TASHKENT, December 25 – Sputnik. On board the crashed Tu-154, the Academic Song and Dance Ensemble of the Russian Army named after A.V. was flying to Syria. Alexandrova. Since May 2016, the head of the main military musical orchestra country was Lieutenant General Valery Khalilov.
Together with the band, the musician flew to Syria to congratulate Russian military personnel on the upcoming New Year.
Valery Khalilov is a native of Uzbekistan. He was born on January 30, 1952 in the small town of Termez in the Surkhandarya region. Already at the age of four he began composing music, which, coupled with family tradition and determined the future path of life.
At the age of 11 he entered the military music school in Moscow. In 1975 he graduated from the military conducting department at the Tchaikovsky Conservatory.
In 1980, the Pushkinsky Orchestra higher school air defense radio electronics took first place in the competition of military bands of the Leningrad Military District.
In 1981-1984 he worked as a teacher at his native faculty at his alma mater, in the conducting department.
From 1984 to 2002 - in the management bodies of the military band service, where he worked his way up from an officer of the military band service to deputy head of the service.
In 2002 he became head of the military band service of the Armed Forces Russian Federation- chief military conductor.
In parallel with his work as the chief military musician, Khalilov was the musical director of international military music festivals - “Spasskaya Tower”, “Amur Waves”, “March of the Century”, and the international military music festival in Yuzhno-Sakhalinsk.
Valery Khalilov was one of the creators and organizers of the Spasskaya Tower festival. This is what he himself said about it in an interview with Orientir magazine.
According to him, this festival was born in 2007. Initially it was called "Kremlin Dawn". This kind of festivals are held regularly in many countries. There are world-class festivals that all military musicians in the world know about. A kind of forerunner of our festival was the International Military Music Festival “Ode to Peace”, to which three military orchestras from the countries of the anti-Hitler coalition - France, Great Britain and the USA - came every five years on Victory Day.“And then a proposal was made to hold such events not only within the framework of one holiday, but within the framework of the international festival movement... The festival is one of our leading creative projects. Military bands from countries of completely different geographical backgrounds take part in it. This includes Africa, Europe, Asia, and America. Every year more than 1,000 people take part in the festival,” noted Khalilov.
In April 2016 chief conductor country was appointed to the position artistic director Academic ensemble songs and dances of the Russian Army named after A.V. Alexandrova.
On board the TU-154 that crashed today was Valery Khalilov, Russia's chief military conductor, head of the ensemble - artistic director of the Academic Song and Dance Ensemble Russian Army named after A.V. Alexandrov, who was sent with the ensemble to organize congratulatory New Year's events at Khmeimim Air Base. We have collected fragments from several interviews with Valery Mikhailovich - about childhood, profession and faith in God.
About baptism and faith
I was baptized at four years old. I grew up in a village near Kirzhach, my grandmother was a believer, and not just devout, like all the old women in those days, but a deep, sincere believer. She often told me: “Granddaughter, it wasn’t us who started it, it’s not ours to abolish,” because Orthodoxy and church life seemed to me something completely organic, unchanging and correct. The wooden chapel that stood in our village was destroyed, and on holidays all the grandmothers went to the monastery church in the neighboring village. I walked with them, and I remember everything, even though I was small: our fairy-tale forests, Vladimir... strawberry meadows, domed churches. Even Russian nature itself is fascinating, but I don’t even understand how you can not love the Church at least as a part of Russian spiritual culture!
I was strong, I’ll be honest, but now I’m skinny. In general, I was so plump, plump, I was already, so to speak, a conscious person. Dad was a communist, and my mother, taking advantage of the opportunity that my father was working and I was in the village, she says to my grandmother: “Come on, while my father is away.” But dad wasn’t against it, but you know what it was like in those days? He was an army officer, he was a conductor, like my brother is a conductor, and my nephew in Sevastopol is now a conductor, by the way. Therefore, maybe because my mother was afraid that if they found out from my father, they might do something. In short, I was baptized. I remember this moment very well, when I was baptized for the first time. They put me in the courtyard, in the yard, we have a hut and a yard in front of the hut. They put him in a basin with cold water. How's that? Father leaned over me, and I was such a healthy boy, and I grabbed his beard. You know how it is... Butt by the beard.
I was baptized at the age of four, and when I slept in the hallway, there was a picture above my head. I don’t remember which one, there were a lot of holy people in this picture, but every “lights out”, as they now say in military parlance, I was accompanied by this picture. When I went to bed, the boy was completely in the village in this hut. Then she disappeared, because there were times when people went around collecting paintings and icons. And our village is unguarded, they just broke into many of the icons in many of our houses in the village, just... Then it was such a disgrace. This icon has disappeared. Besides, we have such a village, so picturesque, so stunning, small, so patriarchal, it’s simply impossible not to believe in something so heavenly there, despite all its beauty.
This is the environment in which I was brought up. This is all, as they say, from God. I have this Russianness, it is rooted in this village.
All this prompted me to believe in God. Well, besides this, there were just cases, very interesting... and why did I live, then, now it’s called Yakimanka. As before, by the way, there is this church there, Oktyabrskaya metro station. And then Easter, I remember. People walk around the church, this really stuck with me. We, young people, stand on the parapets around the church, the police do not let us in there. Grandmothers in headscarves with children and small ones sneak in there - they let them through. We can’t go there, we are young people - they don’t let us in there, and I think this is what they are doing there, what they are doing there, why they are not letting us in.
Here's the question: why? What are they doing there that’s so bad, why aren’t they letting us in? I was always drawn there because singing was heard from there, some smells, you know, candles, all that, crosses, some kind of sacrament. It was still attractive. The more they banned it, the more I was drawn there in this sense. There are some little things that go unnoticed, and then you analyze: why did you do that? Yes, because this little thing influenced you, so suits God Everyone, of course, has their own path, and some, maybe even little things, lead to this road, I don’t know. Signs? Don't know. But it did, thank God!
About choosing a profession
My dad was a military conductor. I now have a younger brother who is a military conductor. And the current military conductor's nephew, a lieutenant, serves as a sailor in Sevastopol. That is, I have a dynastic family on the male side, military conductors. Thanks to my father, I entered the Moscow Military Music School. And, to be honest, when I got in, I didn’t understand why I went there. He was torn away from the comforts of home at the age of 11 and ended up in the walls of a closed educational institution. Moreover, everything was inherent in the military way of life: getting up, going out, exercises, physical activity. And, of course, general education and musical items. The duration of study is 7 years; I entered at 11 and graduated at 18. All my physical and biological growth occurred during this period. School instilled this in me vocational education, which I still use today. That's how I became a military conductor.
About sacred and military music
I often think about the internal similarities between seemingly opposite spheres - military and sacred music. After all, military music has amazing power, and, contrary to stereotypes, it is not at all aggressive. It pains me to hear when they say that the execution of marches is a step towards the militarization of the entire country. It seems to me that we must think in terms of artistic taste. A good march is as difficult to write as good song! Every great composer has its own face, national musical tradition Same: main feature our Russian military music - in its special melodicism, in its folklore, popular intonations.
Do they know how modern people perceive classical music? It is possible to determine whether a person perceives music well or poorly only after he learns to perceive it! And how does a person discover the beauty classical music, if he was not instilled with love for her from childhood? There is a zone in the soul of each of us that is open to everything high and good - open to the right music. And I call the right music that which, in its emotional impact, encourages a person to do the best deeds - creativity, creation. And if so-called “light” music can serve as an unobtrusive background, then classical music can never do so. Listening to classics is a work of the soul.
People are the same at all times, they are always open to good music. This means that we must educate to the best of our ability. Without boasting, I can say that we have opened the doors of many concert halls for military bands: Great Hall Moscow Conservatory, Concert hall named after Pyotr Ilyich Tchaikovsky, International House of Music. And we give out free tickets, despite the fact that, according to all the laws of commerce, people are supposedly more willing to go to events when they bought a ticket with their own money. Believe me, I never flattered myself with the hope that all our concerts would be sold out, but we have people sitting on the steps just to listen to the music! And how can you then say that modern man not able to perceive the classics?
We dream of bringing brass music back to the parks and to the people. After all, people today especially lack something real... at work, in everyday life, and we try to fill this urgent need with live music and beautiful melodies. Here a typical city person comes to a concert: merged with the city, unable to imagine his life without hot water and TV, as if stuck, dried up to this comfortable life. And suddenly he hears the sounds of a military brass band, plunges into another world and... thaws. Ask him at this moment what he is thinking about now, and he will definitely say: about love, about children, about his homeland, about God.
You know, I noticed an amazing thing: a brass band simply cannot play bad music! Even if the musicians play poorly, this music still enchants, even if some sounds are conveyed incorrectly. It’s like in nature: one person likes autumn, another doesn’t: everything withers, it’s slushy, your feet get wet. But still, every time of year is wonderful! Brass music is the same: its very nature, its very breath is pure, bright. It is probably on this plane that music—whether military or simply classical—intersects with spiritual life. And I really want my work to instill only moral values in people.
I have a joke like this. I tell religious people: “You know, I have a friend who wrote a Ph.D. dissertation on the topic “The influence of brass music on the spiritual life of the clergy.” This is a joke, but of course, in reality, and again I always say this: technology is developing, but where do people tend to go with urbanization? Where are they heading? To nature. I always compare, look what’s happening on Friday, what’s going on on the roads - where is everyone running? In the forest, in the clearings, in nature.
The brass band is nature, it is a living sound emanating from there, from within. And even if he plays primitively, even the boys play, an amateur orchestra - these simple melodies, this primitivism even, in a sense, but the presentation of these sounds, these natural, and again I say, at the genetic level makes people hear . There are people all around, I don’t want to say, all sorts of people, maybe even strange, but they gather because apparently this music of ours somehow affects the cerebral cortex. They're getting ready. Even if they play poorly, the crowd gathers around the brass band.
On prayer in a military march
Let's say the march “General Miloradovich”. The idea was suggested by Colonel Babanko Gennady Ivanovich, who during my service in Pushkino was the head of the political department of the school and, already in retirement, wrote the book “General Miloradovich”, knowing that I was writing music, called me and said: Valer, write music about General Miloradovich , I’ll give you a book to read, and you, inspired by this book, write a march. And after reading the book, I realized that the fate of this general is completely extraordinary and not only forgotten, but in a conceptual sense it is simply perverted.
General Miloradovich, commanding the rearguard, did not allow the enemy to collide with our troops at the time he desired. Hero of the War of 1812. In 1824, the December uprising. Senate Square. As you know, the Decembrists withdrew their troops. Miloradovich was the Governor-General of St. Petersburg. When he entered Senate. square, the troops, recognizing him, began to fall on their faces. And one of the Decembrists, former lieutenant Kakhovsky, seeing that a turning point in the uprising was about to happen, he used a ladies’ pistol from behind to inflict a mortal wound on Miloradovich, from which he died.
So there is Kakhovsky Street in St. Petersburg, but there is no Miloradovich Street. And in general, the surname Miloradovich arose after the tsar summoned Khrabrenovich, his ancestor, and said: you are very dear to me with your courage, you will become Miloradovich. And in this march for the first time I used prayer, and I wrote the music for this prayer myself. There is no such analogue. And if you listen to the march carefully, you can imagine the social life of St. Petersburg, and the prayer service before the battle, and the return of these Russian soldiers. All this with a choir.
By the way, in the march, in our Russian and Soviet marches, this is the first time that prayer has been introduced into the march. I did this based on the image that General Miloradovich himself promised me, because he was certainly an Orthodox, believer, and since the troops were leaving for the battlefield, there was always a prayer service. So I made this prayer service - in the Gospel, with the help of a believer, I found words dedicated to “our howls”, and put music on these words, as is usually done. You will hear this prayer in the middle of the march. And then you will hear the victorious procession, the return of our troops from the battlefield to the salute, and again you will hear the first part, again the return to social life. In the space of, I don’t know, I think five or four and a half minutes, the life of this glorious general Miloradovich will flash before you. This is a march, this is a Russian march, I wrote it. There is nothing so reprehensible in it, regarding, as they say, excuse the expression, a boot - there is no such thing. This is a very secular, very beautiful, I think, march. By the way, many conductors love it and often perform it, although it is difficult to perform.
About Russian military musicians
Our country is the only one where there is a well-functioning system for training military conductors. Abroad, they become people who already have a higher education music education and have passed certification in physical training. But our army trains its own musicians. First, secondary education - the Moscow Military Music School accepts ninth-graders; after graduation, they can enter the Institute of Military Conductors on the basis of the Military University of the Ministry of Defense. This system of training and education produces a specialist who is familiar with army life from the inside. Coming to the orchestra as a lieutenant, he already knows what and how to do. This has a positive effect on the skill of our orchestras. For example, during the parade on Red Square, 1000 military musicians play about 40 compositions by heart. Foreigners are amazed at the synchronicity and beauty of the performance.
Interview with Valery Khalilov on the Spas TV channel
Khalilov Valery Mikhailovich- head of the ensemble - artistic director of the Academic Song and Dance Ensemble of the Russian Army named after A.V. Alexandrov, People's Artist Russian Federation, Lieutenant General
Born into the family of a military conductor. He started studying music at the age of four. He graduated from the Moscow Military Music School (now the Moscow Military Music School) and the Military Conducting Faculty at the Moscow State Conservatory named after P.I. Tchaikovsky. Upon completion of his studies, he was appointed military conductor of the orchestra of the Pushkin Higher Military Command School of Air Defense Radio Electronics.
After the orchestra under the direction of Valery Khalilov took 1st place in the competition of military orchestras of the Leningrad Military District (1980), he became a teacher at the conducting department of the Military Conducting Faculty at the Moscow State Conservatory named after P.I. Tchaikovsky.
In 1984, Valery Khalilov was transferred to the management body of the military band service of the USSR Ministry of Defense, where he served as an officer of the military band service, senior officer and deputy head of the military band service.
From 2002 to 2016 Valery Khalilov - head of the military band service Armed Forces of the Russian Federation - the main military conductor.
In April 2016, by order of the Minister of Defense of the Russian Federation, Valery Khalilov was appointed to the position of Head of the Ensemble - Artistic Director of the Academic Song and Dance Ensemble of the Russian Army named after A.V. Alexandrova.
Valery Khalilov - music director such international military music festivals as “Spasskaya Tower” (Moscow), “Amur Waves” (Khabarovsk), “March of the Century” (Tambov) and the International Military Music Festival in Yuzhno-Sakhalinsk.
Valery Khalilov is a member of the Union of Composers of Russia. His work as a composer is mainly associated with the genres of brass orchestral, choral, vocal and chamber instrumental music.
He toured with leading orchestras of the Armed Forces of the Russian Federation in Austria, Belgium, Hungary, Germany, North Korea, Lebanon, Mongolia, Poland, USA, Finland, France, Switzerland, Sweden.
Tragically died on December 25, 2016 as a result of a plane crash of a Tu-154 RA-85572 aircraft of the Russian Ministry of Defense, en route from Adler airport to Syria.
Valery Khalilov Chief military conductor of the Russian Federation: biography, achievements, photos. On December 25, 2016, after taking off from Sochi, the artistic director of the Alexandrov Ensemble, Valery Khalilov, tragically died. The tragedy occurred at 5:40 am when an airliner flying to Syria crashed into the Black Sea. There were 92 people on board the plane, including 64 members of the ensemble. Also on board the crashed ship were military personnel and Doctor Lisa, who were flying to congratulate the people of Syria and Russian military personnel on the New Year.
Valery Khalilov was born in Uzbekistan, in the family of a military conductor on January 30, 1952. He started composing music at age 4. And at the age of 11, his parents sent the boy to a military music school in Moscow. After graduation, he became the conductor of the Pushkin Higher School of Radioelectronics of Russian Air Defense. In 1980, his orchestra took first place in the competition of military bands of the Leningrad district. He was transferred as a teacher to the military conducting department of the Moscow Tchaikovsky Conservatory, then to the eagles of the military orchestra service of the USSR Armed Forces.
From 2002 until today he was the Chief Military Conductor.
Valery Khalilov Chief military conductor of the Russian Federation: biography, achievements, photos. In April 2016, Khalilov was appointed to the position of Head of the Ensemble. Valery Mikhailovich was the organizer of many theatrical, festive events. He has many awards and medals. He was a deeply religious man.
I was baptized at four years old. I grew up in a village near Kirzhach, my grandmother was a believer, and not just devout, like all the old women in those days, but a deep, sincere believer. She often told me: “Granddaughter, it wasn’t us who started it, it’s not ours to abolish,” because Orthodoxy and church life seemed to me something completely organic, unchanging and correct. The wooden chapel that stood in our village was destroyed, and on holidays all the grandmothers went to the monastery church in the neighboring village. I walked with them, and I remember everything, even though I was small: our fairy-tale forests, Vladimir... strawberry meadows, domed churches. Even Russian nature itself is fascinating, but I don’t understand how anyone can not love the Church at least as a part of Russian spiritual culture!
I was strong, I’ll be honest, but now I’m skinny. In general, I was so plump, plump, I was already, so to speak, a conscious person. Dad was a communist, and my mother, taking advantage of the opportunity that my father was working and I was in the village, she says to my grandmother: “Come on, while my father is away.” But dad wasn’t against it, but you know what it was like in those days? He was an army officer, he was a conductor, like my brother is a conductor, and my nephew in Sevastopol is now a conductor, by the way. Therefore, maybe because my mother was afraid that if they found out from my father, they might do something. In short, I was baptized. I remember this moment very well, when I was baptized for the first time. They put me in the courtyard, in the yard, we have a hut and a yard in front of the hut. They put him in a basin with cold water. How's that? Father leaned over me, and I was such a healthy boy, and I grabbed his beard. You know how it is... Butt by the beard.
I was baptized at the age of four, and when I slept in the hallway, there was a picture above my head. I don’t remember which one, there were a lot of holy people in this picture, but every “lights out”, as they now say in military parlance, I was accompanied by this picture. When I went to bed, the boy was completely in the village in this hut. Then she disappeared, because there were times when people went around collecting paintings and icons. And our village is unguarded, they just broke into many of the icons in many of our houses in the village, just... Then it was such a disgrace. This icon has disappeared. Besides, we have such a village, so picturesque, so stunning, small, so patriarchal, it’s simply impossible not to believe in something so heavenly there, despite all its beauty.
This is the environment in which I was brought up. This is all, as they say, from God. I have this Russianness, it is rooted in this village.
All this prompted me to believe in God. Well, besides this, there were just cases, very interesting... and why did I live, then, now it’s called Yakimanka. As before, by the way, there is this church there, Oktyabrskaya metro station. And then Easter, I remember. People walk around the church, this really stuck with me. We, young people, stand on the parapets around the church, the police do not let us in there. Grandmothers in headscarves with children and small children sneak in there - they let them through. We can’t go there, we are young people - they don’t let us in there, and I think this is what they are doing there, what they are doing there, why they are not letting us in.
Here's the question: why? What are they doing there that’s so bad, why aren’t they letting us in? I was always drawn there because singing was heard from there, some smells, you know, candles, all that, crosses, some kind of sacrament. It was still attractive. The more they banned it, the more I was drawn there in this sense. There are some little things that go unnoticed, and then you analyze: why did you do that? Yes, because this little thing influenced you, so everyone goes to God on their own path, of course, and some, maybe even some little things, lead to this road, I don’t know. Signs? Don't know. But it did, thank God!
About choosing a profession
My dad was a military conductor. I now have a younger brother who is a military conductor. And the current military conductor's nephew, a lieutenant, serves as a sailor in Sevastopol. That is, I have a dynastic family on the male side, military conductors. Thanks to my father, I entered the Moscow Military Music School. And, to be honest, when I got in, I didn’t understand why I went there. At the age of 11, he was torn away from the comforts of home and ended up within the walls of a closed educational institution. Moreover, everything was inherent in the military way of life: getting up, going out, exercises, physical activity. And, of course, general education and music subjects. The duration of study is 7 years; I entered at 11 and graduated at 18. All my physical and biological growth occurred during this period. The school gave me the professional education that I still use today. That's how I became a military conductor.
About sacred and military music
I often think about the internal similarity of seemingly opposite spheres - military and sacred music. After all, military music has amazing power, and, contrary to stereotypes, it is not at all aggressive. It pains me to hear when they say that the execution of marches is a step towards the militarization of the entire country. It seems to me that we must think in terms of artistic taste. A good march is as difficult to write as a good song! Every great composer has his own personality, a national musical tradition too: the main feature of our Russian military music is its special melodicism, its folklore, folk intonations.
Do modern people know how to perceive classical music? It is possible to determine whether a person perceives music well or poorly only after he learns to perceive it! How can a person discover the charm of classical music if he has not been instilled with a love for it since childhood? There is a zone in the soul of each of us that is open to everything high and good - open to the right music. And I call the right music that which, in its emotional impact, encourages a person to do the best deeds - creation, creation. And if so-called “light” music can serve as an unobtrusive background, then classical music can never do so. Listening to classics is the work of the soul.
People are the same at all times, they are always open to good music. This means that we must educate to the best of our ability. Without boasting, I can say that we have opened the doors of many concert halls to military bands: the Great Hall of the Moscow Conservatory, the Pyotr Ilyich Tchaikovsky Concert Hall, the International House of Music. And we give out free tickets, despite the fact that, according to all the laws of commerce, people are supposedly more willing to go to events when they bought a ticket with their own money. Believe me, I never flattered myself with the hope that all our concerts would be sold out, but we have people sitting on the steps just to listen to the music! And how can we then say that modern people are not able to perceive the classics?
We dream of bringing brass music back to the parks and to the people. After all, people today especially lack something real... at work, in everyday life, and we try to fill this urgent need with live music and beautiful melodies. Here a typical city person comes to a concert: merged with the city, unable to imagine his life without hot water and TV, as if stuck, dried up to this comfortable life. And suddenly he hears the sounds of a military brass band, plunges into another world and... thaws. Ask him at this moment what he is thinking about now, and he will definitely say: about love, about children, about his homeland, about God.
You know, I noticed an amazing thing: a brass band simply cannot play bad music! Even if the musicians play poorly, this music still enchants, even if some sounds are conveyed incorrectly. It’s like in nature: one person likes autumn, another doesn’t: everything withers, it’s slushy, your feet get wet. But still, every time of year is wonderful! The same is true for wind music: its very nature, its very breath is pure, bright. It is probably on this plane that music - whether military or simply classical - intersects with spiritual life. And I really want my work to instill only moral values in people.
I have a joke like this. I tell religious people: “You know, I have a friend who wrote a Ph.D. dissertation on the topic “The influence of brass music on the spiritual life of the clergy.” This is a joke, but of course, in reality, and again I always say this: technology is developing, but where do people tend to go with urbanization? Where are they heading? To nature. I always compare, look what’s happening on Friday, what’s going on on the roads - where is everyone running? In the forest, in the clearings, in nature.
The brass band is nature, it is a living sound emanating from there, from within. And even if he plays primitively, even the boys play, an amateur orchestra - these simple melodies, this primitivism even, in a sense, but the presentation of these sounds, these natural, and again I say, at the genetic level makes people hear . There are people all around, I don’t want to say, all sorts of people, maybe even strange ones, but they gather because apparently this music of ours somehow affects the cerebral cortex. They're getting ready. Even if they play poorly, the crowd gathers around the brass band.
On prayer in a military march
Let's say the march “General Miloradovich”. The idea was suggested by Colonel Babanko Gennady Ivanovich, who during my service in Pushkino was the head of the political department of the school and, already in retirement, wrote the book “General Miloradovich”, knowing that I was writing music, called me and said: Valer, write music about General Miloradovich , I’ll give you a book to read, and you, inspired by this book, write a march. And after reading the book, I realized that the fate of this general is completely extraordinary and not only forgotten, but in a conceptual sense it is simply perverted.
General Miloradovich, commanding the rearguard, did not allow the enemy to collide with our troops at the time he desired. Hero of the War of 1812. In 1824, the December uprising. Senate Square. As you know, the Decembrists withdrew their troops. Miloradovich was the Governor-General of St. Petersburg. When he entered Senate Square, the troops, recognizing him, began to fall on their faces. And one of the Decembrists, former lieutenant Kakhovsky, seeing that a turning point in the uprising was about to happen, he used a ladies’ pistol from behind to inflict a mortal wound on Miloradovich, from which he died.
So there is Kakhovsky Street in St. Petersburg, but there is no Miloradovich Street. And in general, the surname Miloradovich arose after the tsar summoned Khrabrenovich, his ancestor, and said: you are very dear to me with your courage, you will become Miloradovich. And in this march for the first time I used prayer, and I wrote the music for this prayer myself. There is no such analogue. And if you listen to the march carefully, you can imagine the social life of St. Petersburg, and the prayer service before the battle, and the return of these Russian soldiers. All this with a choir.
By the way, in the march, in our Russian and Soviet marches, this is the first time that prayer has been introduced into the march. I did this based on the image that General Miloradovich himself promised me, because he was certainly an Orthodox, believer, and since the troops were leaving for the battlefield, there was always a prayer service. So I made this prayer service - in the Gospel, with the help of a believer, I found words dedicated to “our howls”, and put music on these words, as is usually done. You will hear this prayer in the middle of the march. And then you will hear the victorious procession, the return of our troops from the battlefield to the salute, and again you will hear the first part, again the return to secular life. In the space of, I don’t know, I think, five or four and a half minutes, the life of this glorious general Miloradovich will flash before you. This is a march, this is a Russian march, I wrote it. There is nothing so reprehensible in it, regarding, as they say, excuse the expression, a boot - there is no such thing. This is a very secular, very beautiful, I think, march. By the way, many conductors love it and often perform it, although it is difficult to perform.
About Russian military musicians
Our country is the only one where there is a well-functioning system for training military conductors. Abroad, they become people who already have a higher musical education and have passed certification in physical training. But our army trains its own musicians. First, secondary education - the Moscow Military Music School accepts ninth-graders, after graduation they can enter the Institute of Military Conductors on the basis of the Military University of the Ministry of Defense. This system of training and education produces a specialist who is familiar with army life from the inside. Coming to the orchestra as a lieutenant, he already knows what and how to do. This has a positive effect on the skill of our orchestras. For example, during the parade on Red Square, 1000 military musicians play about 40 compositions by heart. Foreigners are amazed at the synchronicity and beauty of the performance.
Born into the family of a military conductor. He started studying music at the age of four. He graduated from the Moscow Military Music School (now the Moscow Military Music School) and the Military Conducting Faculty at the Moscow State Conservatory named after P.I. Tchaikovsky. Upon completion of his studies, he was appointed military conductor of the orchestra of the Pushkin Higher Military Command School of Air Defense Radio Electronics.
After the orchestra under the direction of Valery Khalilov took first place in the competition of military bands of the Leningrad Military District (1980), he became a teacher at the conducting department of the Military Conducting Faculty at the Moscow State Conservatory named after P.I. Tchaikovsky.
In 1984, Valery Khalilov was transferred to the management body of the military band service of the USSR Ministry of Defense, where he served as an officer of the military band service, senior officer and deputy head of the military band service.
From 2002 to 2016, Valery Khalilov - head of the military orchestra service of the Armed Forces of the Russian Federation - chief military conductor.
In April 2016, by order of the Minister of Defense of the Russian Federation, Valery Khalilov was appointed to the position of Head of the Ensemble - Artistic Director of the Academic Song and Dance Ensemble of the Russian Army named after A.V. Alexandrova.
Valery Khalilov is the musical director of such international military music festivals as “Spasskaya Tower” (Moscow), “Amur Waves” (Khabarovsk), “March of the Century” (Tambov) and the International Military Music Festival in South Sakhalinsk.
Valery Khalilov is a member of the Union of Composers of Russia. His work as a composer is mainly associated with the genres of brass orchestral, choral, vocal and chamber instrumental music.
He toured with leading orchestras of the Armed Forces of the Russian Federation in Austria, Belgium, Hungary, Germany, North Korea, Lebanon, Mongolia, Poland, USA, Finland, France, Switzerland, Sweden.
Tragically died on December 25, 2016 as a result of a plane crash of a Tu-154 RA-85572 aircraft of the Russian Ministry of Defense, en route from Adler airport to Syria.
Born into the family of a military conductor on January 30, 1952 in the city of Termez. At the age of 4 he began composing music. From the age of 11 he was a student of the military music school in Moscow. 1970 - 1975 - military conducting department at the Moscow State Conservatory. P. I. Tchaikovsky (class of Professor G. P. Alyavdin).
The first place of service is the conductor of the orchestra of the Pushkin Higher School of Radio Electronics of the country's air defense.
At the competition of military bands of the Leningrad Military District, the orchestra under the direction of Valery Khalilov took first place (1980).
In 1981 he was transferred as a teacher to the military conducting department (Moscow).
In 1984 he was transferred to the management body of the military band service of the USSR Armed Forces.
Since 2002 - Head of the Military Band Service of the Russian Federation.
Valery Khalilov is the organizer of many festive theatrical events held in Moscow and beyond, in which both Russian military brass bands and groups from many countries around the world take part. Among these spectacular event It should be noted that the international military music festivals “Kremlin Zorya” and “Spasskaya Tower”.
He toured with the leading orchestras of the Armed Forces of the Russian Federation in Austria, Sweden, the USA, Hungary, Germany, North Korea, Mongolia, Poland, Finland, France, Switzerland, Belgium.
Valery Khalilov is a wonderful composer. He has written wonderful works for brass band: “Adagio”, “Elegy”, marches - “Cadet”, “Youth”, “Rynda”, “Ulan”, romances and songs.
Brother of Lieutenant General V.M. Khalilova - senior teacher of the military institute (military conductors) of the Military University, Honored Artist of Russia (1997), Colonel Khalilov Alexander Mikhailovich (author of the music for the famous song “We are leaving the East” by VIA “Cascade” and for some time the leader of this group), and his nephew is a graduate (2011) of the Military Institute (military conductors) of the Military University Khalilov Mikhail Aleksandrovich.
