“We touched on the basic principles of drawing - what you need to do to draw approximately what you want. And they did this using the example of pencil and paper. Why? Because it is easier than learning how to paint with paints, since in the case of using paints in addition to the problem " How should I draw this? the problem “” appears - so that what comes out is very similar to what was intended. And in this article we will try to give an accurate answer to this question.

How to get desired color? There are two ways. The first is traditional, using the well-known color wheel:

So, there are primary colors:

• yellow
  
• blue
  
• red .

Which when mixed give

• orange
  
• green
  
• violet
  
• brown .

Moreover, the shades of mixed colors depend on the proportion of primary colors. And, using the color wheel, you can get the desired color like this:

1. Take a certain amount of the main color (for example, blue )
2. Add some second primary color (for example, yellow )
3. Compare the result green with what you wanted to get
4. Add one or another primary color to correct the shade.
5. Or simply take the desired shade of green from a tube jar.

Why does the last point arise - take the desired shade from the jar? Because getting the desired color by mixing the main ones sometimes happens difficult.

In principle, for starters, you can get the desired color using such a color wheel. However, as skill increases, the need for more precise color selection increases. Indeed, with the help of the described principles, it often turns out dirt. For example, it is very difficult to get a good violet color by mixing red And blue. Or is it difficult to get necessary shades green , orange, brown flowers. That is, the principles do not take into account any factors that affect the result when mixing colors.

We are happy to tell you that these factors really exist, and, moreover, with their help you can cope with the problem of “dirt” and still learn how to get the right colors not by intuitive mixing, but with the help of ordinary simple sequence of actions. This sequence and the reasons for the “dirtyness” of the standard color wheel were discovered not by us, but by Michael Wilcox. Who wrote the book " . How to get the color you really need". By the way, you can download this book by Michael Wilcox from the link Blue and yellow do not make green.

Naturally, it will not be possible to present all the material in the book in one article, so we will limit ourselves to the main points, and we recommend getting the details from this very book by Michael Wilcox, “Blue and Yellow Don’t Make Green.”

So, how can you reliably and accurately get the color you want?

To do this, it is necessary to take into account an important theoretical point. Why do we see color? Because various items(including paint pigment) have different surface, which reflects light differently from the sun or other light source. That is, the surface, for example, of a bathtub, has such a structure that it reflects all colors and absorbs nothing. And all the colors of the rainbow, as we know, form white. Accordingly, the bathtub appears white. On the other hand, the surface of soot has such a structure that it absorbs all the light falling on it. And soot doesn't reflect anything. As a result, we see black soot.

What happens if you mix white and soot? It will turn out beautiful grey color. Why? Because light is reflected from pieces of white completely, as white. And then it is partially absorbed by soot particles. The more soot in the white, the darker the gray it turns out - due to the fact that more and more white light reflected by white particles is absorbed by soot particles.

The exact same principle works for color pigments. Thus, red paint is red because it primarily reflects red color. Blue color looks blue, since the pigment in its composition absorbs all colors except blue. It “works” exactly the same way yellow color - the pigment absorbs most colors except yellow.

Next, we move on to mixing colors. So, for example, you take blue paint and red paint. Mix them and get dirt. Why? Because the reflected color is red ABSORBED blue pigment in the same way as all the falling color. Accordingly, the red pigment absorbs all the radiation is blue - because the nature of its surface is designed so that predominantly red pigment is reflected.

But you may ask: “What nonsense, because mixing blue And yellow we still get green, and according to your theory, it should also turn out to be dirt?” Well, if truly pure colors existed in nature, then we would see the formation of dirt. But there is one thing But, which makes it possible not only to mix colors, but also to carefully and reliably select the truly desired shade of color.

So, the pigment reflects more than just light. Light of the same wavelength is reflected in greater least. Thus, the red pigment mainly reflects red color. But nevertheless, all other colors are also reflected (for example, violet or orange). Exactly the same can be said about yellow color - the pigment predominantly reflects yellow, but nevertheless in a sufficiently large quantities may be reflected orange or green. WITH blue same thing - it can carry additional “harmonics” green or purple .

So there is Not three primary colors. Eat six primary colors:

1. Mainly reflective paint red and to a lesser but significant extent orange .
2. Paint that mainly reflects red and to a lesser (but significant) extent violet .
3. A pigment that primarily reflects yellow and in addition green .
4. A pigment that primarily reflects yellow and plus additive orange .
5. Mainly reflective material blue and partially violet .
6. Material that reflects predominantly blue and partially green .

Well, have you already understood the principle of color formation?

It's very simple: you take yellow from point 3 and blue from point 6, mix these colors. Blue pigment neutralizes yellow, yellow pigment absorbs blue color. What color remains? Right, green! And not just green, but beautiful, bright and juicy green.

In the same way: by mixing blue from point 5 and red from point 2, you neutralize the blue and red colors, and a rich and rich color appears violet color.

And finally: by mixing yellow 4 and red 1, you get orange due to the fact that the red pigment will absorb radiation from the yellow pigment, and yellow will absorb the reflected radiation from the red pigment.

The result was NEW color wheel of six primary colors:

The colors have arrows that indicate the path for optimal manifestation of the “mixed” color. Respectively, variety of shades is born as a result of one or another combination of these SIX primary colors. “Wrong” combinations (for example, blue 6 and red 1) produce dull shades of colors (for example, dirty purple). The combination of one “correct” color and one “wrong” color (for example, blue 6 and red 2) produces more pronounced shades (for example, a brighter purple). And finally, a combination of the "right" colors (for example, blue 5 and red 2) produces a clean and bright color(bright and beautiful purple).

Naturally, reading the article is not enough to master getting the desired color. The best book to read is " Blue and yellow do not give green» by Michael Wilcox plus do the practical color matching exercises described in the book. But nevertheless, the answer to our question has been received.

How to get orange color and its shades in 10 photos + table of all possible derivatives. How to get coral, peach, terracotta and red colors? The influence of white, black and brown in color composition.
Orange color is obtained by mixing red and yellow, but you can get a shade of this color (soft and quite light) by adding pink to yellow paint. Subsequently, all the main saturated shades of orange are in one way or another connected with red, yellow, pink, and white. More complex and dark colors, are obtained with the participation of purple, brown and black.

How to get orange color by mixing paints: red and yellow of the desired tone?

Everyone knows that the main gradient of orange lies within red-orange and yellow-orange. Since the color is obtained from two colors, depending on the percentage of each color there is a shift in one direction or another.
Of course, all the resulting shades are from primary colors(in our case, red and yellow) will be paler. However, orange consists of 2 warm tones, the waves of which are not very different (the opposite would be blue and yellow to create green), and even in the second order it looks quite catchy.

Mixing acrylic paints for drawing:

How to get yellow-orange and red-orange?

It is believed that to get classic orange, you need to take 1 part yellow and 1 part red. However, in practice it turns out that you have to take more yellow than red. In the palette you can always choose the right tone, adding yellow or red to the mixture.

How to get light orange color?

This tone comes in a wide range of pastel shades. They are built using white, but there is an alternative option: we mix pink and yellow, the resulting shade is a soft orange tone, belonging to the light range:

Another option would be to add yellow and white.
Usually in a palette of 12 colors there is already an orange tint, which is much brighter than the color obtained by mixing, so when constructing shades we will use what is already available.
In my palette of glossy acrylic paints there is a bright red-orange tone. To get light orange tones from it, I will need to mix red-orange, yellow and white:

How to get coral color?

Although this shade is closer to pink, its construction is completely tied to orange color, and there are 2 scenarios for getting it:
1) Complex: take red-orange, pink and white in approximately equal parts (when you mix, adjust the shade by eye, the main thing is to mix the paint thoroughly).

2) Red-orange is close to scarlet, and scarlet is a shade of red. Red, when mixed with white, produces pink, and coral can be called a light shade of pink with an orange undertone.

IN in this case coral will lean closer to orange, but still remain a luxurious tropical shade.

How to get peach color?

Another light and subtle shade of the main color. Peach belongs to the soft pastel palette, standing out from it with its sophistication, it has long been loved and entrenched in our imagination. Its construction consists of 4 colors:
1) Red + yellow + pink + white
2) Orange + yellow + pink + white
3) Coral + yellow + white

How to get terracotta color?

Let's move on to dark shades of orange. One interesting option is terracotta: a medium-dark, but rich, complex red-orange shade is obtained by mixing purple and red-orange:

Adding a drop of white will help make the shade lighter.

How to get red color?

Red color has an orange undertone. If you take brown and mix it with red-orange, the resulting shades will be dark but rich. You can adjust the tone by adding yellow.

How to get dark orange color?

You can adjust the brightness of shades of orange using black: either to complete darkness or simply dim the brightness. This is necessary to create contrast.
If you want to dim light shades: mix white with black to a gray mass and add it to the working tone.

Table for obtaining orange shades when mixing colors:

Practice in color science is irreplaceable, but theory can give you an understanding of how this or that tone is built.

In the center is the main color from which the color is built. The first circle of colors is the shades with which the color is mixed in the proportion indicated below. The third circle is formed by tones that were obtained by mixing the main color and the first circle in a smaller proportion than the third. On each side of the color at the end of the beam, the same color with the addition of black (darker) and white (lighter).

How to get other colors and their shades: theory and practice. Click on the icon.

As children, we loved to experiment, creating original images in the process of drawing, painting them in unusual colors that we did not have in our palette. At the same time, many did not think about the combination of which colors produced this or that shade. In fact, there are a lot of options, the main thing is to know what tones need to be mixed to achieve the desired result. Let's find out how to get purple.

Even if we assume that to obtain purple we need red and blue tones, then by mixing them we will not achieve the desired result. The end result is a bit dirty gray, which in some cases resembles purple and in others red.

All this is due to the fact that red color predominates over blue, which is why it appears to a greater extent when mixed. If in blue paint add red or green, then blue will dominate. As a result, you will not get the desired purple tint.

What to do in such a situation, with which mix to achieve the desired color?

Tip: before the mixing process, make sure that the paint does not have additional color additives - it must be clean, without foreign impurities. If you get a purple tone with gray tint, as previously indicated, the reason lies in low-quality paints, even if they look clean.

To determine whether you are using high-quality paint or not, we recommend using white. On a sheet of white paper, apply drops of red and blue paint separately. Add a drop of white on top. If red turns red and blue turns turquoise, then the paint is of poor quality, since pink and blue should be derivatives of red and blue.

Don't be afraid to experiment

Don’t be afraid to experiment, because sometimes even from a combination of standard and primitive colors you can achieve an incredible shade. For example, you can get a beautiful purple tone thanks to yellow, brown, red and blue flowers. You can replace brown with black. The main thing is to maintain the correct proportion.

Combining various options shades of the original tones, we can obtain purple color of varying saturation. It should be noted that red should have more cool shade, since the warm color is more reminiscent of orange, so the result may be brown.

A large amount of blue paint will allow you to get a darker purple shade, closer to lilac.

This is far from the only option with which you can get a really beautiful purple color. Alternatively, to achieve the result, you can mix blue, raspberry and turquoise colors, etc.

Learning to draw: mixing acrylic, oil, watercolor paints. All kinds of shades from three primary colors.

Without creativity human life empty and uninteresting. Painting, like music, is learned not only in order to be realized in life, but also in order to find an outlet in life, a hobby that will bring joy and peace to life. And where there is drawing, so is mixing colors. This is exactly what this article is dedicated to. In it we will tell you how to mix and obtain new colors and shades of the most common paints in painting.

How to properly mix acrylic, oil and watercolor paints to obtain the desired color: table, proportions

Mixing acrylic paints

We suggest that you familiarize yourself with the lesson famous artist and a called teacher, author of Acrylic Painting with Lee Hammond. Lee Hammond warns that although we supposedly know from childhood that mixing red and blue will get purple, acrylic paints have a different pigmentation and most likely you will find brown on the palette.

Important: read the pigments on the packages. Have you seen on store shelves there are up to 15 types of the same shade? Do you think this is to fill a display case? No, it is the same color with different pigments. Therefore, we write down or photograph on a smartphone the color - the necessary pigment - and with this we go to the store to replenish the paints.

Also note that the pigments are transparent, translucent and dense in consistency. Therefore, you can buy completely different structures from the same paint manufacturer. This is not a defect, but the properties of the pigment.

So, in order to get an almost full range of colors, only 7 colors are enough. For beginners, it is recommended to purchase exactly these colors, and in the future, at your own discretion, purchase additional shades.

Please note that we do not specifically translate the names of the primary colors so that you can name them in the store and purchase the necessary pigments:

• Base: Cadmium Yellow Medium
• Base: Cadmium Red Medium
• Main: Prussian Blue
• Additional: Alizarin Crimson
• Additional: Burnt Umber
• Neutral: Ivory Black
• Neutral: Titanium White

We bought, prepared the canvas for the experiment and move on to the magic.

Experiment one - mix each color with white and get new, amazing pastel and delicate shades. We provide a table of strokes with a caption of what we mixed.

Well, now, from left to right, from first to bottom, let’s look at the shades that we managed to get: fawn; peach or as it is also called coral; soft pink; beige; sky blue; gray or light asphalt.

Now we try to mix all the colors with black, the result is in the table below.

And we got these colors: khaki or dark green; chestnut; plum; deep brown; dark blue.

But this is all simple, now let’s move on to a more complex version of mixing acrylic paints, but an interesting one! Mix and get all shades of green.

As we already did, we mix the two colors that are under the stroke and get exactly this shade.

Additionally we received: olive green color; a gray-green tint reminiscent of asphalt after rain reflecting the green crowns of trees; bottle green; mint.

The next step is purple and violet tones and midtones. In order to obtain such shades, you will need to have Prussian blue or alizarin pink or cadmium red in the work kit. Two examples for mixing: Prussian Blue + Cadmium red medium or Prussian Blue + Alizarin Crimson.

The colors we got were chestnut, rich warm grey, plum and a hint of lavender.

Now add white pigment and stir, add another drop to each option. Notice what a riot of color appears in your hands!

Sunny shades. This is what artists like to call shades of orange; these are wonderful uplifting tones. They are made by mixing red with complementary colors.

On this table we got: orange as it is, peach, brick, coral.

Earthy tones can be achieved by adding burnt umber (international meaning Burnt Umber). If there is a need to get pastel shades of these tones, then just add a drop of white pigment.

In this case, we got earthy shades: umber; brick; dark turquoise; dark sepia; dirty beige; pastel lilac; steel blue; Warm grey.

Mixing oil paints

IN oil paints the situation with the palette is a little simpler and one pigment is used in one color, so we will not give the main colors, but will leave only the name of the color. The rules that we remember from childhood are precisely the rules of oil paints.

Mixing watercolor paints

Watercolor paints are mixed according to the same principle as oil paints, except that watercolors are translucent and the shades are more muted. We recommend working through the table above first, and only then moving on to drawing on canvas.

Basic colors for mixing paints

There are only three primary colors in paint mixing. These are red, blue and yellow. White and black are considered additional. Thanks to these colors you can get absolutely all shades of the rainbow.

This article does not provide ready-made solutions, because it is impossible to squeeze out paint or smear a certain amount of milligrams; this article gives a direction in which you can work and develop. Try, experiment and you will definitely end up with a delicious creation. And painting works much better than any psychologist, relieves stress, distracts from problems and helps you see the beauty in the ordinary!

Video: How to get brown, purple, blue, red, beige, orange, pink, gray, lilac, black, turquoise, mint, green, olive, blue, lilac, pistachio, khaki, yellow, fuchsia, cherry, marsala, white when mixing paints?

The color mixing table allows you to learn how to get the right one when mixing two or more colors and shades.

This table is used in various fields art - fine art, modeling, and others. Can also be used in construction when mixing paints and plasters.

Color Mixing Chart 1

Color mixing chart 2

Mixing paints
black= brown+blue+red in equal proportions
black= brown+blue.
gray and black= blue, green, red and yellow are mixed in equal proportions, and then one or the other is added by eye. it turns out we need more blue and red
black= it turns out if you mix red, blue and brown
black=red, green and blue. You can additionally add brown.
bodily= red and yellow paint.... just a little. After kneading, if it turns yellow, add a little red, if a little yellow paint turns pink. If the color turns out to be very saturated, add a piece of white mastic and mix again
dark cherry= red + brown + a little blue (cyan)
strawberry= 3 parts pink + 1 part red
Turkiz= 6 parts sky blue + 1 part yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 part red + a little black
rust color= 8 hours orange + 2 hours red + 1 hour brown
greenish= 9 hours sky blue + a little yellow
dark green= green + a little black
lavender=5 parts pink + 1 part purple
bodily= a little copper color
nautical=5h. blue+1 hour green
peach=2h. orange + 1 tsp. dark yellow
dark pink=2h. red+1 hour brown
dark blue=1h. blue+1h. Serenevy
avocado= 4h. yellow + 1 part green + a little black
coral=3 hours pink + 2 hours yellow
gold= 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 part purple + a little red
light green= 2 hours purple + 3 hours yellow

red + yellow = orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + brown = ocher
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige
light green=green+yellow, more yellow,+white= light green

lilac=blue+red+white, more red and white, +white= light lilac
lilac= red and blue, with red predominating
Pistachio paint obtained by mixing yellow paint with a small amount of blue