What is known about the rocktooth cousin. Characteristics of the rocktooth in the comedy "Woe from Wit". Several interesting essays

He wrote the comedy "Woe from Wit" in 1824. The work is intended to expose the habits and views of the nobles of the nineteenth century. The events described in the play take place after the war with the French in 1812.

This period was difficult for Russia, as progressive ideas became popular in society. The confrontation between old and new views, traditions of the past and the present is described in the work through vivid characters and images. Skalozub is a character with the help of which the author conveys the specifics of the controversy that has arisen.

Character history

The image of Colonel Sergei Sergeevich Skalozub is typical. There is documentary evidence that during the creation of the work, many prototypes were found for the hero. The names of the composer, Colonel Frolov and General Skobelev were named as persons who inspired Griboyedov.


The character's characteristics suggested that he was similar to Paskevich, Arakcheev and the Emperor. Skalozub represents an ordinary Muscovite trying to get married. Education and upbringing are not his strong point, but the hero has savings and self-confidence. After the war, Skalozub was awarded a symbolic order, which allowed him to exaggerate his own importance in the eyes of others.

The meaning of the hero's name is obvious. The role assigned to him as a boastful warrior and narcissistic nature explains the origin of the surname. Skalozub enjoys the respect of other characters and preferences from Sophia’s father, who is wooing his daughter to marry the colonel. The description of the groom's merits is primitive: he is rich and aspires to the rank of general.


Skalozub’s goal in life is a good position in society and the favor of the powers that be. He opposes free thought and advocates unquestioning submission. This position was common in the Russian army in the post-war years. Skalozub's awards and position indicate that his attitude towards service is correct and the colonel's prospects are great.

Quotes from Skalozub suggest that his attitude towards his family is based on the desire to conform to the norms accepted in society. He neglects feelings and sympathies. His judgments are based on traditional views that have not changed with the advent of new era. Therefore, the hero’s attitude towards serfdom is not distinguished by fresh ideas.


He is an adherent of the idea of ​​disposing of the peasants. Skalozub is exclusively concerned with replenishing his resources and budget, as well as social status. The colonel skillfully appeals to existing connections and neglects work, participation in military affairs and government activities.

A typical martinet whose behavior is predictable is an inappropriate and awkward image in the society that young people like this create. Even his attitude towards love seems outdated. The key role in the hero’s worldview is played not by age, but by the social situation, which Griboyedov ridicules.

Plot

“Woe from Wit” is included in the list of literature studied in high school. The history of the confrontation between the “present century” and the “past century” is familiar to everyone. Young Sophia is in love with the secretary. Suddenly, an acquaintance of the family appears in the house, a young man named Chatsky, who in his speeches speaks unflatteringly about Molchalin, whose positive image to the liking of the household.


The guest asks Famusov for details about Sophia, in connection with which the latter makes an assumption: Chatsky is aiming for a suitor. Famusov considers Colonel Skalozub the only suitable candidate for the role of son-in-law, whose status and position in society correspond to the preferences of the venerable father. Chatsky and Famusov do not agree on opinions and views. A confrontation arises between them.

Molchalin's fall from his horse becomes a collision, after which Chatsky thinks about Sophia's excessive worry about the secretary's health. He comes to the conclusion that the girl is in love, but Molchalin’s personality seems to Chatsky unworthy of sublime feelings. At a reception held in the evening at Famusov’s house, Chatsky ironizes and ridicules his competitor.


Having accidentally learned that Molchalin maintains contact with Sophia only for the sake of the family's position and is secretly in love with the maid Lisa, the hero exposes the secretary. The disgraced girl drives Molchalin out of the house. The guests who come running, led by Famusov, witness Chatsky’s sarcastic monologue, ridiculing vices modern society. The young man leaves the Famusovs’ house.

Film adaptations

The play, which came from the pen of Griboyedov, joined the list of classic dramatic works. It does not inspire directors for film adaptations, since the poetic style is not in demand among television audiences. But television plays enjoy the interest of the intelligent public.


In 1952, the artists of the Maly Theater of the USSR appeared before the audience in the image of the heroes of “Woe from Wit” on television. The role of Skalozub was performed by Anatoly Rzhanov. In a television production in 1977, the public again watched the actors of the Maly Theater. He appeared in the guise of a colonel. A television performance in 2002 made it possible to get acquainted with Skalozub performed by.

Quotes

Alexander Sergeevich Griboedov described a classic situation that occurs repeatedly in society. The meaning of the play remains relevant regardless of the era, therefore catchphrases and the aphorisms drawn from it remain relevant year after year. The character's shortcomings, exposed by the author, are voiced through the hero's lips.

“As a true philosopher, I judge: if only I could become a general,” says Skalozub.

He does not have the opportunity to claim a good education, and his “philosophical” statements are stupid and demonstrate a narrow worldview. Skalozub is far from modern trends and does not seek to familiarize himself with them, because he considers studying a waste of time. In his opinion, there are prospects only in investing in fragile minds the truth dictated by the fathers:

“I will make you happy: universal rumor,
That there is a project about lyceums, schools, gymnasiums;
There they will only teach in our way: one, two,
And the books will be saved like this: for special occasions.”

Skalozub owes his position in society and his connections in the service. He is not distinguished by his desire to change the world, and free vacancies that help him advance career ladder, open by themselves:

“I am quite happy in my comrades,
Vacancies are currently open:
Then the elders will turn off others,
The others, you see, have been killed.”

Skalozub Sergei Sergeich - in his image the “ideal” Moscow groom is depicted - rude, uneducated, not very smart, but rich and pleased with himself. Famusov reads S. as his daughter’s husband, but she considers him “the hero of a novel that is not hers.” At the moment of his first arrival at Famusov’s house, S. talks about himself. He took part in the War of 1812, but received the order “on the neck” not for military exploits, but on the occasion of military celebrations. S. “aims to become a general.” The hero despises book wisdom. He speaks derogatorily about his cousin reading books in the village. S. tries to embellish himself externally and internally. He dresses in army fashion, using belts to make his chest look like a wheel. Having understood nothing in Chatsky’s accusatory monologues, he, nevertheless, joins his opinion, saying all sorts of nonsense and nonsense.

Skalozub is a character in the comedy by A.S. Griboyedov "Woe from Wit" (1824). If we look for classicist, and through them, ancient prototypes in the characters of the play, then S. corresponds to the “boastful warrior”, a popular mask of Roman comedies, embodied in the famous “tower-city conqueror” Pyrgopolinicos, the hero of Plautus. The bully warrior was traditionally portrayed not only as a braggart, but also as a narcissistic person. S., if we take it out of the poetic context, is somewhat similar to his distant ancestor. It should be noted that many characters in Griboyedov’s work wear comedic masks, but the “mask” is only the top layer of its voluminous plot. During the course of the action, S. transforms into an individual comedic character. Colonel Sergei Sergeevich S. is at the very center of the events of the play. Already in the first act, Lisa mentions him as Sophia’s almost official fiancé (“and the golden bag and aims to become a general”) in contrast to the “unwanted” Chatsky and the “secret” Molchalin. Perhaps, for the sake of S., in order to introduce him to the circle of relatives, Famusov is planning a ball where he introduces S. Khlestova, who does not like him because of his lack of servility and too tall stature. All the facts of S.’s biography, in the eyes of Famusov, distinguish him favorably from Chatsky. S. is rich, a military man, quickly and thoughtfully making his career, arguing little, expressing himself straightforwardly and lapidarily. S.’s manner of not conforming to the tone of secular politeness does not harm him in the opinion of others (like Chatsky), because in the main S. is Famusovsky, his own: “you won’t faint me with your learning!” What is it based on military career It turns out pretty quickly: “here the elders will be turned off by others, others, you see, have been killed.” It would be a mistake to underestimate S.’s influence in the “Moscow” environment: he is recognized and supported by society. IN climax discussions about the harm brought by books and education, S. announces the good news for everyone that it has been decided to reform lyceums, schools and gymnasiums according to the barracks model: “There they will only teach in our way: one, two; And the books will be saved like this: for special occasions.” (Which, however, does not quite suit Famusov, who knows a more correct way to restore order: “take all the books and burn them.”) S. is a collective character in which Griboyedov’s contemporaries recognized many: from divisional colonel Frolov to the Grand Duke Nikolai Pavlovich, the future Emperor Nicholas I. In a vast stage history“Woe from Wit” has not yet found a solution to this image that would be free from the “mask”, equally emphasized by the actors with the most different directorial decisions in style. The basis of S.’s image is the technique of the grotesque, but not cartoon or caricature. Such an image requires an interpretation akin to the poetics of the play as a whole, which Griboedov called “the poetics of an excellent poem.”

Comedy "Woe from Wit", written by A.S. Griboyedov in 1824, exposes the morals of the nobles of the early 19th century. The play presents a situation when, after the War of 1812, at a turning point for Russia, people with progressive views on the structure of society began to appear in the noble society. The main theme of the work is the struggle of the “past century” with the “present century”, the old with the new. The camp of the “past century” is represented in the play by many people different types. Great value To understand the problems of the work, Skalozub’s characterization in the comedy “Woe from Wit” is helpful.

This hero is highly respected among Famus society. From the first pages of the book we learn that Famusov considers him the most desirable contender for the hand of his daughter Sophia. In the play "Woe from Wit" Skalozub fully corresponds to the ideals of the Moscow noble society: “And a golden bag, and aims to become a general.” Sophia, as a sensible girl, does not want to marry Skalozub at all. She considers him very stupid: “He will never utter a smart word - I don’t care what’s for him, what’s in the water.”

If Chatsky is not suitable for the role of Sophia’s husband, because he “does not serve, that is, he does not find any benefit in it,” then Skalozub is a colonel. High rank is the main thing that is valued in Moscow. The image of this hero is a satire on Russian army Arakcheev's period, when any free-thinking was persecuted, and thoughtless submission was required. In this regard, many young nobles resigned. Stupid military drill reigned in the army at that time. That is why in Famus society they are so wary of Chatsky, who “would be happy to serve,” but does not want to “serve,” because this indicates his dissent. Skalozub is “with stars and ranks,” which means everything is fine with him. In Famus society, he is forgiven even for rudeness, which is not forgiven for Chatsky.

As a typical representative of the “past century,” Skalozub serves the purpose of enriching himself, gaining respectable weight in society, and not in order to take care of the safety of his homeland. In the comedy “Woe from Wit,” Skalozub’s army rank is very attractive to Famusov’s Moscow. In this regard, Chatsky gives an apt description of Skalozub: “A constellation of maneuvers and mazurkas.”

The path to high ranks and awards for people like Skalozub does not matter. Most often, promotions among the nobility of that time were achieved through connections. Skalozub’s character helps him skillfully use these connections: “... To get ranks, there are many channels... I just wish I could become a general.”

Skalozub even received his order not for military merits, but on the occasion of military celebrations.

In the comedy “Woe from Wit,” the characterization of Skalozub would have been incomplete if the work had not contrasted this hero with other representatives of the military class - progressive-minded, respectful human personality nobles. These were the people who retired during that period. Such is Skalozub’s cousin, who, despite the fact that “the rank followed him,” left military service and went to live in the village, where “he began to read books.” Refusing another rank is unthinkable for Skalozub. Skalozub speaks about his brother with disdain also because he is also an opponent of learning and education. It is from the lips of this hero at Famusov’s ball that information about reform comes educational institutions according to the barracks type: “There they will only teach in our way: once or twice; and the books will be preserved like this: for great occasions.”

One of the important characters in Griboyedov’s comedy “Woe from Wit” is Sergei Sergeevich Skalozub. He spent his whole life in military service, rose to the rank of colonel and really wants to become a general. The brilliant careerist, however, was carried away by his service alone; he was a limited and simply stupid person.

Skalozub's appearance is almost perfect: all his clothes are chosen according to army fashion, he is tall, and his voice could be admired by all the girls who dream of fairy-tale heroes. Skalozub has many medals, but all of them are on the occasion of a celebration, and not received for valor and honor. This is one of the details with which the author wants to show readers that Skalozub does not have that real military spirit that rushes into battle to protect his loved ones. All Skalozub dreams of is a beautiful uniform and a lot of glory and fame. He fights not for his homeland, but for his own selfish and vain goals.

Sergei Sergeevich’s upbringing fails him: he grew up in the barracks, so all his requests or even ordinary speech sound like army orders. He is very rude, not tolerant, not tactful and in some places seems just a boor. But his shortcomings are largely offset by his enormous fortune, respectability and place in society; many respect him and almost worship him.

Skalozub hates reading and believes that there is nothing good in books; two examples of this can be cited: when he happily says that now all educational schools will become like barracks and when he talks with great contempt about his cousin, who at the moment sits in the village and reads books.

Famusov wants to marry Sophia to Skalozub, because he has a lot of money. Sophia finds Skalozub very stupid and speaks of him as if he had not said a single sensible thought the entire time. Sophia’s words are confirmed for the reader in the situation when Skalozub, having listened to Chatsky’s monologue, agrees with him, not understanding anything of what Chatsky said.

I think that Skalozub is a person who tries to show the good side of himself in everything, a person who tries to please others and win their sympathy. Because of his ambitions to become a general, he does not see anything beyond his service, which scares away the smart and well-read Sophia. Skalozub himself considers himself a very honest officer who is worthy of his position. Judging by how his service is going, I can assume that he will still achieve his goal of becoming a general, but whether he will become the person that a young lady like Sophia wants to see in her husbands is unlikely.

Option 2

Griboyedov in his comedy "Woe from Wit" raises important topic which concerns the past and present time. At this time, the values ​​of the “old” time are opposed to the values ​​of the new time. Not only Famusov or Khlestakov, but also Skalozub considers himself a supporter of the old self.

Skalozub holds a military rank, his goal in life is to achieve good place or rank at any cost. He “made a fortune” and is therefore popular with the ladies. Even Famusov himself prefers Skalozub as his daughter’s husband.

Skalozub, although a military man, does not know how to think for himself. He follows society, follows those who are beneficial to him or supports those who are more noble. The hero does not really love Russia, he says this himself. He received a high military rank only because there were places, and not for his exploits and devotion to the Motherland. Skalozub is a collective image, his behavior corresponds to other military men who tried to make their careers after Patriotic War, and, it should be noted, they had every opportunity to do this.

Skalozub is a typical liberal of that time, who clings to the old, because only by those laws and rules can he live; it is more convenient for him to adapt to someone than to act on his own.

Also, the image of Skalozub helps to fully understand Chatsky, who is opposed to the “past century”; the reader notices deceit, depravity and stupidity Famusovsky Society, which includes Skalozub.

Skalozub has a special attitude towards learning; he does not understand why he needs to study, and he tries to show himself as smart, but in dialogues with other characters he only answers with memorized military phrases.

Skalozub does not bring anything useful to society, he only satisfies his own needs, goes over his head for the sake of his goals. This attitude towards the world is the basis of the old system, which Chatsky does not like so much.

The hero did not receive an education, he grew up in a military environment, so he was used to speaking rudely, not taking anyone into account, and giving orders. Skalozub is rude, does not listen or understand others, he lives according to the laws of the army.

His attitude towards reading is terrible - he despises books. The reader notices this when main character assures that it is better to equip schools in a new way, like in the army, where they will teach what is really important, and not science. And talking about his distant brother, who loves to read and lives in the village, Skalozub humiliates him, he does not understand how one can read books.

Sophia sees Skalozub as a stupid and backward person; she is not interested in his money. In a dialogue with Chatsky, Skalozub does not understand what the hero is talking about, but out of habit he agrees with what was said.

Skalozub is accustomed to benefiting from any situation through flattery and agreement with others. He does not want to develop, but the goal is one - to succeed in a military career, this shows the limitations of the protagonist and his ideals.

Detailed analysis of Skalozub's image

Skalozubs are the generals of Tsarist Russia, or hoarsemen, strangled people and bassoons.

(Based on the comedy by A.S. Griboedov “Woe from Wit.”)

Literature knows cases of the genius of an author thanks to one of his works. These include famous works of word art different eras. These are “Don Quixote” by Cervantes Saavedra, “Gulliver’s Travels” by Swift and, of course, “Woe from Wit” by Alexander Sergeevich Griboedov.

The immortal comedy was written at the beginning of the 19th century, but has not lost its significance in the 21st century, because it touches on universal human values ​​- “eternal values”.

The play mainly contains representatives of the nobility (“the present century” and “the past century”) with their own worldview, attitude to service, education, serfdom, foreign fashion, people different classes. The author talks about the meaning of life, honor and dignity, love, inner freedom, moral choice.

There's a lot in comedy characters, but conditionally they can be divided into two camps: the world of Famusov and the world of Chatsky. Chatsky has progressive views on life, he is an active figure, a thinking person, and the other (Famusov) is an adherent of the old order, where servility, hypocrisy, respect for rank, and the desire to become an “ace” are valued.

Skalozub is a prominent representative of the Famus circle. Chatsky gives an apt description of this character:

Khripun, strangled, bassoon,

A constellation of maneuvers and mazurkas.

In tsarist Russia, khripuns were called fanfare officers who gave themselves an important appearance and sought to be especially noticeable in secular society. To this end, they forced themselves to wheeze, pronouncing words with a French accent. The writer gives the term “khripun” an army, military slang meaning.

The word “strangled” is associated with “wheezer” and helps to partially represent the highest-ranking military in Nikolaev Russia: the collar was pulled so tightly and the uniform was pulled into a glass that it was difficult to breathe.

A bassoon is a musical wind instrument made of wood that produces hoarse, nasal sounds (direct meaning). However, in order to have a complete understanding of the word “bassoon”, one must turn to the story of the surgeon N.I. Pirogov (“Diary of an Old Doctor”). Uniformed leaders were called bassoons for their abrupt, harsh speech. The hero of Griboyedov's comedy Skalozub Sergei Sergeich is a serving colonel, a narrow-minded soldier, who has only a military career on his mind (“And the golden bag, and aims to become a general”). In fact, he did not take part in the hostilities and received an award because he “sat in a trench.” He is very limited in knowledge and has a poor vocabulary as a character satirical novel Ilf and Petrov “Twelve Chairs” Ellochka the Ogress. Dumb and rude in communication, no one is interested in him, and they communicate with him because of money. It's funny and sad to hear his answers. A typical figure in the Arakcheev army drill. His appearance is historically real, without caricature. Just like Famusov, Colonel Skalozub adheres to the “philosophy” of the “past century,” but more crudely and openly. For him, the purpose of service is not to protect the Fatherland, but to achieve career growth, wealth and honor. In his opinion, a military man can achieve success faster.

Skalozub is an opponent of all enlightenment. For him, learning is a “plague.” To eliminate freethinkers, it is he who proposes effective measures to destroy books. He would really like to establish an army regime and suppress any manifestation of freedom of thought.

Individuals like Skalozub are dangerous to society.

Several interesting essays