yusupov family, Princess Zinaida was incredibly beautiful, and, despite the fact that her favor was sought, among others, by august persons, she wanted to marry for love. She fulfilled her desire: the marriage was happy and brought two sons. Yusupova spent a lot of time and effort on charitable activities, and after the revolution she continued it in exile. Her beloved eldest son died in a duel when the princess was 47 years old, and she could hardly bear this loss. With the outbreak of unrest, the Yusupovs left St. Petersburg and settled in Rome, and after the death of her husband, the princess moved to her son in Paris, where she spent the rest of her days.
Maria Lopukhina
V.L. Borovikovsky, “Portrait of M.I. Lopukhina", 1797
Borovikovsky painted many portraits of Russian noblewomen, but this one is the most charming. Maria Lopukhina, a representative of the Tolstoy count family, is depicted here at the tender age of 18 years. The portrait was commissioned by her husband Stepan Avraamovich Lopukhin shortly after the wedding. Ease and a slightly arrogant look seem either to be a common pose for such a portrait of the era of sentimentalism, or signs of a melancholic and poetic disposition. The fate of this mysterious girl turned out to be sad: just 6 years after painting, Maria died of consumption.
Giovanina and Amacilia Pacini
Karl Bryullov, “Horsewoman”, 1832
Bryullov’s “Horsewoman” is a brilliant ceremonial portrait in which everything is luxurious: the brightness of the colors, the splendor of the draperies, and the beauty of the models. It depicts two girls who bore the surname Pacini: the eldest Giovanina is sitting on a horse, the younger Amatzilia is looking at her from the porch. The painting was ordered to Karl Bryullov, her long-time lover, by their adoptive mother, Countess Yulia Pavlovna Samoilova, one of the most beautiful women in Russia and heiress to a colossal fortune. The Countess guaranteed a large dowry for her grown-up daughters. But it turned out that by old age she was practically bankrupt, and then adopted daughters Giovanina and Amazilia collected the promised money and property from the countess through the court.
Simonetta Vespucci
Sandro Botticelli, "Birth of Venus"
1482–1486
The famous painting by Botticelli depicts Simonetta Vespucci, the first beauty of the Florentine Renaissance. Simonetta was born into a wealthy family, at the age of 16 she married Marco Vespucci (a relative of Amerigo Vespucci, who “discovered” America and gave the continent his name). After the wedding, the newlyweds settled in Florence and were received at the court of Lorenzo de Medici, which in those years was famous for its magnificent feasts and receptions.
Beautiful, at the same time very modest and friendly, Simonetta quickly fell in love with Florentine men. The ruler of Florence, Lorenzo, himself tried to court her, but his brother Giuliano sought her most actively. Simonetta's beauty inspired many artists of the time, among whom was Sandro Botticelli. It is believed that from the moment they met, Simonetta was the model for all Madonnas and Venuses painted by Botticelli. At the age of 23, Simonetta died of consumption, despite the efforts of the best court doctors. After this, the artist depicted his muse only from memory, and in his old age he bequeathed to be buried next to her, which was done.
Vera Mamontova
V.A. Serov, “Girl with Peaches”, 1887
The most famous painting The master portrait of Valentin Serov was painted in the estate of the wealthy industrialist Savva Ivanovich Mamontov. Every day for two months his daughter, 12-year-old Vera, posed for the artist. The girl grew up and turned into a charming girl, married out of mutual love to Alexander Samarin, belonging to the famous noble family. After honeymoon In Italy, the family settled in the city of Bogorodsk, where three children were born one after another. But unexpectedly in December 1907, just 5 years after the wedding, Vera Savvishna died of pneumonia. She was only 32 years old, and her husband never remarried.
Alexandra Petrovna Struyskaya
F.S. Rokotov, “Portrait of Struyskaya”, 1772
This portrait by Rokotov is like an airy half-hint. Alexandra Struyskaya was 18 when she was married to a very rich widower. There is a legend that for her wedding her husband gave her nothing less than a new church. And all my life I wrote poetry to her. It is not known for certain whether this marriage was happy, but everyone who visited their house paid attention to how different the spouses were from each other. Over 24 years of marriage, Alexandra bore her husband 18 children, 10 of whom died in infancy. After her husband's death, she lived for another 40 years, firmly managed the estate and left her children a decent fortune.
Galina Vladimirovna Aderkas
B.M. Kustodiev “Merchant's Wife at Tea”, 1918
Kustodiev’s “Merchant’s Wife at Tea” is a real illustration of that bright and well-fed Russia, where there are fairs, carousels and the “crunch of French bread.” The picture was painted in the post-revolutionary famine year of 1918, when one could only dream of such abundance.
Galina Vladimirovna Aderkas, a natural baroness from a family that traces its history back to one Livonian knight of the 18th century, posed for the merchant’s wife in this portrait-picture. In Astrakhan, Galya Aderkas was the Kustodievs' housemate, from the sixth floor; The artist’s wife brought the girl to the studio after noticing the colorful model. During this period, Aderkas was very young - a first-year medical student - and in the sketches her figure looks much thinner. After graduating from university and working for some time as a surgeon, she left the profession and Soviet years she sang in a Russian choir, took part in dubbing films, got married and began performing in the circus.
Lisa del Giocondo
Leonardo da Vinci, "Mona Lisa", 1503-1519.
Perhaps one of the most famous and mysterious portraits of all times is the famous Mona Lisa by the great Leonardo. Among the many versions of who owns the legendary smile, the following was officially confirmed in 2005: the canvas depicts Lisa del Giocondo, the wife of the Florentine silk merchant Francesco del Giocondo. The portrait may have been commissioned from the artist to commemorate the birth of a son and the purchase of a house.
Together with her husband, Lisa raised five children and, most likely, her marriage was based on love. When her husband died of the plague and Lisa was also struck by this serious illness, one of the daughters was not afraid to take her mother with her and left her. Mona Lisa recovered and lived for some time with her daughters, dying at the age of 63.
At the beginning of the twentieth century, our calendar appeared new holiday, the name of which sounded like a revolutionary slogan: “International Women’s Day of solidarity of working women in the struggle for equal rights.”
Fortunately, over time, this day has acquired a completely different meaning, and for us, March 8 is a holiday of female beauty and charm.
Wanting to combine the historical with the pleasant, we have collected several paintings of sweet, flirtatious and strong working women from great artists - eternal captives of female beauty and virtues!
Alexey Venetsianov, a native of Moscow, first visited the village at the age of 35, when after his wedding the newlyweds went to visit their wife's parents in the Tver province.
The artist was so fascinated by nature that he immediately had a desire to settle among the Russian expanses and he bought an estate in Safonovka.
It is here that he paints the painting “On the Plowed Field”. All of Venetsianov’s work is permeated with poetry; his paintings, dedicated to peasant life, idealize village life.
Since childhood, Zinaida Serebryakova has been in love with Venetsianov’s paintings. In her early paintings one can feel an invisible connection with the work of the Russian writer of everyday life. Venetsianov’s peasant women, a hundred years later, seem to continue to live in her paintings.
The artist’s village girls are majestic, with a regal bearing; they leisurely do their daily work - true poetry of spirituality!
Zinaida Evgenievna Serebryakova "Harvest"
1915, 177×142 cm.
The paintings “Harvest” and “Whitening Canvas” are classified as the best works Zinaida Serebryakova. They were painted on the Neskuchnoye family estate in the Kharkov province, where the Serebryakov family spent summer and autumn since 1898.
In 1914, after a long trip to the North of Italy, Zinaida arrived in Neskuchnoye and immediately began working on the painting “Harvest.”
Studying the creativity of artists Italian Renaissance, only recently seen in museums and galleries, is felt in the classically constructed composition, and the monumentality of the forms emphasizes the beauty female figures against the backdrop of a landscape with wheat fields stretching unevenly beyond the horizon.
These paintings are considered the last idyllic paintings of pre-revolutionary Russia.
Zinaida Evgenievna Serebryakova." Whitening the canvas "
1917, 141.8×173.6 cm.
Lace, powder, lipstick - everything a charming woman needs...
French ladies also work tirelessly on artists' paintings. In the Rococo era, the most fashionable profession for city women was that of a milliner.
Elegant and luxurious outfits, corsets, embroidery and lace were all women's thoughts, because it was necessary to keep up with the trendsetter Madame Pompadour!
And the fantasies of young maidens were embodied by jacks of all trades - milliners. Francois Boucher in the painting “The Milliner” seems to be sneaking a peek into the room and spying on the ladies who are discussing the future model.
Francois Boucher. "The Milliner"
53x64 cm.
In the 18th century, during the Enlightenment in France, it was customary in art to praise and affirm the virtues of the third estate, and in painting in good form simplicity and naturalness were considered.
Jean-Baptiste Greuze in the film “The Laundress” not only depicts a graceful and charming young worker - in this way he glorifies hard work.
In Russia in the second half of the 18th century, Grez became a fashionable artist, the noble nobility vied with each other to order portraits from him, Empress Catherine II herself, on the advice of Diderot, purchased the painting “The Paralytic” from the artist.
Of course, such popularity of Greuze’s work did not go unnoticed by Russian painting; his paintings had a great influence on Russian portraiture.
Jean-Baptiste Greuze "The Laundress"
1761, 32×40 cm.
Lacemakers
Vasily Tropinin was called “Russian Dreams” for his charming female portraits. For the first time in Russian painting, he created a new type of genre portrait - poetic image girls at work.
The young beauties in the paintings “The Lacemaker” and “The Goldsmith,” busy with their work, take their eyes off their work for a moment and look slyly at the viewer.
Vasily Andreevich Tropinin. "The Goldsmith"
1826, 64×81 cm.
Tropinin was a serf artist and only at the age of 47 received his freedom. It is symbolic that it was 1823, the year of writing “The Lacemaker,” that brought the artist both freedom and official recognition.
This year he shows his works for the first time at the Academy of Arts, and the artist is awarded the title of “appointed academician.” Thus, an intimate portrait of a city woman brought freedom and success to its creator.
Tropinin "The Lacemaker"
Homemaker
Housekeeping has always been women's shoulders and kitchen chores are a direct responsibility. For some this is a blessing, but for many it is a hassle. For the heroine of the film “The Cook” by Bernardo Strozzi, this is a duty and a sacred rite.
You can ask yourself many questions when looking at a picture. For example, why is a young girl gutting a bird wearing an elegant dress and beads? Does she have a large family, because dinner involves a fair amount of dishes?
Who is depicted in the picture - maybe the artist depicted his wife and that’s why she looks at the viewer so affectionately? This option is quite possible: Strozzi’s paintings on everyday subjects are very rare, and he could well have made an exception for his wife.
Bernardo Strozzi "The Cook"
1625, 185×176 cm.
The author of the painting is an Italian artist of the Baroque era with a remarkable biography. Strozzi's adventurous character was reflected in all his activities: in his youth he joined the Capuchin Order and became a priest, then studied painting in the workshop of the Genoese artist Sorri and at the same time worked as a naval engineer in the Genoese fleet.
Later, the artist escaped from the monastery and hid from persecution by the monks in Venice. But Strozzi never gave up painting. His main theme was portraits, religious and mythological scenes, and his creative style was greatly influenced by the painting of Caravaggio.
The “profession” of a shepherdess was once very popular and artists often turned to it. We find a touching image of a middle-aged shepherdess in the works of Van Gogh, who painted ordinary villagers with special warmth and love.
Look at the color of the picture: yellow wheat fields- the color of the sun and warmth, softly contrasted with the blue cape of the shepherdess, is a frequent technique in the artist’s works, but it does not evoke disturbing feelings, as in his other paintings.
Van Gogh conveys his feelings unusually accurately with shades of color. No matter what whirlwinds rage around, the woman is calm and submissive to her difficult fate... And our dominant and sincere feeling when we see this picture is “empathy.”
Vincent Van Gogh. "Cowgirl"
1889, 52.7×40.7 cm.
The artist created this work during treatment in Saint-Rémy in the south of France. During this period of 1889-1890, he studied the work of the founder of the Barbizon school, Jean Francois Millet, and during this time he made copies of 23 of his paintings, including “The Shepherdess” (although it is difficult to call Van Gogh’s painting a copy).
Vincent writes to his brother about his occupation:
“I assure you that I am terribly interested in making copies, and since I do not have models now, I will not abandon work on the figure with the help of these copies.
I use black and white reproductions of Delacroix and Millet as if they were real life subjects. And then I improvise the color, although of course not exactly as if I were doing it myself, but trying to remember their paintings.
However, this “remembering”, the unclear harmony of their colors... is my interpretation.”
Comparing the paintings of the two artists, it seems that Van Gogh painted the shepherdess in his imagination.
Millet "Shepherdess" 1, Millet "Shepherdess" 2.
Jean Baptiste Chardin observed the lives of ordinary townspeople and wrote stories from them. everyday life. The painting “The Laundress” exudes a quiet homely comfort, where everything is warmed by the cares of the hostess.
While mom is doing the laundry, the son is busy with his simple fun. Children's images are always present in Chardin's paintings, emphasizing the love of a mother for her child. Demonstration of these relationships helps him create a spiritual atmosphere of warmth and a modest, but significant and fulfilling life for the townspeople.
Women's labor in the artist's paintings is equated to noble work done with special diligence and love.
Jean Baptiste Simeon Chardin. "The Laundress"
Socialist Labor editorials - we new world let's build it!
Women in the Soviet country are mastering new professions. With us, they are not just some Western fashionistas - soviet woman maybe build a metro!
In the graphic series of the 1930s by Alexander Samokhvalov, portraits of girls who worked as subway workers embodied the ideal of socialist labor.
Enthusiasm, youthful energy, optimism and strength are overflowing in these works - we will build a new country. Here she is with a drill, with a shovel, beautiful, strong and happy, she can do anything!
The artist joined the ideological path of the country; he sincerely believes in universal creation for the benefit of a bright future. And the artist’s spiritual impulses are quite tangible matter, just look at the works!
