Theater director
Education:
GITIS im. Lunacharsky 1985 release, workshop People's Artist USSR I.V. Ilinsky and prof. Topchieva L.G.
Serves as an actor in the theater "NEAR the Stanislavsky House" since 1977.
He is the director and actor of the Moscow State Budgetary Educational Institution “MDT “ApARTe”.
Artistic director leisure cultural institution "Theater House "Old Arbat".
Roles in the ApARTe theater:
- Polonius - “Hamlet” by W. Shakespeare (dir. G. Strelkov);
- Mayor - “Inspector.” 1835 » N.V. Gogol (dir. A. Lyubimov);
- Gazgolder Dmitry Alexandrovich - “Road of Flowers” by V. Kataev (dir. T. Arkhiptsova);
- Baron - “Little tragedies” based on the works of A.S. Pushkin (dir. A. Lyubimov);
- Glov Sr. - “The Players” by N.V. Gogol (dir. D. Efremov).
Director of the play “MDT “ApARTe” “A fool took pity on a fool” based on the play “Julieta” by S. Rubbe (premiere of the 2015/2016 season).
FILMOGRAPHY:
- 1987 “Subjects of the Revolution” Sverdlovsk Film Studio, film, dir. Serg. Martyanov, role of Kostromin;
- 1992-1994 “Goryachev and others” series, Channel 1, role Ivan Afanasyevich;
- 2000 “Portrait of Madonna”, Culture Channel, dir. Yu. Pogrebnichko, role of Mr. Abrams;
- 2003 “The Return of Mukhtar” series, dir. V. Shalyga and A. Polynnikov, role of Tambur;
- 2004-2008 “Blind” (Liquidator), series, dir. S. Mokhovikov, S. Lyamin, episodic role Psychologist;
- 2006 “Ostrog. The Case of Fyodor Sechenov", series, dir. S. Mats, S. Danelian and other episodes. role of Lawyer;
- 2007 “Atlantis” series, RWS studio, dir. A. Sukharev episode. role of Lawyer;
- 2007 “Alibi Agency” series, dir. P. Safonov (series: “ Philosopher's Stone"), the role of Professor;
- 2008 “Door” short film, dir. O. Galin, ch. role of Mikhail Ivanovich;
- 2009 “The Serpent’s Lair”, TV series, dir. Yu. Kuzmenko, role of chief physician;
- 2010 “Fomich” short film, Preobrazhenie studio, dir. Nick. Shkunov, lead role Fomich;
- 2011 “Furtseva” Channel One, series, dir. S. Popov, role A. Mikoyan;
- 2011 “Gyulchatai” series, dir. R. Prosvirin, role Lev Davydovich;
- 2102 “Team Che”, TV series, dir. A. Sukharev, (series “Players”) role of Goikhman;
- 2014 “Craftsmen”, series, dir. Sun. Aravin, role of Sturm;
- 2016. A series of feature-journalistic films “Dear Great Books”, Culture channel, dir. T. Arkhiptsova, presenter (librarian).
ROLES IN THE THEATER (today):
- Zhevakin - “The Marriage of N.V. Gogol, dir. Yu. Pogrebnichko, theater NEAR Stanislavsky's house,
- Man - “Man and Woman” S. Zlotnikov, dir. Yu. Pogrebnichko, theater NEAR Stanislavsky's house,
- Glov - “Players” N.V. Gogol, dir. A. Levinsky, theater NEAR Stanislavsky's house,
- Nagg - “The End of the Game” S. Beckett, dir. A. Levinsky, theater NEAR Stanislavsky's house,
- Slocum - “About All Those Falling” S. Beckett, dir. And Levinsky, theater NEAR Stanislavsky’s house,
- Aramis - “The Three Musketeers” by A. Dumas, dir. Yu, Pogrebnichko, theater “NEAR Stanislavsky’s house,
- Uncle Julius - "Kid and K." A. Lindgren, dir. I. Oks, theater NEAR Stanislavsky's house,
- Julitta – “We Need a Tragic Actress” A. Ostrovsky, dir. Yu. Pogrebnichko, theater NEAR Stanislavsky's house,
- Mr. Abrams - "Portrait of the Madonna", dir. Yu. Pogrebnichko, Williams, theater NEAR Stanislavsky's house.
Actor, director, founder and artistic director of the ApARTe theater.
Education: graduated in 1985 State Institute theatrical arts majoring in actor drama theater", and in 1989 - with a degree in musical theater director.
Since 1979, A.G. Lyubimov attended a serious theater school at the Youth Theater-Studio “On Krasnaya Presnya” under the direction of V.S. Spesivtsev, where he was involved in almost all the famous Krasnopresnensky performances, and since 1981 he himself staged performances and taught young people .
In 1987 he created the theater-studio “Group of Citizens”. His performances " Heart of a Dog"by M. Bulgakov and "Invitation to Execution" by V. Nabokov became laureates of the festival "Lefortovo Games-87".
In 1993, the theater-studio “Group of Citizens” was transformed into the Moscow Center for Performing Arts “ApARTe”, and in 1998 - into the Moscow Drama Theater “ApARTe”, where A.G. Lyubimov currently serves, stages performances, plays roles .
Director Lyubimov's performances are always positive and moral. The main thing in them is “an analysis of modern morality, designed for a thinking viewer, questions of human responsibility for his actions, careful attitude to the language of the work" (The Moscow Times). The productions created by the director based on modern material are also permeated with the urgent theme of responsibility to society and one’s own conscience.
His performances were presented at festivals in Moscow, Berlin, Paris, Frankfurt, Magnitogorsk, Pskov, Omsk, Vitebsk.
As a director and actor, Lyubimov is constantly mastering new genres. In 2009 at the School modern dance“Matisse” he staged the choreographic performance “Yin without Yang”, and within the framework of the International Festival “ARMMONO” - a solo performance “A Call from Above”.
A. Lyubimov is the founder and artistic director of the International Festival “Young Theaters of Russia”, which promotes achievements Russian theater. He is raising a new generation: he teaches at the Slavic University of Moscow, runs a nursery theater studio at the Old Arbat Theater House.
A. Lyubimov is an actor with enormous potential, which he successfully realizes both in his own productions and in the performances of his colleagues. "His acting work always sets the rhythm of the performance, becomes its semantic core” (Theater Box Office magazine about “Measure for Measure”, awarded by the Moscow Department of Culture for the best directorial debut in 2006). “He is always different and always the conductor of the play” (“Planet Beauty” about the play “About the Wet Snow”).
1979-1987 - actor and director of the Theater on Krasnaya Presnya.
Performances:
- “Jonathan Livingston Seagull” by R. Bach (1980);
- The Catcher in the Rye by J.D. Salinger (1980);
- “Imagine” J. Lennon (1981);
- “Fantasy” by K. Prutkov (1982);
- “Goodbye, my friend...” B. Vasiliev (1983).
1987-1993 - thin Head of the theater-studio “Group of Citizens”.
Performances:
- “Heart of a Dog” by M. Bulgakov (1987);
- “Run, rabbits, run” by F. Iskander (1988);
- “Invitation to Execution” by V. Nabokov (1989);
- "Tsar F.I." A. Tolstoy (1990);
- “Captain, captain, smile” by J. Verne (1991);
- “Oedipus the King” by I. Stravinsky (1992);
- “The Death of Tarelkin” by A. Sukhovo-Kobylin (1993), GITIS.
Artistic Director of the Moscow Center Performing Arts(MCCA) "ApARTe".
Performances:
- “Telephone” by K. Menotti (1994), Moscow, RATI;
- “Once upon a time” A. Gladkov (1995), Omsk, State musical theater
- "Crime and N." F. Dostoevsky (1995), Berlin, "ORPTNEATER" (with ICCA "ApARTe")
- “Playing Gogol” N. Gogol (1996), Paris, “ARIATEATRO” (with ICCA “ApARTe”)
- “The Innkeeper” by K. Goldoni (1996), Omsk, State Fifth Theater
- “Talents and Fans” by A. Ostrovsky (1996), Yekaterinburg, Academic Drama Theater
- “Three Visits of Doctor Astrov” A. Chekhov (1997), Omsk, “State Fifth Theater”
- “Belkin's Tales” by A.S. Pushkin (1997), Omsk, State Chamber Theater
From 1998 to the present - artistic director of the Moscow Drama Theater "ApARTe".
Performances:
- “Ivan and the Devil” F. Dostoevsky (1998), Moscow, “ApARTe”
- “What’s in my name for you” A.S. Pushkin (1999), Omsk, State Chamber Theater
- “Woe from Wit” A. Griboedov (2000), Moscow, Class Theater
- “About wet snow” F. Dostoevsky (2000), Moscow, “ApARTe”
- “Captain, captain, smile” by J. Verne (2001), Moscow, “ApARTe”
- "Masha, Irina, Olga and others." A. Chekhov (2003), Moscow, “ApARTe”
- "The trouble comes from tender heart"(Vaudeville) V. Sollogub (2004), Moscow, "ApARTe"
- “Phaedra” by J. Racine (2005), Moscow, “ApARTe”
- “And I loved this fool” A. Yakhontov (2006), Moscow, “ApARTe”
- "Solaris. Inquiry" S. Lem (2006), Moscow, "ApARTe"
- “French passions at a dacha near Moscow” (2007), Omsk, “State Fifth Theater”
- “Chronicle of a Forgotten Island” G. Egorkin (2006), Laboratory modern dramaturgy STD RF
- “Strangers Don’t Walk Here” V. Zuev (2007), Laboratory of Contemporary Drama of the STD RF
- “Strangers don’t walk here” V. Zuev (2009), Moscow, “ApARTe”
- "Agatha Christie. Detective" - Meredith Blake (dir. A. Lyubimov), "ApARTe"
- “About Lyubov Ranevskaya” based on the play by A. Chekhov “ Cherry Orchard" - Lopakhin (dir. A. Lyubimov), "ApARTe"
- “Inspector. 1835" N. Gogol - Artemy Filippovich Strawberry (dir. A. Lyubimov), "ApARTe"
- “Little tragedies” based on the works of A.S. Pushkin, “ApARTe”
- “Fathers & Sons” I. Turgenev, “ApARTe”
- “At the Bottom” M. Gorky, “ApARTe”
- “Saving Captain Grant” J. Verne, “ApARTe”
- « Scary tales» based on the works of V.F. Odoevsky; A. Pogorelsky; V.P. Titov and A.S. Pushkin, “ApARTe”
Film roles:
- “Golden Wedding” (dir. N. Motuzko).
“Attaching great importance to the role of management in the theater, today we are publishing “Rules for artistic directors and directors.”
1. If you definitely want to have your own face, don’t forget to first get your own head. All attempts to circumvent this rule ended in failure.
2. When taking office, do not officially announce that everything that happened before you was terrible, and that from now on everything will be fine. This was already said by your predecessor at one time.
3. Reading a repertoire plan drawn up five years in advance makes a great impression. It would be even more effective to draw up a plan fifty years in advance; this would tie the descendants hand and foot. Fortunately, the resonance from such literature lasts no more than a week, after which the planner himself forgets about it.
4. When erecting an inscription in the theater - “THE ROAD TO YOUTH!”, it is better to place it along this road, and not across it.
5. When nominating a young actress for a good role, try to release the premiere before the actress retires.
6. If you like to stage boring plays, be humane and print crossword puzzles on the back of the programs. Introducing a game of dominoes into the auditorium is undesirable, as it distracts the actors.
7. Don’t completely lose yourself in the actors. Mysterious picture - “Where is the director?” has already been used enough, and the viewer is looking for other entertainment.
8. Keep in mind that actors tend to be in one of two states: a) overworked from overwork and b) exhausted from underwork. Transitional stages are extremely rare. Try to keep the actors in the first state, it is more useful for the business.
9. If you set yourself the goal of pleasing everyone in your theater, then very soon you will be hated by everyone.
10. Don't rush into promises. The actor who does not play the role of Hamlet, which you promised him, will console himself by playing the role of your gravedigger.
11. Know that nothing improves the health of the main performer more than the presence of a talented understudy. Therefore, the hygiene of the troupe requires attention to the second cast.
12. The critic you invited to the position of manager can no longer scold you for ethical reasons. All that ethics can allow him to do is scold your opponent.
14. If you have people in your theater who tell you to your face that you are a genius, put on the make-up of the artistic director of the neighboring theater and in this form resume the conversation with them. If they still insist on their statement, you will find out one undoubted truth: that you do not know how to put on makeup.
15. Be tolerant of your opponent’s views, especially if the main difference in your views on theater is that he collects porcelain, and you collect earthenware.
16. Remember that the best cookbook is not an excuse for ruining a meal. Therefore, the quality of the performance you stage is much more important than the system you used to stage the performance.
17. Some believe that creative declarations serve as a complement to practical activities. And if something was missing in practice, you can add it in words. This is not true."
Akimov N.P., Rules good manners/ About the theater, L., “Iskusstvo”, 1962, p. 301-303.
Pavel Viktorovich Kurochkin(born 1963) – one of the founders and artistic director of the Vedogon Theater, Honored Artist of the Russian Federation (2005), associate professor at the Higher Theater School (Institute) named after. M.S. Shchepkin at the State Academic Maly Theater of Russia, winner of the Moscow Mayor's Prize (1995).Graduated from the Higher Theater School (VUZ) named after. M. S. Shchepkin at the State Academic Maly Theater of Russia in 1985, course of Professor V. B. Monakhov.
He performed about twenty productions, including:
- "ABOUT good places, bright dreams and damned life" (1992),
- “In someone else’s feast there is a hangover” by A. Ostrovsky (2000),
- “Squaring the Circle” by V. Kataev (2001),
- “Angelo” based on the poem by A. Pushkin,
- “In Shoes”, Theatrical fantasy based on the reading of H. C. Andersen (2005),
- « Plum"A. Ostrovsky (2006),
- “All My Sons” by A. Miller,
- “Beyond the Horizon” by Yu. O’Neill,
- “Murderous and Unique” by A. Ayckbourn (2008),
- “Talents and Fans” by A. Ostrovsky (2009),
- “Vanya the Danish” after B. Shergin (2008),
- “Word as a word” by M. Ramloese (2011),
- "Dowry" by A. Ostrovsky (2011),
- V. Kondratiev “Greetings from the front”,
- « Battle of Borodino through the eyes of Leo Tolstoy and his heroes" (Literary and musical program based on the novel "War and Peace").
- “A man came to a woman” S. Zlotnikov (2014)
- “Cat and Mouse” by I. Erken (2015) at the Pushkin Theater
- "Freak" M. von Mayenburg (2016)
- "Chuchunya and New Year's gifts» D. Golubetsky (2016)
- Theater cafe “A la “Voila”!”
- “Easy People” M. Durnenkov
- “Squirrels, pines, microcircuits” by E. Bondarenko
Acting works:
- Pakhom in the folk comedy “Pakhomushka” (1993),
- Freddie - "Parade alley, slackers!" R. Thoma (1994),
- Krutitsky - “There was no penny, but suddenly there was altyn” by A. Ostrovsky (1998),
- Kochkarev - “Marriage” by N. Gogol (2002),
- Leva Gruzdev - “From Evening to Noon” by V. Rozov (2003),
- Antipholus - “The Comedy of Errors” by W. Shakespeare (2004),
- Tsar Fyodor Ioannovich - “Tsar Fyodor Ioannovich” A.K. Tolstoy (2006),
- Count Almaviva - “The Barber of Seville” by P. Beaumarchais (2008),
- Actor - “At the Lower Depths” by M. Gorky (2009),
- Nikolai Ivanov - “Ivanov” by A. Chekhov
- Turai - “Game in the Castle” by F. Molnar,
- Narokov - “Talents and Admirers” A. Ostrovsky.
- Harpagon - “The Miser” by J.-B. Molière
- Poetry program “The Victorious Spirit”
- Theater cafe A la “Voila”!
- Director - “Squirrels, Pines, Microcircuits” E. Bondarenko
Prizes and awards:
- Moscow Mayor's Prize in Education (1995)
- Medal of the Order "For Merit to the Fatherland, II degree" (1997)
- Medal “In Memory of the 850th Anniversary of Moscow” (1997)
- Honorary title "Honored Artist" Russian Federation"(2005)
- Diploma “For the most unusual, fabulous performance” at the Moscow International Festival chamber theaters and small-form performances “Slavic Crown for Children” (play “In Shoes”, Moscow, 2006),
- Special prize for playing the role of Tsar Fyodor in the play “Tsar Fyodor Ioannovich” by A.K. Tolstoy (IX International theater festival“Voices of History” - Vologda, 2007),
- Prize "Best Actor" for his performance of the role of Tsar Fyodor at the XVI International festival“Slavic theatrical meetings” (Bryansk, 2008),
- Prize “Best Actor” for playing the role of Tsar Fyodor at the VI International Theater Forum “Golden Knight” (Moscow, 2008),
- Prize “Best Actor” for playing the role of Tsar Fyodor at the VII International Festival “Young Theaters of Russia” (Omsk, 2009),
- Prize "Best children's performance"at the X International Theater Festival "Tsar-Tale" (play "Vanya the Danish", Veliky Novgorod, 2009).
- Diploma “For the most delicious national meaning” VII Fairytale theater festival “I am small, hello!” Novy Urengoy, 2010 Performance “Vanya the Danish”
- Diploma "For best performance" International youth theater festival “Russian Classics”, Lobnya, Performance “Vanya the Danish”, 2015
- II International theater festival "At the Trinity", Sergiev Posad, 2015. Performance "Tsar Fyodor Ioannovich" Director - A. Kuzin. Diploma "Best Actor" - Pavel Kurochkin.
Moscow Art Theater named after. M. Gorky considers himself the legal successor of the Moscow Art Theater and, without renouncing the traditions that have developed in Soviet era, defines his path after the partition as “a return to Stanislavsky.”
Currently, the Moscow Art Theater named after. M. Gorky is located at 22 Tverskoy Boulevard, in a building built in 1973 according to the design of the architect V. S. Kubasov on the initiative of the Minister of Culture E. A. Furtseva to provide stage space for a large theater troupe. The current Moscow Art Theater belongs to the Order of Lenin, acquired in the Soviet era, October Revolution, Order of the Red Banner of Labor. The symbol of the old Moscow Art Theater, a soaring seagull, is preserved by both theaters.
Since October 1987, when the theater declared its loyalty to the founders of the Moscow Art Theater with M. Gorky’s play “At the Lower Depths” after the partition, more than seventy performances have been staged.
Still on the stage of the Moscow Art Theater. M. Gorky plays plays staged many years ago: “ blue bird"M. Maeterlinck, "Three Sisters" by A. P. Chekhov - a performance restored by T. V. Doronina based on the director's drawing by Vl. I. Nemirovich-Danchenko.
The theater's repertoire includes performances of various genres, from comedies to dramatic productions, based on the works of classics of world and Russian literature - W. Shakespeare, J. B. Moliere, B. Shaw, A. N. Ostrovsky, A. P. Chekhov, M. Gorky, M.A. Bulgakov and many others - as well as modern writers.
A special place in the repertoire is occupied by performances with the participation of People’s Artist of the USSR Tatyana Vasilievna Doronina: “Vassa Zheleznova” by M. Gorky and “ Old actress for the role of Dostoevsky’s wife” by E. S. Radzinsky.
Currently the artistic director-director of the Moscow Art Theater. M. Gorky - Eduard Vladislavovich Boyakov, President - People's Artist USSR Tatyana Vasilievna Doronina.
President of the Moscow Art Theater named after. M. Gorky, People's Artist of the USSR T. V. Doronina
The purpose of the dramatic theater has always been defined by the word “spirituality”. Trying to maintain and develop what is called tradition, we turned to the plays of those authors who have always been considered Moscow Art Theater and, from the first season after the division, defined their path as a “return to Stanislavsky”, as an affirmation of classical theatrical literature. Chekhov, Gorky, Bulgakov, Dostoevsky - in today's interpretation, played by today's sharpened nerves, comprehended by inflamed minds. Soviet playwrights Alexander Vampilov, Viktor Rozov, Alexey Arbuzov. In the traditions of the Moscow Art Theater - contemporary authors. The best of them: Valentin Rasputin, Yuri Polyakov, Vladimir Malyagin.
We are trying to pass on to the young actors who have been accepted into our troupe the best that our great teachers have taught us. The traditions of Russian theater are realism, truth and words for the glory of man. Spiritual improvement, the desire to restore what is called “conscience,” for it is conscience that is the measure of human decency, kindness and selflessness. The presence of conscience in each of us determines “are you a man or a trembling creature,” a citizen of your country or an enemy and covetous person who takes, destroys and ravages the land that gave birth to you. This is a basis for us, very much in demand today, when there is so much crime and moral criteria have been lost. We are returning them. We are on our way.
Theater building
In 1972–1973 Architects V. S. Kubasov, A. V. Morgulis and V. S. Ulyashov built a new building of the Moscow Art Theater (now the M. Gorky Moscow Art Theater): a majestic structure with a dark facade, lined with brown-red tuff. The main facade of the theater is divided into long horizontal stripes, imitating a theater curtain in stone, falling down in folds. A solid white strip of balconies and sharply pushed forward metal brackets supporting lanterns and bas-reliefs depicting the four muses highlight the main entrance, and also introduce rhythm and dynamics to the entire composition. The pylons are completed with compositions of lanterns. A wide staircase leads from the street to the entrances moved deeper into the building. They beckon viewers to enter a very special, wonderful world. The general style of the facade is close to the heavy prototypes of St. Petersburg or even Scandinavian Art Nouveau.
The auditorium seats 1,345 people. An atmosphere of solemnity arises in interiors decorated with wood, stone, and bronze. Everything here is designed in colors characteristic of the old Moscow Art Theater building. The interior of the theater, made using natural materials (dark wood and stone), received an expressive but restrained solution. Not only the walls of the foyer are lined with wood, but the entire auditorium, columns and even elevator doors. The creative thinking of the authors was revealed in the plastic treatment of walls, support posts, railings and lampshades, combined with a muted color scheme (shades of brown and olive green), creating a certain gloominess in the rooms.
Geometric furniture in a dark green shade harmonizes with islands of greenery highlighted by lighting. Using the technique of flowing spaces, in which different types lighting (chandeliers in the form of stalagmites, stairs with luminous handrails) are inventively used to emphasize transitions from one room to another, hiding the asymmetry of the internal organization.
The architects created a bright artistic and imaginative solution for the theater building, in which a precise sense of stylistic unity of form, plasticity and color was found.
ABOUT founder, permanent artistic director and chief director Theater "On the Embankment" (now the Moscow State Budgetary Institution of Culture "Children's Drama Theater "On the Embankment"), leading its creative history since 1980, as a community of adult professionals and children, teenagers, youth working together on performances and in performances, on the basis of open, conscious and responsible cooperation, co-development and co-creation; author of plays and director of more than 50 dramatic performances of the unique repertoire of the On the Embankment Theater.
Fedor Sukhov - graduate directing department VTU named after. B.V. Shchukin at the State academic theater them. E.B. Vakhtangov (1993, diploma with honors); graduated from the Moscow Energy Institute with a degree in Automation and Telemechanics (1984); Studied at VGIK. S.A. Gerasimov at the acting and directing course of S. Gerasimov and T. Makarova, at the personal invitation of the masters (for the role of A. Peshkov in the educational film “My Universities” in the workshop of M. Khutsiev).
Fyodor Sukhov - member of the Union of Cinematographers of the Russian Federation (since 1993); theater and film actor - more than 10 main roles in 20 films by such directors as: S. Gerasimov, E. Urazbaev, G. Egiazarov, Yu. Sorokin, K. Shakhnazarov and others; played historical characters: Prince Vladimir the Baptist, First Printer Ivan Fedorov, Maxim Gorky, Maximilian Voloshin, Marshal Soviet Union K. Meretskova.
Titles: laureate of the title “Teacher of the Year of Russia”, honorary worker general education Russia.
The author of the complex multi-level methodology “4 Theatres: Playing, Educational, Staged and Author’s Theaters for Children” for children (teenagers, youth) and adults, which forms the basis of the activities of the Theater “On the Embankment” and its programs included in the UNESCO program “Observatory of Arts Education of the State- CIS participants."
Author of socio-cultural projects of the Theater “On the Embankment”: Inclusive cinema theater project“RIVER OF LIFE: I still care” with disabled children (from 2016 to present); Charitable co-creative theater project “PEACE TO YOUR HOME” for orphans, pupils of orphanages and foster families (from 2016 to the present); An open co-creative theater project “TIGatoria”, which includes a tradition, a set of methods, practices and research activities (TIG - Theatrical Games) in the space of children's play drama theater (from 2000 to the present).
International activities - world-famous theater teacher: conducted original theater laboratories and master classes in 17 countries, including: Austria, Germany, France, England, Ireland, Finland, Croatia, Slovakia, Montenegro, Israel, Lithuania, Latvia , Estonia and others; directing and theatrical-pedagogical work at the invitation of the Institute of Theater of National Taiwan University (Taiwan), staging the play “The Cherry Orchard Theater” (Taipei, Taiwan); 5 times led Russian children's and youth theater teams and was the leader of international groups in the EDERED (European Drama Encounters) Theater Camps: in Germany, Israel, Estonia, Croatia and Austria.
Awards: Certificate of Honor from the Union of Theater Workers of Russia “For fruitful theatrical and pedagogical work with young artists”; Gratitude from the Minister of Culture of the Russian Federation A.A. Avdeeva; laureate of the Moscow Grant competition in the field of science and technology in education; Gratitude from the Head of the Russian Imperial House “For exemplary service to the Fatherland, high professional achievements and significant personal contribution to the development of Russian science, culture and art.”
