VLADIMIR VASILIEV. ENCYCLOPEDIA OF CREATIVE PERSONALITY.
The second (expanded and expanded) edition of the unique book “Vladimir Vasiliev. Encyclopedia creative personality" The first edition was published in 2000 - on the anniversary of Vasiliev, who became the first and only living person to whom a personal encyclopedia was dedicated. - a huge work about the life and work of the great ballet dancer, choreographer, director, set designer, artist, poet: 326 pages of the encyclopedia contain more than 900 articles. The author of the book, Elena Fetisova, a psychologist by training (she is also the author of scientific publications on the psychology of personality and creativity) and a photographer by vocation (which was noted by awarding her the “Soul of Dance” prize in 2015), has been photographing Vasiliev at performances for more than 40 years, rehearsals, concerts, filming, creative evenings etc. She has collected, systematized and compiled into articles a huge amount of information about all Vladimir Vasiliev’s roles in ballets, all performances with his participation and performances staged by him with full description stage stories; all his roles in television ballets, feature films; about the films in which Vasiliev starred and directed; about the performances and gala concerts that he directed; O international competitions ballet, where he was chairman of the jury; about his awards, prizes, prizes, honorary titles; photo albums, books, exhibitions dedicated to him; personal exhibitions of Vasilyev the artist, publications of his poetry and much, much more. Among the people presented in the encyclopedia: artists - the first performers of Vasiliev’s productions; his partners in plays and films; choreographers who choreographed specifically for him; composers, conductors, artists, choirmasters, accompanists - participants creative projects Vasiliev, directors and cameramen who made films about Vasiliev or together with him; Vasiliev’s teachers at the Moscow Art University and teachers at the Bolshoi Theater, his students at GITIS; ballet researchers and photographers, especially interested in Vasiliev’s work, etc.
Rich illustrative material (more than 450 photographs, almost half of which were taken by the author of the book) includes rare photographs from the personal archive of Vladimir Vasiliev, the Bolshoi Theater Museum, the State Central Theater Museum. A.A. Bakhrushin, the New Birth of Art Charitable Foundation, private collections, works of famous domestic and foreign photographers, many of which are published for the first time. The articles are arranged in alphabetical order, and each letter opens with a photograph of the Vasiliev production that begins with this letter: A – “Anyuta”, I – “Icarus”, M – “Macbeth”, etc. In addition to scenes from the performances, articles about the productions are illustrated with posters, performance programs, and photographs from rehearsals.
The encyclopedia includes an Appendix - “About creativity and not only” - containing information about Vasiliev’s performances (including comic ones) at various festivals, congratulations from colleagues and friends on his anniversaries, original gifts and dedications to Vladimir Vasiliev, as well as friendly cartoons , epigrams, mosaic of geographical names associated with his stay and many others. other. Appendix articles are also illustrated rare photographs, mostly unknown to the general public.
The book presents the works of Vasiliev the artist and set designer, his poetic works, and also for the first time small fragments of Vladimir Vasiliev’s memoirs, exclusively provided by him for this publication, are published.
You can purchase the book:
In the Bolshoi Theater store.
Address: Moscow, st. Theater Square, 1. 9th entrance of the main building.
In a bookstore Moscow
Address: st. Tverskaya 8 building 1
They also have an online store www.moscowbooks.ru
In the Mariinsky Theater store
Address: St. Petersburg, st. Theater Square, 1
On the publishing house website http://www.bookmusic.ru/
Today marks the 76th anniversary Vladimir Viktorovich Vasiliev - Soviet and Russian artist ballet master, choreographer, theater director, artist and actor, teacher.
Vladimir Viktorovich was born on April 18, 1940 in a family of felt factory workers. When the war began, he was barely one year old. The war separated the family: Vladimir Viktorovich’s father went to the front, and his mother worked at her native factory in 3 shifts, torn between her one-year-old son and work. My mother’s six older sisters, my aunts, became my salvation, for whom little boy was the point not to lose your mind during that terrible and difficult time.
This family was incredibly lucky - in 1945, the father returned from the front, and they were all together again. While the adults were reviving the country from the ashes, the future choreographer Vasiliev played ball, deftly jumped on the roofs and was not inferior in courage and fearlessness to his older comrades, which earned him the respect of the entire court. One of the friends invited little Vladimir with him to a dance club located in the Kirov House of Pioneers. At first glance, a sensitive teacher Elena Romanovna Rosse I saw in the blond tomboy a love of dance. Eight-year-old Vladimir Vasiliev was a born choreographer. He reproduced it the first time new material. They learned movements from his example and considered him the best student. In 1949 Vasiliev entered the choreographic school of the Bolshoi Theater, and a year later achieve championship among classmates.
In 1958, Vasiliev was accepted into the troupe Bolshoi Theater, where he immediately established himself as a dancer characteristic images. The future choreographer Vladimir Viktorovich Vasiliev began by performing bright, colorful characters in the operas “Rusalka” and “Demon”. The solo part in Walpurgis Night became his lucky ticket. It was in the role of Pan that he attracted attention Galina Ulanova , a meeting with which influenced the rest of his life. Her teaching talent, friendship and faith in Vasiliev’s professional future helped shape the personality of a great director, stage director and dancer. Working together in “Chopinian” became an invaluable experience and revealed Vladimir Viktorovich as an excellent performer of classical roles.
After coming to Bolshoi Theater Yu.N. Grigorovich, the young dancer took part in his production “ Stone flower", which won the favor of not only the choreographer, but also the love of the most fastidious critic - the viewer. After such a triumph, Vladimir Viktorovich was cast in the leading roles of the entire diverse repertoire of the Bolshoi Theater: “Cinderella”, “Pages of Life”, “Don Quixote”, Paganini in the production of the same name, “Laurencia”, “Giselle”, “Romeo and Juliet”.
Cinderella
Don Quixote
Giselle - Irina Kolpakova, Albert - Vladimir Vasiliev
Juliet - Ekaterina Sergeevna Maksimova, Romeo - Vladimir Viktorovich Vasiliev
Vasiliev was not yet 25 years old when the solo part in “Dance Suite” (staged by A. A. Varlamov) and Ivanushka in R. K. Shchedrin’s ballet “The Little Humpbacked Horse” (staged by A. I. Radunsky, 1960) were performed on stage. ), Slave in “Spartacus” by A. I. Khachaturian (staged by L. V. Yakobson), Lukash in “Forest Song” by G. L. Zhukovsky (staged by O. G. Tarasova and A. A. Lapauri). It is not an easy task to prove after yet another success that you are the best, and this is not the limit of your capabilities.
Sparktak
Lukash "Forest Song"
Beautiful and touching story was also in Vasiliev’s personal life. While still studying, he met Ekaterina Maximova, who was distinguished by her special adherence to principles, sometimes turning into stubbornness, which hindered her in subject training, but was decisive in mastering dance. The strength contained in such a fragile girl attracted and at the same time frightened Vladimir Vasiliev.
In the summer of 1961 they got married and spent their honeymoon in the most romantic city on the planet - Paris. This is a unique case, because in the Soviet Union spouses were not allowed to go abroad together. A film was presented there in which, by a mystical coincidence, Maksimova and Vasiliev played lovers. “The USSR with an open heart” allowed the newlyweds to enjoy such a vacation. Together they lived a long and happy life.
Over time, she came to Vasiliev and world fame. Maurice Bejart, Franco Zeffirelli, Roland Petit, Lorca Massine invited him to play the main roles in their productions. The public's love knew no bounds - the French idolized the Russian legend, the Argentines proclaimed national hero, and in the USA, despite the difficult political situation, Vasiliev became an honorary citizen of one of the cities. A special relationship has developed with hospitable Italy. The Roman Opera, La Scala, and San Carlo more than once hosted the choreographer on their stages, where the audience enjoyed his virtuoso performance and perfect plasticity.
Film-opera "La Traviata", directed by F. Zeffirelli, 1982.
They say that talented person talented in everything, and this is entirely about Vasiliev. It was not enough for him to dance on stage himself - he became a great choreographer! First own work choreographer Vasiliev staged the ballet “Icarus” in 1971. The master also embodied his worldview in “Fragments of a Biography,” “Nostalgia,” “Swan Lake” and many other works.
The whole country watched with delight opening ceremony Olympic Games in Sochi in 2014! Natasha Rostova’s First Ball was a particularly touching moment for me. Vladimir Viktorovich took part in this production! I invite you to remember these wonderful moments. Svetlana Zakharova and Vladimir Vasiliev are dancing!
Yours 75th anniversary Last year, the legendary dancer and choreographer celebrated at the Bolshoi Theater, where a performance based on Bach's Mass in B minor entitled Dona Nobis Pacem ("Give us peace") , which Vasiliev staged at the Tatar Academic Opera and Ballet Theater named after. Musa Jalil. This is an opera, a ballet, and a 3D installation. A philosophical parable about the fate of humanity and each person individually. The Mass is about love and joys, about losses, insults and bitterness.
Vasiliev at the final rehearsal of the play
Congratulations from Ilze Liepa, co-chairman of the Strategic Council of the Union of Women's Forces
It is an incredible joy to write such posts; it fills you with a sense of pride in your country, which is so rich in talented people!
Vladimir Vasiliev - teacher, choreographer, choreographer, People's Artist of the USSR, winner of the Nijinsky Prize as "the best dancer in the world."
Having left the stage, as befits a ballet dancer, at the age of about 40, Vladimir Vasiliev continued to dance and was in demand on the best stages of the world. And not only as a dancer, but also as a wonderful choreographer. Over the years, his multifaceted personality has revealed itself from other, most unexpected sides.
"No matter what work the artist does, he lets everything pass through himself", - this is how Vladimir Vasiliev speaks about the creations of all creative people different professions. His production of Bach's B minor Mass on the stage of the Tatar Academic Opera and Ballet Theater named after. M. Jalil - this grandiose performance, in which ballet and opera troupes participate, became the implementation of a long-standing cherished dream Vasilyeva.
"Stage" roleVladimir VasilievThe one that had the greatest influence on the viewer, on the generation, on ballet art as a whole, was Spartacus. As portrayed by Vasiliev, he was not a lump, a legend; Spartak was a vulnerable, doubting man. Talking about his experience as a choreographer and choreographer.
“I only want to do something when I see music: its real plastic embodiment, its expression in light, in color, in people’s relationships. After I heard the first waltz, I immediately realized: this is absolutely hit the mark ! Gavrilin and Chekhov merged for me in a single chord,”- so VladimirViktorovichrecalls working on the ballet "Anyuta", which won many prizes at international film festivals.
A huge part is connected with Leningrad television and with director Alexander Belinsky - the man who invented the genre of television ballet. creative biography Vasilyeva. Here, in the salon of historical photography named after. Karl Bulla hosted the first exhibition of Vasiliev the painter, and every time he comes here,t memories of people he has met and who are dear to him. One of them is Savely Yamshchikov. Thanks to him, Vasiliev fell in love with painting, and it has long occupied a special place in his life.
“You have to love what you do, and then the place in which you put your efforts doesn’t matter at all.”.
Vladimir Vasiliev can be called a “man of peace.” He remembers his first trips to America, Japan, a trip to France, which became a real honeymoon him and Ekaterina Maximova. Coincidentally, on the second day after the wedding, they went to Paris to present the Soviet-French film “USSR with an Open Heart,” in which they played the main roles.
When asked what country he could live in, if not in Russia, Vasiliev always answers - in Italy, in Rome. Vladimir Viktorovich’s first meeting with Italy took place in 1968, when the famous ballet couple was invited to a production of “Giselle” on the stage of the Rome Opera famous choreographer Hot Prebil. Vasiliev still remembers funny incident, how, before the premiere, the chairman of the local claquer society came into his dressing room and tried to “negotiate”, for which he was kicked out of the dressing room. And without collusionMaksimovAndVasiliev was waiting for a phenomenalsuccess. Roman opera is the beginning of their love for Italy.
“Monotony scares me. I can’t constantly play the same roles, constantly do only one thing.”, - this is how Vladimir Vasiliev explains the craving for different types classes: painting, poetry. IN recent years Vladimir Viktorovich is actively involved in social activities, and there is a special position that he values - the position of president of the Galina Ulanova Foundation. WITH great love Vasiliev talks about the legendary ballerina. For him, she is an example of those great people whose inner fullness is much higher than external expression. Vladimir Viktorovich recalls the Bolshoi Theater, which was his home for more than fifty years, about his dismissal... And he responded to his forced departure from the theater after five years of service as director and artistic director with a poem:
I thought about my love
Hatred cannot answer
And the enemy’s conscience will devour him,
And he won't spoil my blood.
Yes, that's what I thought...But in reality
Love and hate merged
And they began with gusto
Torment my soul and body.
Press service of the TV channel "Russia K"
Vladimir Viktorovich Vasiliev
Vladimir Viktorovich Vasiliev. Born on April 18, 1940 in Moscow. Soviet and Russian ballet dancer, choreographer, choreographer, theater director, actor, artist, poet, teacher. People's Artist USSR (1973).
Father - Viktor Ivanovich Vasiliev, driver.
Mother - Tatyana Yakovlevna Vasilyeva, worked in the sales department at a felt factory.
I ended up in choreography completely by accident. Then he went to the second grade of school. One day he was walking in the yard and his friend invited him to the Palace of Pioneers to dance. As Vasiliev recalled, he came to his first lesson barefoot. First of all, the boy was struck by the teacher: “We were children of the courtyards, after the war, and here such a thing appeared magical creature. She had an amazing hairstyle, the scent of perfume accompanied her, and it seemed to me that some kind of goddess had come out. And she started teaching us the waltz. You know, the first dance, but for me it really turned out to be simple."
He turned out to be such a capable student that after his first lesson ended, the teacher asked Vladimir to stay to... show the other group how to dance the waltz correctly! “I was simply shocked: the first lesson - and they immediately offered me this! Then there was a lot more, she called my mother, told me that I had talent...”
So, in 1947, he began dancing; this, as it turned out, determined his entire future fate.
Later he entered the Moscow Choreographic School (now the Moscow state academy choreography), which he graduated in 1958, class of the famous teacher M.M. Gabovich.
In 1958-1988 - leading soloist of the Bolshoi Theater ballet group. He made his debut in 1959 as Danila in the ballet “The Stone Flower” by Sergei Prokofiev. A year later he became the first performer of the role of Ivanushka in the ballet “The Little Humpbacked Horse”.
Over the years brilliant career he danced almost all the leading roles of classical and modern ballets. Among the most significant works is Basil in the ballet “Don Quixote” by L.F. Minkus, Petrushka in the ballet of the same name by I.F. Stravinsky, The Nutcracker in the ballet by P.I. Tchaikovsky, Spartacus in the ballet by A.I. Khachaturian, Romeo in “Romeo and Juliet” by Prokofiev, Prince Désiré in “The Sleeping Beauty” by P.I. Tchaikovsky and many others.
Vladimir Vasiliev in the ballet "Spartacus"
He also performed in ballets by foreign directors - R. Petit, M. Bejart, L. F. Massine. He created vivid, memorable images, often offering a new interpretation of them. The artist has the highest dance technique, the gift of plastic transformation and great acting skills.
He himself, answering a question about his best works on ballet stage, said: “I can name only two that I strongly disliked: one is the blue bird in The Sleeping Beauty, and the second is the young man in the ballet Chopiniana. I simply hated them - there was no development in them : Well, well, the blue bird flutters and flutters. These two roles just didn’t grab me at all.”
At the same time, the great master, strict with himself, was invariably overcome by a feeling of dissatisfaction: “Throughout my entire life I have danced many performances, I won’t even say how many, but none have ever satisfied me, at least not my performance. You know, there was never any left such a feeling: “God, I did it just great!” There was always something wrong in the first act, then in the second, everything seemed to work out, but there was no fusion with the music. I don’t know, perhaps an artist should always remain dissatisfied. In general, I never considered myself a genius.”
Since 1961, he acted in films, making his debut in the role of Ivanushka in the ballet film “The Tale of the Little Humpbacked Horse” directed by Zoya Tulubieva and Alexander Radunsky based on the fairy tale of the same name by P. Ershov.
Later he starred in the films “Abduction” (artist Vasiliev), “Romeo and Juliet” (Romeo), “Gigolo and Gigoletta” (Sid Cotman).
Vladimir Vasiliev in the film "Gigolo and Gigoletta"
As a director, he directed the film-play “Anyuta”, in which he also played the role of Pyotr Leontyevich, and later the musical drama “Fouette”, in which he played the main characters - Andrei Yaroslavovich Novikov and the Master.
Vladimir Vasiliev in the film "Anyuta"
Vladimir Vasiliev in the film "Fouette"
Since 1971, he began working as a choreographer, choreographing many ballets on the Soviet and foreign stages, as well as television ballets.
In 1982 he graduated from the choreographer's department of GITIS. In 1982-1995 he taught choreography there. In 1985-1995 - head of the department of choreography (since 1989 - professor).
In 1989, there was a huge scandal at the Bolshoi Theater. Then leading theater artists, among whom were Vladimir Vasiliev and Ekaterina Maksimova, wrote open letter to the newspaper Pravda. They claimed that Russian ballet was deteriorating and accused the artistic director of the troupe, Yuri Grigorovich, of dictatorship.
The scandal ended with the dismissal of Vasiliev and Maksimova. They worked abroad: the Paris Grand Opera, Milan's La Scala, Metropolitan Opera, Rome Opera. Later they returned to their homeland.
“Ballet occupies my whole life, and all my work was dedicated only to it”, - said Vladimir Vasiliev.
In 1995-2000 he worked as artistic director of the ballet troupe and director of the Bolshoi Theater.
Since 1989 - full member of the International Academy of Creativity, since 1990 - of the Academy Russian art. Also since 1990 - Secretary of the Union of Theater Workers of Russia, Deputy Chairman of the Executive Committee Russian Center International Dance Council of UNESCO.
Since 1992 - member of the jury of the Russian independent award in the field highest achievements literature and art "Triumph".
Since 1995 - honorary professor at Moscow State University.
Since 1998 - President of the G.S. Foundation. Ulanova.
In 1990-1995 - chairman of the jury, and since 1996 - artistic director Open competition of ballet dancers "Arabesque" (Perm). In 2008, "Arabesque" coincided with the fiftieth anniversary creative activity married couple and therefore the X competition was dedicated to them.
In 1999, on the initiative and direct participation of V. Vasiliev, the ballet school Bolshoi Theater in Joinville (Brazil).
In 2003, he was on the jury of the Eurovision Young Dancers 2003 competition in Amsterdam.
Since 2004 - Chairman of the jury of the annual International children's festival"Tanzolymp" in Berlin.
In 2014, he performed as Ilya Andreevich Rostov in the mini-ballet “Natasha Rostova’s First Ball” to national music (choreographed by Radu Poklitaru), shown at the opening of the 2014 Winter Olympics in Sochi.
In 2015, in honor of the dancer’s 75th anniversary, the premiere took place ballet performance"Donna nobis pasem" to the music of Bach. The hero of the day acted as a ballet director, the parts were performed by dancers of the Tatar Academic Theater named after Musa Jalil.
Writes poetry and paintings. “It’s immunity for me to embody myself in poetry and painting,” Vasiliev explained.
Vladimir Vasiliev and Ekaterina Maksimova. More than love
Vladimir Vasiliev's height: 185 centimeters.
Personal life of Vladimir Vasiliev:
Wife - (1939-2009), ballerina, People's Artist USSR, his constant stage partner.
Catherine was the granddaughter of a scientist-philosopher who was executed in 1937. They met in Moscow in the late forties. Vladimir was then nine years old, and Ekaterina was ten. They both had a passion for ballet. Catherine did not pay attention to him for a long time special attention, only in the last class of ballet school did Vladimir realize that he could not live without her and confessed his love to Maximova. She reciprocated.
They have become one of the most beautiful couples world ballet, they were applauded by presidents and monarchs, the Queen of Great Britain called them “ballet geniuses.” They knew each other for 60 years, and were married for almost half a century - until Maximova’s death.
They lived in the village of Snegiri near Moscow, where they moved in the early 1970s.
We really wanted to have children, but it didn’t work out.
Filmography of Vladimir Vasiliev:
1961 - The Tale of the Little Humpbacked Horse - Ivanushka
1961 - USSR with an open heart (documentary)
1969 - Kidnapping - artist Vasiliev
1969 - Moscow in notes
1970 - Trapeze (film-play)
1970 - Amusement Parade (documentary)
1973 - Duet (documentary)
1974 - Romeo and Juliet - Romeo
1975 - Spartacus (film-ballet) (film-play) - Spartak
1978 - The Nutcracker (film-play) - The Nutcracker, Prince
1980 - Gigolo and Zhigoletta (short) - Sid Cotman
1980 - Bolshoi Ballet(film-concert) (film-play)
1981 - 50 years of Sergei Obraztsov’s puppet theater (film-play)
1982 - House by the Road (film-play) - Andrey
1982 - Anyuta (film-play) - Pyotr Leontyevich, Anyuta’s father
1985 - Anna Pavlova (documentary)
1986 - Fouette - Andrey Yaroslavovich Novikov / Master
1987 - Ballet in the first person (documentary)
1988 - Grand Pas on the White Night
1990 - Katya and Volodya (documentary)
1991 - Revelations of choreographer Fyodor Lopukhov (documentary)
2005 - The Rise and Fall of Maris Liepa (documentary)
2006 - 100 years of non-loneliness. Igor Moiseev (documentary)
2006 - How idols left. Aram Khachaturian (documentary)
2007 - How idols left. Maris Liepa (documentary)
2007 - Nerijus (documentary)
2009 - Lifelong Fouette... (documentary)
2009 - Blue sea... white ship... Valeria Gavrilin (documentary)
2009 - Savely Yamshchikov. I am listed in Russia (documentary)
2010 - Tatiana Vecheslova. I am a ballerina (documentary)
2011 - Iya Savvina. Explosive mixture with bell (documentary)
Directing works of Vladimir Vasiliev:
1981 - The World of Ulanova (documentary)
1982 - Anyuta (film-play)
1986 - Fouette
Ballet parts Vladimir Vasiliev:
Bolshoi Theater:
1958 - “Rusalka” by A. Dargomyzhsky, choreography by E. Dolinskaya, B. Kholfin - gypsy dance;
1958 - “Demon” by A. Rubinstein - “Lezginka” dance;
1958 - choreographic picture “Walpurgis Night” in the opera “Faust” by C. Gounod, choreography by L. Lavrovsky - Pan;
1958 - “Chopiniana” to the music of F. Chopin, choreography by M. Fokine - Soloist;
1959 - “The Stone Flower” by S. Prokofiev, staged by Y. Grigorovich - Danila;
1959 - “Cinderella” by S. Prokofiev, choreography by R. Zakharov - Prince;
1959 - “Dance Suite” to the music of D. Shostakovich, staged by A. Varlamov - Soloist - first performer;
1960 - choreographic miniature “Narcissus” to the music of N. Cherepnin, choreography by K. Goleizovsky - Narcissus is the first performer (“Evening of new choreographic miniatures”);
1960 - “Romeo and Juliet” by S. Prokofiev, choreography by L. Lavrovsky - Benvolio;
1960 - “Shurale” by F. Yarullin, staged by L. Yakobson - Batyr;
1960 - “The Little Humpbacked Horse” by R. Shchedrin, staged by A. Radunsky - Ivanushka - first performer;
1961 - “Forest Song” by M. Skorulsky, choreographers O. Tarasova, A. Lapauri - Lukash - first performer;
1961 - “Pages of Life” by A. Balanchivadze, choreography by L. Lavrovsky - Andrey;
1962 - “Paganini” by S. Rachmaninov, staged by L. Lavrovsky - Paganini;
1962 - “Spartacus” by A. Khachaturian, staged by L. Yakobson - Slave - first performer;
1962 - “Don Quixote” by L. Minkus, choreography by A. Gorsky - Basil;
1963 - “Class Concert” to the music of A. Glazunov, A. Lyadov, A. Rubinstein, D. Shostakovich, staged by A. Messerer - Soloist - was among the first performers of this ballet;
1963 - “Laurencia” by A. Crane, choreography by V. Chabukiani - Frondoso;
1963 - “The Sleeping Beauty” by P. I. Tchaikovsky, choreography by M. Petipa, revised by Yu. Grigorovich - Blue Bird;
1964 - “Giselle” by A. Adam, choreography by J. Coralli, J. Perrot and M. Petipa, revised by L. Lavrovsky - Albert;
1964 - “Petrushka” by I. Stravinsky, choreography by M. Fokin - Petrushka;
1964 - “Leyli and Majnun” by S. Balasanyan, choreography by K. Goleizovsky - Majnun - first performer;
1966 - “The Nutcracker” by P. I. Tchaikovsky, staged by Y. Grigorovich - The Nutcracker Prince - first performer;
1968 - “Spartacus” by A. Khachaturian, staged by Y. Grigorovich - Spartacus - first performer;
1971 - “Icarus” by S. Slonimsky in his own production - Icarus;
1973 - “Romeo and Juliet” by S. Prokofiev, choreography by L. Lavrovsky - Romeo;
1973 - “The Sleeping Beauty” by P. I. Tchaikovsky, choreography by M. Petipa in the second edition by Yu. Grigorovich - Prince Désiré - first performer;
1975 - “Ivan the Terrible” to the music of S. Prokofiev, staged by Y. Grigorovich - Ivan the Terrible;
1976 - “Angara” by A. Eshpai, staged by Y. Grigorovich - Sergei - first performer;
1976 - “Icarus” by S. Slonimsky in his own production (second edition) - Icarus - first performer;
1979 - large adagio from the ballet “Romeo and Julia” by G. Berlioz, choreography and production by M. Bejart - Romeo is the first performer in the USSR;
1980 - “Macbeth” by K. Molchanov in his own production - Macbeth - first performer;
1986 - “Anyuta” to the music of V. Gavrilin after A. Chekhov in his own production - Pyotr Leontyevich - first performer;
1988 - concert number“Elegy” to the music of S. Rachmaninov - Soloist;
“The Golden Age” by D. Shostakovich, choreography by Yu. Grigorovich - Boris
Other theaters:
1977 - “Petrushka” by I. Stravinsky, choreography by M. Bejart - Youth (Twentieth Century Ballet Theater, Brussels);
1987 - “The Blue Angel” to the music of M. Constant, choreography by R. Petit - Professor Unrath (Marseille Ballet, France);
1988 - “Zorba the Greek” to music by M. Theodorakis, choreography by Lorca Massine - Zorba (“Arena di Verona”, Italy);
1988 - “Parisian Fun” to the music of J. Offenbach, choreography by L. Massine - Baron (Teatro San Carlo, Naples, Italy);
1988 - “Pulcinella” to the music of I. Stravinsky, choreography by L. Massine - Pulcinella (Teatro San Carlo);
1989 - “Nijinsky”, directed by B. Menegatti - Nijinsky (San Carlo Theatre);
1994 - “Cinderella” by S. Prokofiev - choreographer and role of Cinderella’s stepmother (Kremlin Ballet);
2000 - “The Long Journey into Christmas Night” to the music of P. Tchaikovsky and I. Stravinsky, director B. Menegatti - Maestro (Roman Opera);
2009 - “Diaghilev Musaget. Venice, August 1929" to composite music, directed by B. Menegatti - Diaghilev (Roman Opera on the stage of the Municipal Theater)
Productions by Vladimir Vasiliev:
1969 - “The Princess and the Woodcutter”, a fairy tale-comedy by G. Volchek and M. Mikaelyan (Sovremennik Theatre;
1971 - “Icarus”, ballet by S. Slonimsky (Bolshoi Theater, 1976 - second edition);
1977 - “Tahir and Zukhra”, opera-ballet by T. Jalilov (Bolshoi Theater named after Alisher Navoi, Tashkent);
1978 - “These enchanting sounds...”, ballet to music by A. Corelli, G. Torelli, V.-A. Mozart, J.-F. Ramo (Bolshoi Theater);
1980 - “Macbeth”, ballet by K. Molchanov (Bolshoi Theater; 1981 - Novosibirsk Opera and Ballet Theater; 1984 - German state opera, Berlin; 1986 - Budapest Opera, Hungary; 1990 - Kremlin Ballet Theater);
1981 - “Juno and Avos”, rock opera by A. Rybnikov, director M. Zakharov (Lenkom);
1981 - memorial evening “In honor of Galina Ulanova” / Hommage d’Oulanova (director and one of the performers, Pleyel concert hall, Paris);
1981 - “I want to dance” to the music of Russian composers (State Central Concert Hall “Russia”; 1990 - Bolshoi Theater);
1981 - “Fragments of a Biography” to the music of Argentine composers (Russia Concert Hall; 1990 - Bolshoi Theater);
1983 - choreographic composition to music by P. Tchaikovsky (Ballet of the Champs-Elysees, Paris; 1990 - Bolshoi Theater);
1986 - “Anyuta”, ballet to the music of V. Gavrilin based on the story by A. Chekhov (Bolshoi Theater, San Carlo Theater, Riga Opera and Ballet Theater; 1987 - Chelyabinsk Opera and Ballet Theater named after M. I. Glinka; 1990 - Tatar Theater Opera and Ballet named after Musa Jalil, Kazan; 1993 - Perm Opera and Ballet Theater named after P. I. Tchaikovsky; 2008 - Omsk musical theater; Voronezh Opera and Ballet Theater; 2009 - Krasnoyarsk Opera and Ballet Theater; 2011 - Samara Opera and Ballet Theater);
1988 - “Elegy”, concert number to the music of S. Rachmaninov (Bolshoi Theater);
1988 - “Paganini”, a new edition of L. Lavrovsky’s ballet to the music of S. Rachmaninov (San Carlo Theater; 1995 - Bolshoi Theater);
1989 - “The Tale of the Pope and his worker Balda”, musical and dramatic composition to the music of D. Shostakovich ( Concert hall them. P. I. Tchaikovsky, stage director and co-director Yu. Borisov; the first performer of the role of Balda);
1990 - “Romeo and Juliet”, ballet by S. Prokofiev (Moscow Musical Theater named after K. S. Stanislavsky and Vl. I. Nemirovich-Danchenko; 1993 - Lithuanian National Opera, Vilnius; 1999 - Latvian National Opera, Riga; 2002 - Municipal theater of Rio de Janeiro);
1991 - Don Quixote, ballet by L. Minkus (American Ballet Theatre; 1994 - Kremlin Ballet; 1995 - Lithuanian National Opera; 2001 - Tokyo Ballet, Japan; 2007 - National Theater, Belgrade);
1993 - “Aida” by G. Verdi, choreographic scenes in the opera (director F. Zeffirelli (Roman Opera; 2004 - Arena di Verona; 2006 - La Scala Theater);
1994 - “Cinderella”, ballet by S. Prokofiev (Kremlin Ballet, director and first performer of the role of Cinderella’s stepmother; 2002 - Chelyabinsk Opera and Ballet Theater; 2006 - Voronezh Opera and Ballet Theater);
1994 - “Giselle”, ballet by A. Adam, new choreographic version based on the choreography of J. Coralli, J. Perrot, M. Petipa (Roman Opera; 1997 - Bolshoi Theater);
1994 - “Nostalgia” to the music of Russian composers (Kremlin Ballet Theater, director and first performer of the main role);
1994 - “The Artist Reads the Bible”, musical and dramatic composition (Museum fine arts them. A. S. Pushkin);
1995 - “Oh, Mozart! Mozart...", requiem to the music of V.-A. Mozart, N. Rimsky-Korsakov, A. Salieri (New Opera, Moscow);
1995 - “Khovanshchina” by M. Mussorgsky, choreographic scenes in the opera (director B. Pokrovsky, Bolshoi Theater);
1996 - “Swan Lake”, ballet by P. I. Tchaikovsky, choreographic version using fragments of L. Ivanov’s choreography (Bolshoi Theater);
1996 - “La Traviata” by G. Verdi (Bolshoi Theater);
1997 - choreographic composition to the music of the overture to M. Glinka’s opera “Ruslan and Lyudmila” (Bolshoi Theater);
1999 - “Balda”, ballet to the music of D. Shostakovich (Bolshoi Theater; 2006 - Opera and Ballet Theater of the St. Petersburg Conservatory);
2009 - “The Spell of the Escher Family”, ballet to the music of G. Getty (Bolshoi Theater, new stage);
2015 - “Give us peace”, ballet to the music of the Mass in B minor by J. S. Bach (Tatar Opera and Ballet Theater named after Musa Jalil)
Bibliography of Vladimir Vasiliev:
2001 - “Chain of Days” (collection of poems)
USER AGREEMENT
1. GENERAL PROVISIONS
1.1. This User Agreement (hereinafter referred to as the Agreement) determines the procedure for accessing the website of the St. Petersburg State budgetary institution culture "St. Petersburg State academic theater Opera and Ballet named after. M.P.Mussorgsky-Mikhailovsky Theater" (hereinafter referred to as the Mikhailovsky Theater), located on the domain name www.site.
1.2. This Agreement governs the relationship between the Mikhailovsky Theater and the User of this Site.
2. DEFINITIONS OF TERMS
2.1. The following terms have the following meanings for the purposes of this Agreement:
2.1.2. The administration of the Mikhailovsky Theater website is authorized employees to manage the Site, acting on behalf of the Mikhailovsky Theater.
2.1.3. User of the Mikhailovsky Theater website (hereinafter referred to as the User) is a person who has access to the website via the Internet and uses the Website.
2.1.4. Website – the website of the Mikhailovsky Theater, located on the domain name www.site.
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3. SUBJECT OF THE AGREEMENT
3.1. The subject of this Agreement is to provide the Site User with access to the services contained on the Site.
3.1.1. The Mikhailovsky Theater website provides the User with the following types of services:
Access to information about the Mikhailovsky Theater and information on purchasing tickets on a paid basis;
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Providing discounts, promotions, benefits, special offers
Receiving information about news and events of the Theater, including through the distribution of information and news messages (e-mail, telephone, SMS);
Access to electronic content, with the right to view content;
Access to search and navigation tools;
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Other types of services implemented on the pages of the Mikhailovsky Theater website.
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3.4. The use of materials and services of the Site is governed by current legislation. Russian Federation
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6. RESPONSIBILITY
6.1. Any losses that the User may incur in the event of an intentional or careless violation of any provision of this Agreement, as well as due to unauthorized access to the communications of another User, are not reimbursed by the Administration of the Mikhailovsky Theater website.
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6.2.3. Improper functioning of the Site, if the User does not have the necessary technical means to use it, and also does not bear any obligation to provide users with such means.
7. VIOLATION OF THE TERMS OF USER AGREEMENT
7.1. The administration of the Mikhailovsky Theater website has the right, without prior notice to the User, to terminate and (or) block access to the Site if the User has violated this Agreement or the terms of use of the Site contained in other documents, as well as in the event of termination of the Site or due to a technical problem or problem.
7.2. The site administration is not responsible to the User or third parties for termination of access to the Site in the event of a violation by the User of any provision of this 7.3. Agreement or other document containing the terms of use of the Site.
The site administration has the right to disclose any information about the User that is necessary to comply with the provisions of current legislation or court decisions.
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8.1. In the event of any disagreement or dispute between the Parties to this Agreement prerequisite before going to court is to submit a claim (a written proposal for a voluntary settlement of the dispute).
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9.1. By joining this Agreement and leaving your data on the Mikhailovsky Theater Website by filling out the registration fields, the User:
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9.2. The processing of the User's personal data is carried out in accordance with clause 5, part 1, art. 6 Federal Law dated July 27, 2006 No. 152-FZ “On Personal Data” solely for the purposes of
Fulfillment of obligations assumed by the Administration of the Mikhailovsky Theater website under this agreement to the User, including those specified in clause 3.1.1. of this Agreement.
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